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Edited Text
Culminating
Experience
Reflective
Paper
Vanessa
Martinez
-
June
27,
2014
1)
Culminating
experience
project
summary
of
project
that
was
completed
For
my
Culminating
Experience,
I
wrote
a
research
paper
surrounding
my
thesis
statement
that
the
business
practices
of
the
companies
within
the
commercial
music
industry
have
killed
creativity
in
music.
To
defend
my
statement,
I
researched
the
careers
of
5
artists
that
embody
the
true
spirit
of
creativity
within
their
work.
The
artists
that
I
researched,
Captain
Beeefheart,
Frank
Zappa,
Kool
Keith,
Outkast,
and
Lupe
Fiasco
represent
various
genres
and
span
6
decades
within
the
music
industry.
For
my
paper,
I
focused
on
the
negative
aspects
of
their
careers,
including
lawsuits,
unfavorable
record
deals,
and
the
industry’s
response
to
their
creative
exploits
and
actions.
Throughout
my
paper,
I
noticed
that
across
the
board,
creativity
was
ignored,
leaving
money
on
the
table
time
and
time
again.
I
make
the
argument
that
if
the
industry
valued
creativity,
trusted
their
artists,
and
gave
them
more
creative
control,
there
would
be
a
larger
possibility
for
successful
records.
The
better
one
treats
their
artist,
the
better
the
product.
I
further
argue
that
the
industry’s
currently
volatile
state
is
not
simply
due
to
piracy,
but
rather,
in
conjunction
with
decreasing
consumer
loyalty
in
direct
response
to
the
recognition
of
such
creative
neglect
at
the
hands
of
record
labels.
My
research
paper
asserts
my
opinion
that
a
renewal
of
creative
freedom
within
the
music
industry
will
allow
for
more
variety
and
a
more
diverse
culture.
2)
Results:
how
the
project
did
and
did
not
align
with
expectations
Despite
being
a
business
student,
I
am
first
and
foremost
a
musician.
Upon
starting
the
Global
Entertainment
program,
my
academic
goal
was
to
build
upon
my
undergraduate
Music
Business
degree
to
further
supplement
my
musicianship
and
creativity
with
a
strong
business
background.
Initially
I
had
intentions
of
working
on
a
project
that
I
was
extremely
passionate
about
and
would
help
me
with
my
future
endeavors
for
the
duration
of
the
program.
However,
I
was
unfortunately
unable
to
accomplish
this
goal
due
to
restraints
from
my
advisor.
Beginning
with
the
proposal
process,
the
Culminating
Experience
project
drastically
underwhelmed
all
of
my
expectations
coming
into
the
program.
The
proposal
process,
which
I
figured
would
be
extremely
straightforward
and
simple,
was
much
longer
than
I
anticipated,
as
I
was
met
with
numerous
difficulties.
I
thought
the
program
was
going
to
be
more
open
to
the
unique
ideas
and
backgrounds
of
the
students
and
be
more
encouraging
of
and
truly
support
its
student
body’s
goals.
I
also
was
under
the
impression
that
since
we
are
in
a
Music
Business
program
from
an
extremely
music-‐centric
institution
like
Berklee,
there
would
be
much
more
music
involved.
All
in
all,
however,
this
program
felt
like
a
generic
business
program,
having
little
to
do
with
music,
which
was
ultimately
reflected
on
the
Culminating
Experience
as
well.
In
my
experience,
it
is
possible
to
successfully
pair
music
and
business.
Throughout
my
studies
and
professional
experience,
I
have
encountered
many
musicians,
professionals,
and
students
alike
that
operate
under
this
natural
inclination.
Most
of
the
leading
professionals
in
the
2
industry
are
able
to
do
just
that,
a
trait
that
I
believe
is
key
in
the
success
of
these
individuals.
The
process
of
actually
settling
on
a
project
that
my
advisor
approved
of
was
much
longer
than
anticipated.
Well
beyond
the
halfway
point
of
the
program,
I
was
still
in
the
proposal
process,
unable
to
actually
begin
working
on
the
project.
I
also
expected
more
profound
guidance
and
to
develop
a
relationship
with
my
advisor,
ultimately
looking
to
him
as
a
mentor.
