admin
Tue, 11/15/2022 - 16:14
Edited Text
SC H I L LI n 6ER CE n lER
·"•oo
IUCLIO .AVINUI
BGRT
MENRY
•
Dir•ctot
of &oeland
•
CLIVILAND
a,
ONIO
MllftOlt%U. HACN.
KNILlltl!Olt IYlftM
FebruaTy 1st, 19".,,5
�rs. Frances Schillinger
340 East 57th Street
New York 22, N. Y.
Dear Wre. �hillibger:
&nclosed check in tbe amount of �.58 is bei� sent you in aocordance with
our 9.!lreetnent of Jul 1. 9th, 1950. Thie represents two percent of $8829. 00, the
gross income of the lchillil!&er Center for the period beginning January 1st, 1954
and ending Deceiaber 31st, 1954.
I beg you to forgive me for not acknowledging the r�oeipt of The Xoney So�1 11hich
you so thoughtfully sent me several montba ago. Botb Mrs. Henry and I bave really
enjoyed reading it and I bave been recommending it to my students as well as to
my friends. Wr. Shaw's writing is we.rm, direct, fluent and concise, and we were
pe.rticufarly impressed.
During the past year I have been concerting icy efforts to include a more intimate
knowledge of mathematics, psyoholo� and physics so that I may be better able to
present Joseph Schillinger's theories to the public. Inasmuch es I have dec.idad
to devote my life to being ao apostle of the Schillinger System, it has been, most
heart-waraing to diaoover men such as Natban Rasbevslfy, Norbe!'t Wiener, Adelbert
Aines, Jr., and Anatol Rapoport, ,mose theories and experiments during the past
decade have contribllted imme&aurably to substantiating Schillinger'e hypotheses.
There is a question in my mind which, perhaps, you l!!BY be able to resolve for me.
Because, at present, r find myself fin!l,llcially unable to expand the Schillinger
Center, I have been giving serious thought to the peesibility of introduoing a
course to the Cleveland Institute of Musio or the Western Reserve University, not
as a substitute, but rather as a means of creating a wider field of interest in
the subject. If sucb a move were expedient, I lfOUld 11rite to Mr. Shaw for infor
mation regarding the finflllcial arraneements made with the Julliard Conservatory
so that I would have some basis on which I could establish fees in Cllnneotion
with suob a venture.
My plans for the remainder of this year include the oompletion of requirements
for a degree of Bachelor of eoienc� this swnmer, a course ip the Mathemati-0al
lleasurement of Human Behavior next fall, wor\dng out an Outline tor the Theory
of Qeeign which I wish to introduce to the public next fall and, perhaps, intro
duce a course in the Schillinger System of Musical Colllt)osition at the Cleveland
Institute of Music in September.
Although this represents quite an ambitious program, I sincerely hope to be
..
-2able to meet the deadlines with an adequat� background to assure the suooess
the Schillin�er System deserves in spite of the dogmatio reeistanoe to it
which I have enoount�red thus far.
Please &dYise me when another Schillinger Genter has been or will be insti
tuted.
Sincerely,
BER'!' HENRY
P.S. Best regards from Mrs. Renry
I
j
I
j
I
I
j
--
?-IRS. JOSEPH SCHILLINGER
•
340 EAST 57 STREET
•
NEW YORK 22, N. Y.
FebruarY' 15, 1956.
Mr. Bert Henry, Director
Schillinger Center of Cleveland
4900 Eucl id kvenue
Cleveland 3, Ohio
Dear Mr. Henry:
Your check has not yet arrived, and I wonder if
it could have gone astray. Would you please
let me know?
Arnold Shaw has spoken several times to the
Olevelan:i disc jockey, Bill Randle, about the
Sch:illi.nger System -- and you. If you care to
fol low this up by giving Mr. Randle more
information about your work at the Schillinger
Center of Cleveland, perhaps it wil l prove
helpful. I shoul d be interest�d to know what
hap:Pens.
My best wishe•s to you.
Since�ely yours,
Mrs. Joseph Sc'h1.111nger.
•
•
•
•
Mr•. J'rADCee Schillln&el'
349 Ee.•' 57th s,reet
lev Tork 22, Nev Tork
Dear Mr•• Soh1111ncei-:
Bnoloeed plea,e find check 111 the uo,mt of $Jl8.9() wioh repreee11,•
two percet ot the $2445.00 groe1 income tl'OII the Sch1111J14eJ' Oe11ter
ot OleTeland tor the ye!IJ' endin,; Dect111ber 31, 1956 11.1 pa our
acr•e-
ment.
Due to the decreaae 111 genel't-1 1ntere1t in meic, I find the income
dim1nlah1ng,
Al a re1ult I have been forced to change 1111' proteaaion
to tbat of a mathanatioian which hold• a more promlaing future. It
11 unfortunate, llut I intend to dlacontinue Schillinger Oentff 1n the
near future.
I can a111ure 7ou that I am ,,nhaPP7 about lt but I can
•e• nor find ezq alternative,
Sinoel'elT,
l)El!f HENRY
•
•
Be::-t Henry
364-0 West 122nd Street
Cleveland, Ohio '-'4111
October 22, 1976
To whom it mey concern:
I have known 11.i·. Thoma.s Le.tiv:zia. i:o:r over five ;;eara. A'bout
three of these ye$;rs he ha� been a pupil of mine studying the
Schillinger system of l❖1e ical Composition.
X have found him to be reliable, industrious, alert, and quick
that be was one of m;; best students and a pleaaure to teach.
Re has demonst::-ated a flair for being creat1�e &.nd for orig
inality in rhythm, form, and continuity, with a good bals.nce
of eeriousness and humor.
I sincarely beli13ve that !-.is wor.::s and efforts are deae1·ving
of broader exposure and that, given a wider audience, he should
be !IUCCessful.
Any additional inform ation I will provide �adly. Just wriie
to me at tile above address or phone me at 94,1-8985.
:Bert Henry
�U!'.'HORIZED INSTRUCTOR
SCHILLI11GER SYSTEM OF
MUSICAL COMPOSITION'
•
•
•
•
•
•
•
•
•
•
•
•
•
-
•
•
Jul;y 23. 1964
Stan Kenton
1010 S. Robertson �lvd,
Los Angeles �. Calif.
Dear Stan:
It hall been two ;years sinc e I had the pleasure of chsttil\€; with
you at Chippevo Lake Park and it has been three ;yenrs since I 've
bad occasion to talk to :Barbara Page. Because I am an 8PJ;)l1ed
m athematician at ll.A.S.A. hare in Cleveland, aJ.on;,; with plfi¥in&
club dates and toachin« tho SchillillGer System of J tion to quite a few stu dents, I find l·ittle opportunity to do the
things l'd like to do .
The purpose of thie letter 111 to aiivi11e you th at I liavo sent to ;you
u nder ao11orat9 cover a score on a co:e1>011ition of one of riq' st udents.
