Dolltr!ck Dolltrick is the artistic project of Claire Marie Lim B.M. 18, a Singapore-born multi- instrumentalist and electronic musician based on the East Coast of the United States. Painting soundscapes and building beats with synths, drum machines, and more, her works aim to engage emotions and highlight ideas related to the human condition. Under this project, Lim has DJ-ed, performed as a solo live electronic act, and created original pieces that fuse electronica, hip-hop, future bass, and dance music. When she isn't involved with audio and music technology, Lim can also be found on a poster outside of the Berklee Performance Center. Moldover Moldover grew up in Rockville, Maryland, patterning his earliest music after the rock, pop, and metal that spoke to him through radio, television, and his elder brother's record collection. He wrote songs, played in bands, and taught himself the recording arts with a basement full of secondhand instruments and a 4-track tape machine. In 1998 he moved to Boston to attend Berklee, where he abandoned pop songwriting and shifted his focus to classical composition, jazz arranging, and electronic music production. Moldover graduated summa cum laude from Berklee and moved to New York City to work as a freelance musician. Intent on merging his love of playing in ensembles with his electronic compositions, he wove his way through a series of live electronic bands, eventually becoming disillusioned with New York's exclusive and socially complex live music scene. At the same time, he began seeing his favorite electronic music artists play live, but found that their stage performances lacked the creative fire of their recorded works. Seeing an opportunity, he ventured out as a solo artist, relocated to San Francisco, and set about creating performances that would bridge the gap between traditional musicianship and modern electronic music culture. Dan Freeman Dan Freeman (C@m1x) is an artist/producer/bassist and music technologist based in Brooklyn, New York, and one of the world's leading experts on the integration of live X instruments with laptops using Ableton Live. A After graduating Harvard College, he came to New York City to be a session bass a 'l'E‘“K player and studied with John Patitucci and Matthew Garrison at the Bass Collective. Freeman got involved in the city's underground live electronic music scene, where he started experimenting with mixing live and digital instruments. He became so fascinated with the possibilities of the software that he formed Comandante Zero, an electro-funk digital art and music collective that performed with groups such as the Brazilian Girls and the Juan Maclean.In 2011, he became an Ableton Certified Trainer and joined the faculty at New York City's Dubspot. Freeman is currently on the faculty at New York University's Clive Davis Institute of Recorded Music, where he designed a curriculum around producing music with software, MIDI, and live performance with laptops. He has been hired by Ableton to train numerous major label artists on Ableton Live and Push and helped with the U.S. launch of Ableton’s Push 1 and 2 instruments. In 2015, he founded the Brooklyn Digital Conservatory, a platform that brings top digital music producers, performers, and educators to emerging markets in Latin America for courses and performances. Freeman works out of his production studio, StudioJ-The Playroom, in Gowanus, Brooklyn, where he produces records and creates live performance setups for artists.