Unfortunately,
this
was
not
the
case.
I
would
have
loved
to
receive
more
support
with
my
ideas
and
goals
and
reflect
positively
on
the
experience.
Not
a
single
one
of
my
ambitious
expectations
were
met
over
the
course
of
this
project,
leading
to
an
extremely
frustrating
experience.
3)
Plan
of
action/
process:
where
project
met
expectations
and
where
it
needed
to
be
revised
during
execution.
Initially,
I
wanted
to
complete
an
operational
CE
that
included
an
album
release,
the
establishment
of
my
brand
as
a
musician,
the
implementation
of
a
social
media
campaign,
multiple
live
performances,
and
the
creation
of
a
web-‐based
drum
sample
platform
that
I
would
use
as
a
means
of
promotion,
education,
and
the
advancement
of
creativity.
Upon
proposing
this
project,
I
was
told
that
an
operational
CE
of
an
album
release
and
promotion
wasn’t
for
the
GEMB
students
and
that
it
was
a
mistake
to
include
that
option
in
the
slides
that
explained
the
project
to
us
at
the
beginning
of
the
year.
I
was
also
told
that
all
of
my
practical
ideas
listed
wouldn’t
be
enough
work
for
a
CE
project.
I
still
struggle
to
understand
this
3
thought
process,
as
my
initial
idea
entailed
much
more
work
than
any
other
project
idea
that
was
encouraged
by
my
advisor.
Ultimately,
I
was
eventually
encouraged
repeatedly
to
focus
on
only
one
aspect
of
my
original
idea,
the
drum
sample
platform
I
was
initially
intending
to
use
as
a
promotional
medium.
Despite
my
vision
for
this
platform
as
promotional,
I
was
repeatedly
pushed
toward
changing
this
idea
into
a
business,
one
that
would
generate
revenue.
Ultimately,
at
the
hands
of
my
advisor,
my
CE
went
from
my
ideal
project
of
focusing
on
music
and
the
promotion
of
creative
ideas
to
one
that
was
entirely
focused
on
money.
I
was
very
skeptical
when
considering
this
new
option,
but
trusted
in
the
CE’s
advisory
system
and
explored
this
option.
The
platform,
as
initially
created,
was
to
consist
of
a
sample
library
comprised
of
breakbeats,
live
recordings
of
me
playing
drum
grooves.
The
main
premise
of
the
platform
was
that
I
would
work
under
creative
commons,
opting
to
give
away
the
breaks
for
free
to
musicians
and
producers,
only
asking
for
artistic
credit
in
return.
My
goal
with
this
platform
was
to
become
an
influencer
and
seek
out
sponsorships,
studio
gigs,
live
gigs,
and
teaching
jobs.
I
spent
many
of
the
initial
months
of
the
project
working
on
the
actual
development
of
this
platform,
only
to
have
it
condensed
into
a
business
plan,
despite
my
assertions
that
it
was
not
technically
a
revenue
generating
business.
My
goals
and
ideas
of
the
platform
as
a
means
of
promotion
were
simply
negated
by
my
advisor
with
statements
such
as,
“you’ll
find
a
way
to
monetize.”
No
attention
was
paid
by
my
advisor
and
the
program
to
the
fact
that
I
did
not
want
to
monetize
this
platform,
pushing
me
into
a
business
plan
that
I
did
not
want
to
write.
4
I
was
constantly
being
pushed
in
a
direction
that
I
was
unhappy
with
when
it
came
to
the
development
of
this
business
plan.
After
my
mock
presentations
and
initial
feedback
from
classmates,
I
came
to
the
conclusion
that
this
project
was
way
too
far
from
what
it
was
intended
to
be
and
how
I
envision
it
in
reality.
Needing
to
make
the
most
of
my
significant
investment
in
this
academic
program,
I
chose
to
take
the
opportunity
to
leave
with
a
CE
that
better
reflected
my
goals,
that
I
was
proud
of,
and
that
contributed
positively
to
the
seeking
of
future
opportunities
within
education.
With
these
educational
goals
in
mind,
I
was
simultaneously
researching
for
a
piece
that
I
was
writing,
with
the
ultimate
goal
of
getting
published
in
a
music
business
publication.