I believe it has mOl'it and I feel that it might fit into your scheme
since it is a well conceived and well corustrw:ted work of ai,t which
waa in11pired by "Look Homeward Angel" by !homas Wolfe,
I wou ld appreciat& ;your eiramination of it and perhaps hearing it
o ut. You will notice that the mellophoniuma are not included but
their add1:tion ,o the score would not be a problem should ;you feel
that fOU ..-ou ld care to include it 1n :,w:r librar.,.
'?he student , Roger Kir�, w.'1.o vrote it ie no,-. in hia final year a t
Ohio Kent State University. � aoo re W89 wri tten for the instrumenta
ti on availe.'ble on the campUB along with other scores 1>7 him which he
waa using to interest the faculty in institutill& a. Modern Musio Work
shop, Since the emphn:iis of the music department is on band mueio
the maJority of the :tseult)" was not inta:re9t(ld and the attempt fa iled.
I do hope that you. ..-111 corroborate ,q feeling tl),at thls 19 ;year old
youngster hae the talent and ehoul.d be given a chance to be heard,
Let me know vhat you think of it.
Sincerely,
mm
BER'l'
Authorized Teacher of the
SchilliJl8er System of
Musical Composition
c a
,-.IA g
•
-
•
•
.
l
. .
1
i
•
•
..
.
, ..._.
* * * bert henry studios * * *
last· Side:
1uc1.a Av°"""
Cl.evoland, 'Ohio 44108
,m
PHONE: 9 ,1 1 -8985
lfest Sf,u:
38'0. fes't 122"4 Street
Clev•la..41 Ohio '4clll
•
'
'
•
•
•
•
•
•
-5 D1'RullUO!IOlfS
In\ro4no\1ont, u a J'Ule0 a. t well at \rultiliou (oomerciall.T kllow a t mod\ile•
liont} t\Jld.e
1101\
�t 'beoau.1e
ot
'11811' lllli\ed knovledt;e ot '118 dffelopaen\ ot
anaioal oompOMD\t aad Ille 111e\hod.1 vith whlch '11e1e o�t• ill\ecra.\e \llatel..-e1 ill
a 1111aioal oon\illll.1'1',
Sa.\11taoto17 ill\ro4uo\1on1, UU1ti\ion1, and codat can 'be dni..,.
e4 onl.7 vith en aou\e avarce11 ot \he ooaponea\1 ui1\ing in \he aonc lo 'M orc:hen-.
led. Al!nos\ ffffl''t �anall of the S,®J.llJ.n4v 87t\em
1neral i"Chns ,iut vi \h alch ou or IIOl'e
tor \he ill�\ion.
U¥ 'be al\erecl.0 1,e, •
ot
ot -.Uioa.l CQll(p011\1on
the COIIPOJl•I• mq 'be avacs\e4 and �ed
Tll•e en ai,o • nnaber ot •lllo4•
rhT\lm "111'1.a\lcm,
otter•
'b7 which \Mae 00111ponen\1
perma.'8.tlon, goo11e\rio pro.,.ec\lcm, mo4al "111'1-
\ion, J11elod10 t1�\1o� e\o,1 it noh 'lmiq,um.e11 1• d.etlreo'ble, !bete 111etbodt otfv
a meane 'b;r wich a 0011\l'U\inc 1111U1loal con\lmiib' ma,- be d.m11ed M4 ,,111 J"A\aiu a
The Mcbniquet will ft17 vith 8'M)b
,s.on.
'7Pe
ot OC!IIIPO�, u.d 41$cll \n>e ot 1n\1'04Uo-
A W111Ua"7 ot \he \eclmiqt\81 whiob are a,-aila'ble illolud.e•
1, � d.el'elop1116 i n poc,u11oJI.
2, � dffeloplq in Mlod;r
,. llll7'hll d.neloplq ill hanoll,1
4, � 4999lopillg in orchetlnl color, (\one qu&l.1\1e1}
.5. R-lo41u\1on of llu'aoll,1
6. bhanonisa\lon ot •lod;r ba&11nt
7. Geoaevio 'h.l'latlon
8, 'fonaJ Taria.tion
9, :htia\o
lO, �e
11. Val'lable d.en1i\7
12. I)Jlumlo .Ueo\1
AD¥ 1011g will contain ■utfiolen\ nv _,erial which can Ulld.erp one or 1110re
ot
theee d.nelopact1 'but ooca1ionall7 th• arrancer vlll 'be able to htrod.Uce a OOIIIJJOJIIIJl\
of hit o� to enb&Doe the po111'b1Ut.l•• a,
.,,.u
a• the re9Ul\,
'1'b.la happen, aore otlen
h (1) r� 4.-reloplq b Pff could 'be tubJeo\ed lo a 'beguine clazloe arranpaent urel7 throup t he ad4111on ot \he
\7Pioal 'becuh• rhT\he in the perc,utlon.
the tone
'b7 �lq alou fwr
or
•141:h'
!bit 'beguine T'� oen, '1le:l'efor, 1ntro4noe
but before the 1ong �\ueJl:, 'begSn,.
It
..
•
•
•
would 'lie ol&a11t1od
1;hrou&bou\
1;he
M
an oa\S..lo (ob1\hla\e) 1in.o• j,\ pv111\1 1a repea\inc 1\ael.t
affall&IIIIQ\. An wlild\e4 m1111ber of T&rla.\lou ot \he begu.iJLe r�
are a-nilabl• \hrota40l \ho tAchnSqu1 pre■tlll\od 1a \he !hooq ot �. �to, natu,
ra117, ea.oh 'YB1'1&\1on vf.11 h&n it, ow dJ,a\bc\ ahu'aater which VOll14 lo•• itael.t
lt ·••ffal Taria\lon,wn.14 ·be Ulled 1a con\1ault7. Al lo-c &I a � pa\\en ot
20 at\aokl or le11 f.1 i>epeatod. tho ._,. l• able to �opi1e \he abliwf.\7. :Bqolld
all tall lnlo thi.1 oat9&017. One or 1111re ot the other oomponm,� oo«d1\ f.Jl
1h11 \JP• ot an illued'IIO\loa but they vt.11 be praamtod la\er Ulld.v thelJ> respoo\lv•
haadiJaga. A '7Ploal elWllll• vould be • llllilOJl obbllcato .. an addod OOIIPOllllll\.
'l'here 11 J1Athfng \o Pl'_, \he � dnoloplag 1a perouaaloii .hw aallUl!fDC
an o\her tllu t!lo 01tlna\o toni. �ult7 8Ad 1111t1a\1'ri lhoul.d. bo oxvol1od 1n
ilfflllltlJIC a aolo la porQUaloa. Sua h a aolo Wf!7 be atireq 1:1111QPl>Orie,4 by arq otha'
lnaVU11G\L9r goap of la11U"■i41l\1.
