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Mon, 10/10/2022 - 21:57
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Dolltr!ck
Dolltrick is the artistic project of Claire Marie Lim B.M. 18, a Singapore-born multi-
instrumentalist and electronic musician based on the East Coast of the United States.
Painting soundscapes and building beats with synths, drum machines, and more, her
works aim to engage emotions and highlight ideas related to the human condition.
Under this project, Lim has DJ-ed, performed as a solo live electronic act, and created
original pieces that fuse electronica, hip-hop, future bass, and dance music. When
she isn't involved with audio and music technology, Lim can also be found on a poster outside of the
Berklee Performance Center.
Moldover
Moldover grew up in Rockville, Maryland, patterning his earliest music after the
rock, pop, and metal that spoke to him through radio, television, and his elder
brother's record collection. He wrote songs, played in bands, and taught himself
the recording arts with a basement full of secondhand instruments and a 4-track
tape machine. In 1998 he moved to Boston to attend Berklee, where he abandoned
pop songwriting and shifted his focus to classical composition, jazz arranging, and
electronic music production. Moldover graduated summa cum laude from Berklee and moved to New
York City to work as a freelance musician. Intent on merging his love of playing in ensembles with his
electronic compositions, he wove his way through a series of live electronic bands, eventually becoming
disillusioned with New York's exclusive and socially complex live music scene. At the same time, he
began seeing his favorite electronic music artists play live, but found that their stage performances
lacked the creative fire of their recorded works. Seeing an opportunity, he ventured out as a solo artist,
relocated to San Francisco, and set about creating performances that would bridge the gap between
traditional musicianship and modern electronic music culture.
Dan Freeman
Dan Freeman (C@m1x) is an artist/producer/bassist and music technologist based in
Brooklyn, New York, and one of the world's leading experts on the integration of live
X instruments with laptops using Ableton Live.
A After graduating Harvard College, he came to New York City to be a session bass
a 'l'E‘“K player and studied with John Patitucci and Matthew Garrison at the Bass Collective.
Freeman got involved in the city's underground live electronic music scene, where
he started experimenting with mixing live and digital instruments. He became so fascinated with the
possibilities of the software that he formed Comandante Zero, an electro-funk digital art and music
collective that performed with groups such as the Brazilian Girls and the Juan Maclean.In 2011, he
became an Ableton Certified Trainer and joined the faculty at New York City's Dubspot.
Freeman is currently on the faculty at New York University's Clive Davis Institute of Recorded
Music, where he designed a curriculum around producing music with software, MIDI, and live
performance with laptops. He has been hired by Ableton to train numerous major label artists on
Ableton Live and Push and helped with the U.S. launch of Ableton’s Push 1 and 2 instruments.
In 2015, he founded the Brooklyn Digital Conservatory, a platform that brings top digital
music producers, performers, and educators to emerging markets in Latin America for courses
and performances. Freeman works out of his production studio, StudioJ-The Playroom, in Gowanus,
Brooklyn, where he produces records and creates live performance setups for artists.
Dolltrick is the artistic project of Claire Marie Lim B.M. 18, a Singapore-born multi-
instrumentalist and electronic musician based on the East Coast of the United States.
Painting soundscapes and building beats with synths, drum machines, and more, her
works aim to engage emotions and highlight ideas related to the human condition.
Under this project, Lim has DJ-ed, performed as a solo live electronic act, and created
original pieces that fuse electronica, hip-hop, future bass, and dance music. When
she isn't involved with audio and music technology, Lim can also be found on a poster outside of the
Berklee Performance Center.
Moldover
Moldover grew up in Rockville, Maryland, patterning his earliest music after the
rock, pop, and metal that spoke to him through radio, television, and his elder
brother's record collection. He wrote songs, played in bands, and taught himself
the recording arts with a basement full of secondhand instruments and a 4-track
tape machine. In 1998 he moved to Boston to attend Berklee, where he abandoned
pop songwriting and shifted his focus to classical composition, jazz arranging, and
electronic music production. Moldover graduated summa cum laude from Berklee and moved to New
York City to work as a freelance musician. Intent on merging his love of playing in ensembles with his
electronic compositions, he wove his way through a series of live electronic bands, eventually becoming
disillusioned with New York's exclusive and socially complex live music scene. At the same time, he
began seeing his favorite electronic music artists play live, but found that their stage performances
lacked the creative fire of their recorded works. Seeing an opportunity, he ventured out as a solo artist,
relocated to San Francisco, and set about creating performances that would bridge the gap between
traditional musicianship and modern electronic music culture.
Dan Freeman
Dan Freeman (C@m1x) is an artist/producer/bassist and music technologist based in
Brooklyn, New York, and one of the world's leading experts on the integration of live
X instruments with laptops using Ableton Live.
A After graduating Harvard College, he came to New York City to be a session bass
a 'l'E‘“K player and studied with John Patitucci and Matthew Garrison at the Bass Collective.
Freeman got involved in the city's underground live electronic music scene, where
he started experimenting with mixing live and digital instruments. He became so fascinated with the
possibilities of the software that he formed Comandante Zero, an electro-funk digital art and music
collective that performed with groups such as the Brazilian Girls and the Juan Maclean.In 2011, he
became an Ableton Certified Trainer and joined the faculty at New York City's Dubspot.
Freeman is currently on the faculty at New York University's Clive Davis Institute of Recorded
Music, where he designed a curriculum around producing music with software, MIDI, and live
performance with laptops. He has been hired by Ableton to train numerous major label artists on
Ableton Live and Push and helped with the U.S. launch of Ableton’s Push 1 and 2 instruments.
In 2015, he founded the Brooklyn Digital Conservatory, a platform that brings top digital
music producers, performers, and educators to emerging markets in Latin America for courses
and performances. Freeman works out of his production studio, StudioJ-The Playroom, in Gowanus,
Brooklyn, where he produces records and creates live performance setups for artists.
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