For
the
purposes
of
this
paper,
I
followed
my
passion
for
creativity,
a
constant
theme
in
the
multiple
CE
ideas
that
I
proposed
this
year,
and
decided
to
write
a
piece
about
the
state
of
creativity
in
the
music
industry.
I
was
inspired
to
write
this
piece
while
listening
to
my
favorite
musicians
and
reflecting
upon
their
careers,
which
have
unfortunately
been
defined
by
conflicts
with
record
labels
and
an
overall
stifling
of
creativity.
Another
goal
of
this
paper
was
to
not
lean
solely
on
pathos,
but
with
a
strong
balance
of
the
emotional
component
of
the
argument
with
supporting
music
industry
research
and
knowledge.
I
feel
that
my
paper
has
a
strong
topical
balance
of
creativity,
musicality,
and
music
industry
study
that
I
feel
would
be
most
representative
of
and
supported
by
a
Music
Business
educational
program
at
a
music
institution
like
Berklee
College
of
Music.
I
feel
that
this
piece
is
a
much
better
reflection
of
my
personality,
my
background,
and
my
studies
here
at
Berklee
Valencia
that
will
ultimately
help
me
with
my
future
5
endeavors.
Unfortunately,
the
arrival
at
this
positive
outcome
was
filled
with
negativity
and
disrespect
at
the
hands
of
my
advisor
that
has
left
me
with
an
extremely
negative
view
on
the
Culminating
Experience
project
as
a
whole.
4)
Next
steps:
if
the
project
were
to
continue,
what
would
the
next
phase
entail?
The
next
phase
includes
me
revising
this
paper,
continuing
to
improve
its
content,
and
opening
the
piece
up
to
trusted
individuals
who
could
give
me
feedback
and
editing
support.
I
will
also
be
receiving
feedback
from
individuals
whom
I
respect
professionally
and
educationally.
I
will
then
attempt
to
get
the
piece
published.
5)
Contribution
to
the
discipline
or
profession
The
approach
I
took
on
this
paper
proposes
an
alternative
way
to
solve
the
various
issues
facing
the
music
industry.
As
I
mentioned
in
the
piece,
it
is
easy
to
blame
industry
issues
on
piracy,
streaming
platforms,
and
technological
advancement.
I
propose
that
if
industry
professionals
trust
their
artists
and
their
creativity,
there
will
smoother
transactions
and
more
successful
projects.
Both
sides
of
the
table
will
benefit
from
allowing
the
musician
to
have
creative
control
of
their
own
art.
It
is
my
hope
that
this
piece
will
be
instrumental
in
opening
up
this
dialogue
within
the
music
industry,
eventually
playing
a
role
in
the
advancement
of
creativity,
which
was
one
of
my
running
goals
for
the
duration
of
the
Culminating
Experience
project.
6
6)
Impact
on
the
student
completing
the
work
This
research
paper
has
been
the
perfect
marriage
of
music,
creativity,
and
business.
I
have
been
allowed
to
analytically
listen
to
some
pieces
that
are
without
a
doubt
classics
within
the
history
of
music,
as
well
as
learn
about
the
careers,
struggles,
and
music
industry
dealings
of
many
of
my
favorite
and
most
respected
musicians.
This
project
has
also
allowed
me
to
leave
Berklee
Valencia
with
a
document
that
is
a
sample
of
my
writing
skills.
This
is
a
much
more
positive
outcome
than
my
previous
project,
which
would
have
been
discarded
of
upon
graduation.
In
this
document
my
opinion
on
the
importance
of
creativity
is
expressed
as
well
as
my
knowledge
of
the
music
industry.
This
is
also
a
piece
I
can
share
with
potential
employers
if
need
be.
Given
my
significant
investment
in
my
education
at
Berklee
Valencia,
I
could
not
have
afforded
to
leave
here
with
a
waste
of
a
project,
like
my
business
plan
was.
My
research
paper
gave
me
the
important
opportunity
to
actually
make
something
out
of
my
time
here,
an
opportunity
that
I
could
not
pass
up
when
deciding
on
my
CE
topic.