U aupp� 11 deabed, 1,,., proo-1a1io11 of
hal'lloDT tor a group or \ut\1, ndh auppon lhcml4 oilJlfora to \h• cli1vlbu\iT• po.er
••ob•Squ.
(!he progl'eaalon of han!oiq uod for �• auppo:r'li mq tmdwgo \he \eoh
nlque of J'h1'\hll varia\lou aa praae\-". la Chapter 9, :Book I, !heo17 ot
m&,taa,
pe,gea
116 to 62 1nelua1To.)
A melod¥ la aolo or '0Diaon lDTa\ed aa u latro411.ct1on and Jaadlnc law t.he
10-c••
a
PJ'lll8%'7 Nd.a would be cla11sltled u r� dneloplag la •104.
M4ese
It la oallecl
and 1\ -,- 'bG uaea. ad lib or 1a t8111l)O. Latia muaio teatUNa tM.1 iechnique
••17 often and
•• cadenzas 1n
O&ll
be noted. 1a Ormi8•••• on � �C�oca" oi" IIJl1ellS leech lllrcuiba•
t.eaipo.
"ll�)a..Lou• can b♦ o1\o4 &I an ad Ub oadensa blllllplo in l\1
1atro4uo\ton. 01911.11. Millet a � ot itlJl the ICood• 11Pit1•1 \hie toolm.iqu
aa uaod in Alnerlou 4anoe
• bend •'1'1•. An l11.tro4utlon ot thl■ t1P• bu ·tlut advaatap
ot oreatin4 o. contra■\. to th.a boq of the �eac\ - vitholl\ � ua• ot aD'T
other oompo.llllZl.111. It la a 4Nmat1o d..-loe llhioh ii offlea OTerloobcl. a,a aolutlo•
tor iDT■nting M 1ntereat1� la\roc!.uotion.
•
..
•
•
- 1,
A progre111o:a. ot harmo:a.1e1 a111gp.e4 \o a tutti or a homogeneou1 eeot1on auoh
a1 a 1axophou eeot1o:a. or a bra■• ■eot1on
DQ'
be 1ubJeoted to ■ome temporal rlqthm
pattern on each ohord v11.h or without accen1.e or re■1.■ a■ 9%p�1ued 1n Chapter 9,
Book I, !heol'J' ot llhT'}ul.
A oont1ul11 t,- ot th1• t,-pe would repreaen1. (:,) r�
dnel0p1ng 1:a. harmotq"r,,
In 1m orohe■1.ral tutti, the harllo� vh1oh of cour1e ha• alreadT been pre-1et
will uaw,.11,- haTe to be �l1ca1.e4 1n th• adJacent ootaTe to ■at1■t,- the den1i'7
ot 1.he orche1tra.
'fh1■ teobuir!_Ue tall■ UDde:r the heading ot "Collql0■1tloa of In ■tru.
M:a.1.al S1.rata" and 1 ■ a TeJ'1' 1tr1ot technique, thoJ'OU011' explalud 1n Chapter 6,
Boo); TIII, 'rheo17 ot In1U'Wllental J'ont■, pace ■ 100:, ,o 1017 1nolu11Te.
1,
Mlll'!I
tha1. 1.he ■am• 1nTer1lon ot the chord llllltt appear 1n the adJacent oo\aT•• vtienner
•do
orchee\J'al da■1\T ued■ \o be 1norea ■
or aore •1111pl7, the top note of \he chord
must be the \op note ot 1.he same chol'.d 1n the adJaoent oc1.ave (or double-001.ave 1t
open �ZIT 1a to be ueed) at all tille1.
It doe ■ not neo■s■ar11,- follow tha1. each
■eot1on mu.at be as■igned to each ootan vit.h the dupl1oa1.1on ot harmoJlT.
The ■•c
t1on1 1hould be tied to each 01.her b,- 4u.,11cat1D.g a1. lea■1. one ot 1.he note ■ 1n
bo1.h ■eot1ona before progre■■1ng to the next octave duplication�
Danca band• uaing
1axophone■ with bra■■ m,q be l'O.bJeoted to t.he OYerlapping teobn1que.
'l'he a1'1'anger
will haTe to lj,e,1de on both the ■onor1t,- de111'ed and th• tlex1b111t7 of Tar1ed
1netruaen1.at1on 'Which \he 8l'l'ADgelllellt 'fill!:T encounter.
10 n-erc,ua, onl.T a few •XIIIQ;>l•• will be glTen.
Srrr, tJ'
Since the po■11b111t1es are
112Prr
Et> Al.TI> S'Al'
rePr n:
fl>IILl'I> ��'f.
Tii?,;,�
l!bT'EN SA'/..
,
•
• •
•
•
r.
..
•,
•
,
'
halll)le• l and 2 abov an orollea\ral d1a\ribu\1on unall7 tound 1n ••\ooJc•
dBno• band arrangemen\1 and 8J'e uaed beoav.ae thq allow tor tlex1b111\J'. Evlll)le J
11 110re raz,e bu\ equall.7 flexible and a 11\tle aore "bra••r" 1n •ound beoauee of the
opea poa1'1on of \he r"4 ..o,1on.
When on• ho■ogeneoue 1eo\ion 11 brough\ into
q
in1tl'Wllen'8l interference
pa\tff'IL with an.other h0110geneout aeot1on, a IIIICh gea\er 41Ter11t7 of (J} r�
dnelopinc 1n har■oJIT 1, atte.inable. Attention 1, called \o th1, teohn1que in
Chapter
71 Ilook I, �017 of �hm, J>&&e• 27 \o :,:, 1nolue1Te.
An7 propea,1ona of Jl'arllloniee 1n•ente4 b7 ,-een1 of \he Speoial 'fheory of
BarmOJl1' are aYailable tor \h• ee\tinc.
l{GVffer,
in a dia\onlo-1:me\rio con\1nu1t7,
1f a group of 2 or :, chord• are ueed and another lib group 1, \o follow from an�
other point, do not Yoioe the lead to the new group beoan,e \he a•� per1on will
lo•• \he \rend or oharaner11\io of \he progre,,ion
■-ae po,itloa a. the f2,1'1\ croup.
mu••• \he new group
1, 1 n the
'?hi• maan1 th.a\ altholJ40I. \he tranlformtlou
will \alee place vl\l!J.JL the g:roap and lib tru.lforma\1on, will take place in each
auooeediag group, ao ,,..nuorma\lon, are required from \he 1a,t chord of \he group
\o \he. fir,t � of \ha IIUOoeedln& group althoup. Tery 1>ften, ,om• tran,format1oa
will result.
lt \he twidemea\al 1truoture of \he chord ueed 1,, let u, aq, 4 • J • J
then all the ,S\ep1 lhould be 4 + J + :,.