7
Experience
Reflective
Paper
Vanessa
Martinez
-
June
27,
2014
1)
Culminating
experience
project
summary
of
project
that
was
completed
For
my
Culminating
Experience,
I
wrote
a
research
paper
surrounding
my
thesis
statement
that
the
business
practices
of
the
companies
within
the
commercial
music
industry
have
killed
creativity
in
music.
To
defend
my
statement,
I
researched
the
careers
of
5
artists
that
embody
the
true
spirit
of
creativity
within
their
work.
The
artists
that
I
researched,
Captain
Beeefheart,
Frank
Zappa,
Kool
Keith,
Outkast,
and
Lupe
Fiasco
represent
various
genres
and
span
6
decades
within
the
music
industry.
For
my
paper,
I
focused
on
the
negative
aspects
of
their
careers,
including
lawsuits,
unfavorable
record
deals,
and
the
industry’s
response
to
their
creative
exploits
and
actions.
Throughout
my
paper,
I
noticed
that
across
the
board,
creativity
was
ignored,
leaving
money
on
the
table
time
and
time
again.
I
make
the
argument
that
if
the
industry
valued
creativity,
trusted
their
artists,
and
gave
them
more
creative
control,
there
would
be
a
larger
possibility
for
successful
records.
The
better
one
treats
their
artist,
the
better
the
product.
I
further
argue
that
the
industry’s
currently
volatile
state
is
not
simply
due
to
piracy,
but
rather,
in
conjunction
with
decreasing
consumer
loyalty
in
direct
response
to
the
recognition
of
such
creative
neglect
at
the
hands
of
record
labels.
My
research
paper
asserts
my
opinion
that
a
renewal
of
creative
freedom
within
the
music
industry
will
allow
for
more
variety
and
a
more
diverse
culture.
2)
Results:
how
the
project
did
and
did
not
align
with
expectations
Despite
being
a
business
student,
I
am
first
and
foremost
a
musician.
Upon
starting
the
Global
Entertainment
program,
my
academic
goal
was
to
build
upon
my
undergraduate
Music
Business
degree
to
further
supplement
my
musicianship
and
creativity
with
a
strong
business
background.
Initially
I
had
intentions
of
working
on
a
project
that
I
was
extremely
passionate
about
and
would
help
me
with
my
future
endeavors
for
the
duration
of
the
program.
However,
I
was
unfortunately
unable
to
accomplish
this
goal
due
to
restraints
from
my
advisor.
Beginning
with
the
proposal
process,
the
Culminating
Experience
project
drastically
underwhelmed
all
of
my
expectations
coming
into
the
program.
The
proposal
process,
which
I
figured
would
be
extremely
straightforward
and
simple,
was
much
longer
than
I
anticipated,
as
I
was
met
with
numerous
difficulties.
I
thought
the
program
was
going
to
be
more
open
to
the
unique
ideas
and
backgrounds
of
the
students
and
be
more
encouraging
of
and
truly
support
its
student
body’s
goals.
I
also
was
under
the
impression
that
since
we
are
in
a
Music
Business
program
from
an
extremely
music-‐centric
institution
like
Berklee,
there
would
be
much
more
music
involved.
All
in
all,
however,
this
program
felt
like
a
generic
business
program,
having
little
to
do
with
music,
which
was
ultimately
reflected
on
the
Culminating
Experience
as
well.
In
my
experience,
it
is
possible
to
successfully
pair
music
and
business.
Throughout
my
studies
and
professional
experience,
I
have
encountered
many
musicians,
professionals,
and
students
alike
that
operate
under
this
natural
inclination.
Most
of
the
leading
professionals
in
the
2
industry
are
able
to
do
just
that,
a
trait
that
I
believe
is
key
in
the
success
of
these
individuals.
The
process
of
actually
settling
on
a
project
that
my
advisor
approved
of
was
much
longer
than
anticipated.
Well
beyond
the
halfway
point
of
the
program,
I
was
still
in
the
proposal
process,
unable
to
actually
begin
working
on
the
project.
I
also
expected
more
profound
guidance
and
to
develop
a
relationship
with
my
advisor,
ultimately
looking
to
him
as
a
mentor.