0., - Alf - �
tor \h,e fir,t grou:p
\hen �- 07 will be )he 1econd £r"O\IP (4th intenal down fro■� 1• B�)
\b&
'?�B'l>7
then
O.,� - A�
will be � th4-d group ()rd 1n\erftl down froa c 7 1• "',)
will be \he four\h group (:,rd intenal down fro■ �
1,
o.,>
In oonneotine the 1&1t chord of ou group to the fire\ chord of the follovlnc
group, To1oe-lead1ng wq be dieregarded. ll:xoep\ion 1a allowed. 1n th11 oa,e \o retain
the oharaQter o't the ,ound of \he chordal progre1a1on,. !HE DIBEO!IOJr ?OR 'lJll Illr.&11l
VALS MAT BE UP OR DOWIJ, BOT D OD DIREC'!IOJI OJILT UlffIL THB 4 +
J ♦ :, CTCLJI IS
••
'
••
-
\
•
•
-9OOMPLEUD. The uae ot \Ilia ♦eobnSqv.e 1• ao prnalen\, eapeo1all7 ill the so-called
•J'IUIJ> �e•, " \ha\ reteNDoea \O "J)eo1t1o ar:rencem•I• would be en\1":Z., rtldundaDI.
('+) llbTtbm dnelopiJI& ill orohe,val oolora (qna].1\le,) 1, ,11111.azo \o r�
dnelop1nc tn � but wl\h a broader appl1oa\lon, A \onlo or clo•1nMt. pedal
AX
po1Jl\ dl•lrlbu\e4 al\81'11alel7 lo two or aore het�ogeneoua lll•Vllllea\,, 1.e.,
an4 \l'WIIJ)e\ 0 aa.x an4 ll'Ollbou, \l'olllbone Md \l'llllp•'• piano and
uz.. e\o., would
dnelop a r� ot tone oolor1 vhlle ,� p1\oh-un1t would r-1n atat10UJ7. J'or
a iPIOot.h etteo\, \he lone oolur ot one lntil'Wllnt 1111q be 111.t'8Jned a• \he nev tone
color 11 1nt1'0duoed and the tvo tone colora vould be anper1lllpo1ed on eech ll\hel'
betore the f11'ai tone color would drop crv.\. Thia d1ttu.aloa of tou color■ u:,
often be 110re de■.ll'eeble \hall a direo\ ohenr froa one tone oolor to the next.
The fol'll'llla.e vould bet
PUfSJT TB♦U!Tlgll \ • J I ll • 2 + 4 + 2 + 4 + 4
Sax un1a 2' ♦ \1'])\ 41 ♦ AX unia 2' ♦ 11'])1 41
♦
m•iiile 41
GRADJlALTJIAJ§ftl911
11: vats4t
• 11'])\ 2' ♦ 11'])1 lj.\
(Wd)
In the gi,adnal \rau1t1on0 the AX ,mtaoa 2' would be \led to the ne:d
AX
un1aon 2t and ao forth. fte tol'IIUla 1, sulid1Yided lo define the envanoea of the
tone oolora onl7. Therefor, the aax imlaoJl would begln vlth � but the ll'IJlll)et
would ulce 11• otl'allCe after the tin\ 2' whernpon 1\ would be sustained '.}t lOJICC!..,
tor a tot.al ot .SI.
O\.hw poaa1b111\le, uclwle the a441t1on ot more ill•ll'Ullen\a b7 anperlllpodlljm,
e1\her \hl'Onp a crowl111 diall'ibu\1n poW1' patlern or one ot \he ftl'1al>le nlooli7
aerlea ot govth, wtdoh oould build up a oreacen441 on th, p1.\oh-nnl\, OonYeraely,
becinnlnc Y1,th
110N
iuuna•t• and l'fferaiJI& thi■ teohnlque
"7 cont.tnuall7 dl'opp1Jlc
crv.t the \Gae oolor■, a beauls.tul dS.,1.mtll!l4o- vould be hl.ven\ed,
•
' '
''
•
•
•
•
•
r
---
•
•
,.
•
V
•.
•
-
•
+
l
•
'
•
•
•
•
•
• 10 •
Al\houc,i the teclmique of rht,tm dneloping in orcheatral color, wet pre,ented
with a pedal-1)01.Jlt coiapo,neat a11 tb.e subJeot, it doet not ob-.,1ate oth«.' 00111Ponent1.
ro.,, e�le, ua� -.arioua ho1110gen,011.1 eectio.n1 •�ch a, aaxe■ or open �•t• or
open \1'011bone1 or 111U.tf34 bras, ln a progn,1aion of harmoDT 0,nolud1ng the (3) rb;ytla
dnelopblg 1Jl. hal'IIIODT t•obn1'l,V,8� the tranaition fro11 one tone color to the nen
grea\l.7 enhenoea \he 11r..isiaal contlnui'7 thereb7 pl'OdUOiJl.g a T&"J' ar:reetill4!: intro
duction.
!here are three
tun4a■1tntal
me\hod.1 -1.oh can be, ua-4 1n
�•lnc rhnb■
dnelopt.ng in orcheetral ootor.
l. DieVl'bution on tht melodic line foJ'Md b7 the oo�'°1U' of 'he
progrettlon ot Ul'IIOJl1e,. !hit, ot oourae,, inolwle1 \he
pedal-pomt pt'41h-.1Uli\ cllacu,ed ea:rller.
2. Dlatribu\lon \hJ'ough a preset 1eleo\ion of orohe,tral color,
wioh autoaatioalq inclwle their &11lped deati\ie,.•
,. Ditbibutlon � tlle Atnalty teoh:ol'l.lMI ot pha1lc rotation.• •
:Before proceeding 'With the d1101a1i011 on tone color dl,trlbution, howffer,
lt will be e,;pedtent to detilie \he orahet\ral color• and dff11e ,- 11ean1 by
•
vhloh they ma, be �re.-.ffd 1n oontln.uiv.
Ile one can dCT the d1Tertlt)- of tone qu&ll\1•• available to the orCMetrator,
7et ■oe\ ot tbem are OTerloolted beoatwe of a lack ot a meatl'" uthodolog, Each
ooabinatlon ot liet.rwDeata hae lt, own po11lbllltie1 a, well a, Uaitatlon.e,
It 11
IDO'lle a rule than en exception \bat the kllowledce ot \he tone qualltle, ot each 1re·
ob ot lte recla\era le 1n 1t,el1' of
trument in ..
than 1010 pae14&91,
a1q
great ...alue for � other
In media to hip oroheabal den1itle1 moat of the tone quali \
le■ become ob10Ul'ed beceuee ot '\heir integration with IUl'l'OUlldlng hal'llonlc1, OnlT
a long tedious •� of the ph.yaioal llD4 p17ohologioal p1'0pert1ee of 111Uioal intitw.
ment, in all po11ibl9 cOllblnatiom
e.11
at1wnl1 alon« vlth their re■ponae oharacter
l1tlo1 and ft, na3 e.udt.\OZ7 tmeg,11 vould b• ot an:r real a11l1\ance.
III.
• The reader lhould 'refer to page 1470, Chapter 19,
lloolc XI, Vol'lllle II,
Dforr ot nPRRz,1\ion. Patt
.. The J1eohanlc1 of tht.e \echnique &2'9 pl"e■ented 1n Chapter 1.5, 100Jll'.P0i11tion, ot
Dault)-1 bn!fal 'fheot,oJBtm,q,r,:, llook IX, Vol, II. PP• 1226 to 1247 lnol.
'
•
•
•
•
•
,..
•
•
•
•
-uTo deftlop a 1ot.eaoe ot 01"0M1valt.oa llhere1a a,q ou d11lrl4 r11pon1• ooul.4 be
'••aed VS.th
10111
oon•1})41114Snc ,,•.,1..,, wouia. reQ.lllN 4.-nlopiunl lUl4 v.a• of
••v
tn■ol•• &110o1all4 vlth lh• nolulloa ot pqcbolocloal OOD411Joidnc, mi. nollllt.•
ot orobl1watt.n u well a1 ai.t.o
di
aonlJ' 4epea4m oa the nolulloa of plJOM
locloal oohdt.U-111ti 1a 10M v.,,.,Oll'!MI ilNcl J4"0lNl!'1• le nob olbar.
:a-•
lhlt are ff011llionai7, tbe11 �tOI•• ...,., ou17 OOPJplal\le1 vlth a bip clegM ot
TOlaltlli\7 wloh, a, a nnll, eln41 1..:amo10&1oal plllJPdnc.
olog wtoJI lflml4 �\I a hip dllrN of � 0110•1
u4 \he r.llAmali.salt.on
et ._ nlatt.'f'iq,
""...rv•
a,q al\bo4'
\I be a pl'll'1quJt1t.l1,
°"'-• ..,twl! IIOq,U!N1 ot.wlNINv.alT both
,fulltloallca and pnteraae. 1M lldioioua ua• ot 11w ldP1lllaar �P'9Ml"s19tl 4!tl
er, •ell'Ol.11 vl\h aa Ml� IIVPU•lnc UT laftlllTI pJ'OO!lH.
lee,,e otte u,,.. not, the erohe1valol' vt.11 bl �J'ftted. wt.Ill a 11.111\-4 �
an4 '7P11
et WVIIIIIIM•• !o SWSSNd'IIUJ \na1lal1 -toe,l t.4■11 t.alo all oroheebal,
-. a Hal• of oza1&11\ral oolon oan be 4fflled 'llbte,
ffO
lhll!p \liq be - ap
P""'Tt•tt.n. will offor a anll:)4olog tor 4ffllopt.ng a ..--, etteo\t.ft orOM'eval
oon,ssm&\7.
0a the vppa 11114 ot 1h 011ohee\h,1 •oal• lhlH an 1h blp,,pl•oh"4 1a,..1.,.
MUJl4!I -4.oll 1•ol\1 0.1 p-1al11t leut.oa u4 'llldoll .r, bl CIOIIPU"e4 lo, 1blo1 '- an
e&elqo\11 le, 0.. 'l'OW-1 11tmd of w. Al t:l&e ol!la- all4
lew'Pllohel --.
.0119"1
et Iha Nale Ula'• ere \!la
llllloll are p-,ohololloallt' ot ••» low lenlln. tu latter
en --,.rabll .. Iha ·••l HUM ot-W. � latdM4.lat• ftflp, flh'riOMSnc lh•
pot.at of ., av,, wn14 oenw8}IOIII& '° 0.. ftwel leaA of ah. !hue llrr•• aoa.n pro
due " 111:ree
10&1: _,,
81:aoe Iha toel•
t.1
to llldoll the •Mlndtu■ ot the 9,.-_, .r tilot,, Oall be applied.
lilllted to '11l'•• Vldl■, oal7 \Jira•
WOl\14 'be us.a. h'I
hort.1011.tal
ltnn ot the �aph
tu 11flllwl.i 4t•lrlbutt• et the ooloN alo:q t.u 1eoondar, e:a■•
� -14 haT9 M be a■•C.cnef • � lteat■ ot the % llbloh m.1\1 ill the f&OMrlal 4.1.e
Vlbutlon ot the taporal � •• � 11 Iha mJor oow;pcm•t, oa Vie 'balt.1 ot
•
'
•
• •
•
.. •-
•
•
•
•
•
.
•
-
••
.•
•
-•
'
,•
•
•
••
•
•
•
.. ,
.,
.,
•
,
.
,
:r.
"
•
•
<.
•
'
••
.•
•
•
•1
•
'•
•
'
•
••
,
,.
. ,•.
..
;,
'
•
•
..
...
'"
'
••
•
·-
•
•
•
(
.
·.
<
•
,
•
'
r
••
�
•
.
•
••
'
'
,
..
- 12 -
J vha hanlolQ' l•
\he uJor OOIIPOJlell\, 01' 011. \he 'ba1l1 ot on• ■elodio trapc\ (tor
eaoh i) vhell rep.-l\loa ot aelodlo tra&,aen\1 l• \he MJor ooa;,ona\�
To \r81l1la\e \bl1 relUltbc graph lit.to \he Ol'OM1val 1oore, one llll\ruaa\
11 aaelp-4
u Noh ot
the 'lllll\1 o! \bl1 qaall'7 aoale a.t\er 4ue oon11dtrali,on baa
been glTen lo \heir rela\l-n IIOWl41, tor 1xampie1
Vba \he llll'"-1• aftilable are olaJ1nel, U'Wllpll 8ll4 MXI
'11 1 1
ah t I
lffl 1 1
hip olariaa\
VWl;p�
lax
ora
VMJl \he lll...mmomta &T&ll&ble 111'1
'11 11 '1'allpe\
ah 11 �
Ol'I
00 It IU
W I I \ru■pe\
ah 1 1 low olarille\
00 I I 18Z
vupe\,
VOllbolU an4 MZI
W It UubOU (blgb)
ah 1 1 VUMP•' (low)
ff I I �
repreaen\ ■-- ot \he poalblUUe1 vhi(!b ■IQ' be ue4.