Unfortunately,
this
was
not
the
case.
I
would
have
loved
to
receive
more
support
with
my
ideas
and
goals
and
reflect
positively
on
the
experience.
Not
a
single
one
of
my
ambitious
expectations
were
met
over
the
course
of
this
project,
leading
to
an
extremely
frustrating
experience.
3)
Plan
of
action/
process:
where
project
met
expectations
and
where
it
needed
to
be
revised
during
execution.
Initially,
I
wanted
to
complete
an
operational
CE
that
included
an
album
release,
the
establishment
of
my
brand
as
a
musician,
the
implementation
of
a
social
media
campaign,
multiple
live
performances,
and
the
creation
of
a
web-‐based
drum
sample
platform
that
I
would
use
as
a
means
of
promotion,
education,
and
the
advancement
of
creativity.
Upon
proposing
this
project,
I
was
told
that
an
operational
CE
of
an
album
release
and
promotion
wasn’t
for
the
GEMB
students
and
that
it
was
a
mistake
to
include
that
option
in
the
slides
that
explained
the
project
to
us
at
the
beginning
of
the
year.
I
was
also
told
that
all
of
my
practical
ideas
listed
wouldn’t
be
enough
work
for
a
CE
project.
I
still
struggle
to
understand
this
3
thought
process,
as
my
initial
idea
entailed
much
more
work
than
any
other
project
idea
that
was
encouraged
by
my
advisor.
Ultimately,
I
was
eventually
encouraged
repeatedly
to
focus
on
only
one
aspect
of
my
original
idea,
the
drum
sample
platform
I
was
initially
intending
to
use
as
a
promotional
medium.
Despite
my
vision
for
this
platform
as
promotional,
I
was
repeatedly
pushed
toward
changing
this
idea
into
a
business,
one
that
would
generate
revenue.
Ultimately,
at
the
hands
of
my
advisor,
my
CE
went
from
my
ideal
project
of
focusing
on
music
and
the
promotion
of
creative
ideas
to
one
that
was
entirely
focused
on
money.
I
was
very
skeptical
when
considering
this
new
option,
but
trusted
in
the
CE’s
advisory
system
and
explored
this
option.
The
platform,
as
initially
created,
was
to
consist
of
a
sample
library
comprised
of
breakbeats,
live
recordings
of
me
playing
drum
grooves.
The
main
premise
of
the
platform
was
that
I
would
work
under
creative
commons,
opting
to
give
away
the
breaks
for
free
to
musicians
and
producers,
only
asking
for
artistic
credit
in
return.
My
goal
with
this
platform
was
to
become
an
influencer
and
seek
out
sponsorships,
studio
gigs,
live
gigs,
and
teaching
jobs.
I
spent
many
of
the
initial
months
of
the
project
working
on
the
actual
development
of
this
platform,
only
to
have
it
condensed
into
a
business
plan,
despite
my
assertions
that
it
was
not
technically
a
revenue
generating
business.
My
goals
and
ideas
of
the
platform
as
a
means
of
promotion
were
simply
negated
by
my
advisor
with
statements
such
as,
“you’ll
find
a
way
to
monetize.”
No
attention
was
paid
by
my
advisor
and
the
program
to
the
fact
that
I
did
not
want
to
monetize
this
platform,
pushing
me
into
a
business
plan
that
I
did
not
want
to
write.
4
I
was
constantly
being
pushed
in
a
direction
that
I
was
unhappy
with
when
it
came
to
the
development
of
this
business
plan.
After
my
mock
presentations
and
initial
feedback
from
classmates,
I
came
to
the
conclusion
that
this
project
was
way
too
far
from
what
it
was
intended
to
be
and
how
I
envision
it
in
reality.
Needing
to
make
the
most
of
my
significant
investment
in
this
academic
program,
I
chose
to
take
the
opportunity
to
leave
with
a
CE
that
better
reflected
my
goals,
that
I
was
proud
of,
and
that
contributed
positively
to
the
seeking
of
future
opportunities
within
education.
With
these
educational
goals
in
mind,
I
was
simultaneously
researching
for
a
piece
that
I
was
writing,
with
the
ultimate
goal
of
getting
published
in
a
music
business
publication.