While 4ffl•lll& \he oon\lmd.v ot orohe1\ral oolora1 the range ot \he ■elocllo
lllle ot \he ongtnal ae\\lnc ■u\ 'bf' \aken 1a\o aoooaa\, bll\ ..,, ot \he ob'fiOQa
lla1\&Uona oaa be OTeroae \bro114111 \he oc\oe rea4JU1taa\ ot pol'\1011.a of \he
orlgjnal 11\\lnc wb1o!I would a, a reaul\ ot \bia \eohn1 qne, '1Pan,toz,a aoae 1eoon4,,,,
111"1' an, lll\o blaal'J' aeooadNT
In (.5) r_.14141.sa\1.on ot
an•.
banoP,y �•
are \o be fQ1Ul4. ar unl1.-S\e4 mm1>er ot
poa,lbf.U\lea tor Qf'lglnal 1a\n4uo\1ona. B:ve \he fun!SeMll\al o�\ alou can
probce
lM1Q'
Tari&tlou ■erelJ'
\7 ru!SJ9.1\1Dc
\he ooa\oar o! \he pro...-1■1.oa ot
11.anionlee \o be uae4 � \he ap:plloa\ion ot • uv •11'1•• ot \ralltoNa\1... la
plaoe ot \he o1'ldnal
111'111
o! lnnl!OZ'll&\1-■• � \hie, lb..-. are all.4111.onal
reaouroea aftllabl• bT ill� \he \t10lpdqua1 ot \he �l•• oa •ledlsa\1011.
o!
banloDT an4 vhloh will
aboul.4 \hey be u11l'e4.
p-1\
aa ffllll
gN&\11' 1"••• ot teulon1 tor \he ooa\bluiv
Oare aboul4 be �l•edo bowwer, so
tW
\bit aeoomar,
ula a\ \he _.,_ ot \he lllvotuo\loa aatlolpa\n aJl4 11841 1ate the Fi■al7
ttra,
••OOD!Sal'J' ul•
�,\he aozac.
Br utnc a abor\ \baa\1.o ao\lt ot \he ■cmg, or b7 \akin& • por\lcm
Ol'
ot
the
the
I
•
�
•
•
'
••
'
•
••
' •�
• ;
'
'·
••
•
•
.
•
•
l
•
,.
•
•
-
-
I
..
•
•
-
J
• ••
�
,
'
j,
•
r
•
•
,
•
•
.•
•
'
•
•
•
�
•
•
.,
•
•
• /•' •
•
'
d
•
•• •
�
-'
•
•
,
(•
•
•
•
, ..
., ..,, >•• '
•
..
•• •
T
.,
••
•
•
•
..,•.r
• <
f--� I
,
..
•
•
'
•
•
�
•
•• q
•
•
•
.
•
•
••nc llelnc �,_,. and. u••'Snc. t., a• lhe �,. -\io aout, a new ••1•• of
be 1al•• 4mff4 � \he •ooulqu1 of \lie
will pre4uco a
,vna ooavu, to tlae aonc
theor7 of banoaisalioa of Ml4tq
11..1:t wile
,,m i-eletnJnc
119■e of \lie
OJl'Sglnal flaftl'. 'fhl• (6) �-,1oa for \he Mlo4ia fl'e&Mal -, 1lo 4ff1•e4
lieu lbm'oot, Nl4 11 wll.7 11 llol\111" 1f \be •e• �• of �sa\ioa are
lll:n4
&I
.5.58 1M1U
apJeSne4 b Cbep\ar• l7 ait4 18, look ,. Tol1r1t 1, P•eo• 552 \ci
•ln of Iba Bpeola.1
!heor7 of KenioJi;,.
Siaae- all auto aaa lie RbJOde4 lo (7) Go-Vio ftrialla ar (8) Mltel ft1'la,..
\loa, Uao•e laolrll1qu1 llbftl4 u\ 11t.·orll1'lOOkN as MH ahllll\loal•• Bea•·
fflil
ialffffling iavoclllOtloa• au 'be la'ftB.\94 •la,pq 'b7 rttrlJlll'inc lhe o•lctn•l \hOM
ot � MDC to ou of \he t.bl'e• -ne!atnc ,ao■1Via u •••l mer•lou . JCo•I of
,� po••llllll\l••
N•1ns ,rt
&Tal)&b\o 9N F•••le4
()-\rio
1a \he fl.'"°'7 of Veria\lou of �la 'b7
Pl"aJOOUoa, look 111, Volw I, of \he SabillSnpr l«n••
Jar a Mcll\a\ln
OJ'
Rb\lo 1aVG4DcUo� lhe (9) tap.lo •eclml(llW m:, 'bo
UV-� et.too\lTe. llooau■e of 1,. � 4118 lo barMaio nrifeo\loi,,, 1,
,_,, lo -1,e •••••t.on• usoolaJ14 wllb \hi OOllOeJ>I• ot \he o\htll'i&l.. Tu tap.lo,
perllap• due lo. 11• pr-nal.ai,e ln olu•loel u,-...,._, uu1q oUi'l'U1 Yi� 11 u
ail' of tm Jt\,y• oear\o97 u4 re,.,.,. !be f'aplo 1• pelile allll4 nMle &114 l•, �
tor, ldwll7 1111184 lo O'f'fl'OOJle \he 1aw.r,1a preec\ prior lo \he lle&f:nn111&
l)f
u:,
11Ulaal aoalbml\7.
hcaM clffol-,nw� �• a l)l'OP'••in of � la aa e.m•••� open po•i
Ue " Ulal 11 oa. aooc■•s21o a �l,o4lo ftcanl� pleoe4 oa Oil.e ,_.,,on of �
.
.
bana;r vi� nerJ,,q,ping Illa e4Ju• taotlou_. !he ula41o figunJlon can 'be
o:ir:lnclo4 ha a:,q �
ot \114, "81C1 11 oea\4 'lie \lie u.-110 •llf of \he
IOn,;
la
Ille er1.&f•eJ toza Ol' .... pealv1o or Iona\ Tarlalioa of \he 111,u. A IIOl'e clelalle4
eq,loeUa of �'° hNl.011••' le 4l-■e4 al 1-clh 1a Obap•"IZ'I 2:, IUld. �.
lfflc V, Tolw I, � tia. Sob1lllJl&a' 1-'••
•
•
•
July 24, 1964
Mr.
John :Bice, �r
Educational Department
Ce.rl li'i11chor, Inc.
Cooper Square
Rew York City
Dear 1-lr. Bice:
ThankR tor your reply of Jul7 10th.
Regaring tho 1>seu.don:yma of the tw Clevel&..d et.u.denta
about whose teats I inquired: l now h ave thie 1Dfc:nstion
and it ia as follows:
Roger Kiraly: 'i'ook the te11t during awnrner of 1961 and
used the psewlcny•: Jim lk.rber.
Allen Schindler: Took the test durine the BUIIIIDer of 1962
and used tho pseudo�: J. s. lie.oh.
I hope thie will asaist in locating the :i,apers.
J.la;y t m ention that I have two teachiQg addreaees:
ll.m 415, WHK Bldg.
4900 Eucl ill. Avenu.&
Cleveland, Ohio !;4113
and
J6l,O West 122 Street
Cleveland, Ohio 44111
the tirat beil,,; on the east aide end the second on the
west side o f Cleveland.
Please keep me poeted on the Sch1111ngeT Institute so
that I rtJJJ:/f p ass an;r relevant infoniation on to my students.
:BE1'l'P JOlNRY
Authorized Teacher of the
Schilling ex- Syatem of
Muaic al Compos ! tion
•
•
•
•
•
•
Schillinger Institute
Carl r1acher. Inc.
Nei, York City
Dear Sil"s:
I v1eh to inf·orm you that I am still actively
teael:rl'ng the Schillinger System of !Qieie Composition
and producing some fine studen ts. one of which bas
won a year• a scholarship to study in .Amsterdamm,
Two of IIU' former students have requested, received
taken, and submitted your examination by mail hero 1n
Cleveland but have not e.1 yet been advised of the r-eaults.
They are as follows:
Roger Kiraly, who took the examination during the
aw.er of 1961, and who is about to graduate from !rent
State University.
Allan Schindler, who took the eXlll!lination during
the wmmer of 1962, and 1• now attending OberliJ:I College
enrolled in the Ionors Course.
I wish you would advise me of their status for it is
ctU.ite embarrassing for me. Plea.so advise me oleo on details
which I should paaa on to mt students, since, es their
teaoher, I should be able to do, and since in the future
I expect to have 1110re students completing the course and
wishing to take the examination for anthori�ation to teach.
Sincer'ely,
llll!! B!ffl!.'r
Authorized. Teacher of
Schillinger System of. lru.sie COJllPOsition
•
_
114f
,t·e,rJ
'••.ti-
c1.e:,,e1 ..,_,
·••.r•.••·
oi.-io 4,4111
•••r.7
Jll-4
July 28, 1965,
jir. Dean Pappas
·ld110&tion� Department
Oarl fisoher
. . , 'lno.
� Cooper Square:
Ne• York City 10008
· Dear Mr.
Pappas:
·Thank you !or your letter o! June 18 n,,garfilhg my'
two students who bave ru1r1i1ed reqlliremen,ts tor.
�tporizat�on to teaoh tbe Sobillihger System o!
liu;sibal Comeoaftion·.
I bave ob� tb.eir ourriint addre8888 and found
them tp be as i'ollon:
y
.
8!� Kiral
�• ,Arlington St·.
-,
Apt. C
rooster, Ohio .f4691
Allen Sobihdler
410 Belvoir Rd.·
Cleveland, Obip
''\
44121
In addition, I woµld lik� to request anotper oopy
o! the Sohillihger � ('.or. myself. Jbe looal pr�nter
who need il, to have eome cuts made tor me, misla,i d tbe
out�. tbe mats as well as tbe seal and I' bave np't, ):>een
able to recover tb.em. Ire !eels tbat bis cleaning oNiw
IDll!Jt have aooilienta:lly di� eed it in the rubbisb heap.
I appreoiat�. your �andling of the above matter.
BKRT HINRY
1
•
•
.•
•
December 29th, 1964
D1reotor of Admiaa1ona
Berklee School of Music
284 Newbury St,
Boston, iiaae.
Dear Sir:
l have known Roger Kiraly since 1958 at which time he
had 00111Plotod hie tenth year 1n hitp echool and beea,n to
•tudy the Schillinger System of l(uaical Coinposition under
my tutorehip.
Since then he � w..triculated at tent State Universit;y,
he.a sat1afc.ctorily oo�loted tho oo\\rse of stua.y with �e, end
has fultillod the rcquir81llcnts for un authoriiation to teach
the Sohillill8er Systei� ee requJred by the Schill1nger Inetitute
Carl liaober, Nev York City,
I have fountl him to be DA apt atudont, capablo of :111cl f
disc1pl1ne, with a war,n an d pleaeant porsonalit;y, with above
aver�e lll8ntality and a rapid learner.
It has given me �eat pleaaure •to watcl\ his mueicnll;y
creative artistic talents f!f'OW and flourish at an a.coelerated
pace. Ila potential a11 a top-flight COlll.POScr and orchestrator
becw:ie a,P.parent to me d.µ.ring the past tbree years o f his ':.'l'it
tng, which included a aoriee of COJl!P<)eitiona ba,acd on the
11terary vorlc: 11Look l!fomeward, .MBel '1 b3 !l'bomas Wol;f a. l!e has
also revealed great aerusitivity ond originality alo?4; with
stylistic consistency 1n the many stylos ot w1t1nB, ranging
from th.o baroque to the oonteuporary.
I feol that hie ost�bliehed habit of continuously striv
ing for perfection will bo an uaeet to his iA¢hicving ::,:n::, goe.l
in the future, and hie future teachers should find binl Just
aa a rewardin� exJ)OTience {l.B I have found 1t to be,
Sincerely,
BDT !Et!RY
Authorized Teacher of the
Schillinger System of
Kuaical Col!IJ)os1tion
CARL FISCHER, L1.c.
56-62 Cooper Squ.ire, New York, N. Y. 10003
Pttbli.rhef
r
•
Music
•
Dealers
ond Reprerenlotlvei
I1npor1eJ
r
for
flltMORE MUSIC HOUSE • EASTMAN SCHOOL Of MUSIC
ENSEM8lE MUSIC PUSS • PATERSON'S PV8LICATIONS, LTD,
It. O. ROW MUSIC CO., I NC. • SIGNATURE MUSIC PRE'SS
June 18, 1965
Mr. Bert Henry
3640 West 122 Street
Cleveland, Ohio
Dear Mr. Henry:
Dr. Merle Montgom ery has been in touch with us concerning
your two students, Roger Kiraly and Allen Schindler.
We understand that they have fulfilled all requirements to
receive temporary authorization as a teacher of the Schillinger
System of l\ilusical Composition. Upon receipt of their addresses
f1·01n you, we ,vill send them the Schillinger Seal.
Thank you for your patience in this 1natter.
of further assistance, please let us know.
If ,ve may be
Cordially yours,
CARL FISCrIER, Inc.
JJ� P�
Dean Pappas, Manager
Education Department
DP/hm
"DiJ1ing11ished Se,..vice in Afusic Since JR7:2''
Tckphone: SPrlM7,0900
Gibl e: Car6t(iltf �ew York
CARL FISCHER, Inc.
Music
56-62 Cooper Square, New York 3, N. Y.
P1tblishers • OealdrJ • /11vporters
011d· hpr♦Hnl()tivu lor
•
EASTMAN SCHOOL OF MUSIC
FI UMORE MUSI C HOV.56
ENSEM8lE MUSjC PRESS
'!' PATERSON.'$ PUSUCATIONS, llO.
soc,m FOR lHf PU8l1CATION Of AMERICAN MUSIC, INC,
July 10, 1964
Mr. Bert Henry
)640 West 122nd Street
Cleveland 11, Ohio
Dea r Mr. Henryt
Thank you for your letter of recent date.
Our files do not disclose information on Roger Kiraly
or Allen Schindle r . As you kno� examinations a r e
f i l e d under pseudonyms and our re cords do not r e veal any pseudonyms for either of these men. If you
by any chance know their pseudonyms, under which they
submitted their examinations, l e t me know immediately
and I sha ll follow through .