For
the
purposes
of
this
paper,
I
followed
my
passion
for
creativity,
a
constant
theme
in
the
multiple
CE
ideas
that
I
proposed
this
year,
and
decided
to
write
a
piece
about
the
state
of
creativity
in
the
music
industry.
I
was
inspired
to
write
this
piece
while
listening
to
my
favorite
musicians
and
reflecting
upon
their
careers,
which
have
unfortunately
been
defined
by
conflicts
with
record
labels
and
an
overall
stifling
of
creativity.
Another
goal
of
this
paper
was
to
not
lean
solely
on
pathos,
but
with
a
strong
balance
of
the
emotional
component
of
the
argument
with
supporting
music
industry
research
and
knowledge.
I
feel
that
my
paper
has
a
strong
topical
balance
of
creativity,
musicality,
and
music
industry
study
that
I
feel
would
be
most
representative
of
and
supported
by
a
Music
Business
educational
program
at
a
music
institution
like
Berklee
College
of
Music.
I
feel
that
this
piece
is
a
much
better
reflection
of
my
personality,
my
background,
and
my
studies
here
at
Berklee
Valencia
that
will
ultimately
help
me
with
my
future
5
endeavors.
Unfortunately,
the
arrival
at
this
positive
outcome
was
filled
with
negativity
and
disrespect
at
the
hands
of
my
advisor
that
has
left
me
with
an
extremely
negative
view
on
the
Culminating
Experience
project
as
a
whole.
4)
Next
steps:
if
the
project
were
to
continue,
what
would
the
next
phase
entail?
The
next
phase
includes
me
revising
this
paper,
continuing
to
improve
its
content,
and
opening
the
piece
up
to
trusted
individuals
who
could
give
me
feedback
and
editing
support.
I
will
also
be
receiving
feedback
from
individuals
whom
I
respect
professionally
and
educationally.
I
will
then
attempt
to
get
the
piece
published.
5)
Contribution
to
the
discipline
or
profession
The
approach
I
took
on
this
paper
proposes
an
alternative
way
to
solve
the
various
issues
facing
the
music
industry.
As
I
mentioned
in
the
piece,
it
is
easy
to
blame
industry
issues
on
piracy,
streaming
platforms,
and
technological
advancement.
I
propose
that
if
industry
professionals
trust
their
artists
and
their
creativity,
there
will
smoother
transactions
and
more
successful
projects.
Both
sides
of
the
table
will
benefit
from
allowing
the
musician
to
have
creative
control
of
their
own
art.
It
is
my
hope
that
this
piece
will
be
instrumental
in
opening
up
this
dialogue
within
the
music
industry,
eventually
playing
a
role
in
the
advancement
of
creativity,
which
was
one
of
my
running
goals
for
the
duration
of
the
Culminating
Experience
project.
6
6)
Impact
on
the
student
completing
the
work
This
research
paper
has
been
the
perfect
marriage
of
music,
creativity,
and
business.
I
have
been
allowed
to
analytically
listen
to
some
pieces
that
are
without
a
doubt
classics
within
the
history
of
music,
as
well
as
learn
about
the
careers,
struggles,
and
music
industry
dealings
of
many
of
my
favorite
and
most
respected
musicians.
This
project
has
also
allowed
me
to
leave
Berklee
Valencia
with
a
document
that
is
a
sample
of
my
writing
skills.
This
is
a
much
more
positive
outcome
than
my
previous
project,
which
would
have
been
discarded
of
upon
graduation.
In
this
document
my
opinion
on
the
importance
of
creativity
is
expressed
as
well
as
my
knowledge
of
the
music
industry.
This
is
also
a
piece
I
can
share
with
potential
employers
if
need
be.
Given
my
significant
investment
in
my
education
at
Berklee
Valencia,
I
could
not
have
afforded
to
leave
here
with
a
waste
of
a
project,
like
my
business
plan
was.
My
research
paper
gave
me
the
important
opportunity
to
actually
make
something
out
of
my
time
here,
an
opportunity
that
I
could
not
pass
up
when
deciding
on
my
CE
topic.
7