In the meantime I have contacted Mr. Rudolph Schram
who corrected examinations during the specified years
and he vill let me know his tindings within the next
few days.
l sha l l at a future date give you more information
in reference to the Schillinger Institute .
Best wishes,
CARL FISCHER, Inc.
��
Bice , Mana g e r
ducation Department
JB/nw
"Disti>tgufrhed Servi
•
•
•
•
•
g,(}-4,1• �.,. "71- 1
�
JJ
-'<-.�
- ---:--.-
+
- --
� -"
i- � . �
ILJ . ���- �
- •�
�l...:,
-:,_a.,_s..,s.d��!:::!t:....-,,,/3,,��-,,-(a.d_�=C- _£6,
__
��efL!J-<,r...e.....l
L �
__P� :
- -
11_ .
-Ao
• - ����- - - - -
-
-
-
-
-
�--
- �-- . J_ � � ---'--'� � �
� � --e �� 1-e�
-�-r �'
- � � rJ.-J _
-
-
-
�
r-- . '
�
,A..:£,&rld,\.,Q,)
�-,_-G..-...�
_ ,<./4- -� Y"Zl.-t
a____,,_,_1..AJ� �
-- - - ----- - ---
--,,:1...,-1,-'<:
�
�-
-
• __ _
/"..,__.,__,._,L�
,.-,/'.
,¥
�-
- - -
--
-
--
-
- - ,------- - - -
----- - --
SC H I l l I n 6 f R CE n T f R
4900 I U C L I D AVINUI
•
INcllcott
of e�udand
1-2645
•
CLIVILAND
a, OHIO
AUTMOe.lUO flACM•
ICMIUIN··· nntM
BERT HENRY
Oi,•ctot
ORIGINAL COPr SD"!' TO
Office of
PLACIMJIN'l' AND ORADUA!:1 COTJNSILINO
Peters Hall
-iJ
in , Ohio 44-074
o;>:r�g.Oftl.llf co mt
t be.Te kn.CIVIi Ml-, Allan lchindla- for about ■eTen yeara. DUriJlg the firat
three of th••• 7UF■ I haTe had ""kl,7 contact with hia a, a private pupil
in auelcal 0011poaitio11.
Re vae Poeetiingl,7 atudiout and 1nQ.u.1e1t1Te , extremel7 pa-1everi11& and
1Dduatrlou, •• well •• highq creat1Ye and adaptiTe, with well aboTe &Y erace
ratinc in ald.11 nnd per!o?'Nlllce.
Altho'tlgb he al�• was a&V•••iTe 111 h1a work, he tend■ to be conaenatiTe
1ociall7, Bia eldll in ooawiication baa been about aYerage, but hu ehovn
ir:;proYenent durme tl:e ;past few t■N'a ,ihich I .b-ave noticed 1n O'O.J' oooaseional
r,eotl11g1.
B:111 np11wro.i:ce bat a,l\la,ye been neat e.nd hie work' OM.l)J'lf and. 111t1teut1c.
'l'o the beet of icy kuo..,19(),ge he rui.1 no ui:tde11rable habi ta Md hi• 1ntee;r1t7
•
11 above roproQOh .
Bert Be1U7
Director
Bert Renr7 Studio■
49()0 lfuolid Avenue
Ohio
Cleveland,
4410J
n
n
SCH I l LI GER CE l"E R
4900 I U C L I D A Y I N U I
•
of etewdand
IN flhot t 1 •2645
•
CLIVILAND
a,
OHIO
AU1110alllD TtACNII
ICNILI.IN.11 l'flt-
BERT H E l'I R Y
Director
O:RIGiliL llll'l' 'fO
BURUO, 01 PU.CJ:Mlft
Xent State University
Xent, Ohio
ldVIIZ'd JlliP•l
1,729 Cu-pctw •••• 118,ple lleipte, Ohio
I h&Te bad weltl.7 oont,iot w1\h Mr. ldvard. .Japel aa a priyate pv.p1l 1n
-•ical colll)Oo1t1on �or a period of about olx :,earo.
•
During thil uaoolation, Ilhave found h1a to be etlldioua and inquioi t1Ye,
indv.atriouo and pnaeYerlnc, • well •• oreati•• and �t1Ye, w!:'11 an aboYe
&Terqe ra�1.Jlc 1n perf11o1 ■noe •
.Uthougb hi• akill in ooaunioat1on 1• about &Ter-ce, I have noticed ■ome
degeo of acoeleratlon in iRlprOT•ent durinc the lut 7ee:r.
Hi• appearance 1• �t 11114. hi• work bu been orderl.7 and 07ete11Atic.
'fo the 'beet ot rr Jmovledp, he ha• no tlll.deeirable habit, and h i• 1ntegr1t:,
11 above reproach.
Bert Hen17
Bert He1117 Studio•
49()0 hclld Ave., Olevole.nd, OBio 4410)
-�J.�"7'1,:U.-<-(,/
D11'ector
•
tmJOO
�asbington, D.C.
De� Sire:
Septe•r 3, 1966
Polioy Number:
�-51-08
On Sunday August 21, 1966 at a)lout 2: 00 P.II. , I was dri'ving
11est on. Brookpark Road O. S. 17, ju.1;1t af� a iWf turn out of
West 1501,h Street. Traftio was mediWll in both directions two
lanes going west S!J,d t\fO la.n.es going east. There was a d!stance
of a't)out 15 oar lengths bet118.en my oar and the Qe,r ahead.
A muffler dropped out fro� one of tbe forward oar� and fell to the
road in front of me about 250 fee)<• ahead, straddling the two west
bound lanes. Travelling at about 35 miles an hour, I had only a few
seoonds in imich to decide:
1) to attemp,t a stop, llhiob would more likely have endea. in
a rear e\'ld collision by the oar about. ten feet behind me,
2) to straddle the tffO ie.nes, which would 11»st 1i�ely' have
ended in side-swiping the oar overtaking me on tbe ri�ht,or
8) to crowd the oenter--line in a wa.y to avoid both a hea.d-on
collision and the muffler.
I ma.de th& ·thit>d choice, but the muffler rolled over enough further
so that my right front wheel caught the ed,ge of th.a sho rt protrud
ing tail-pipe apd flipped the muffler up against the side of my oar
damaging the, rocker-p,anel-molding •behinp the front wheel-well and
ibfli·. ting about a three inoh crease in the right front door about
15, inches back of the lea.ding edge of the door e.nd about 12 inches
below the window opening.
I called Ralph Hll&S and Aseoo-i,at-es here and they advised me that
they felt it was a legal olailn, but s.ince the damage 110uld be· less
than $100.00, we should have i\ repaired and forward the bill to
you in Wasshintton, o.c.
Acting on this, I had two estilllllotes made and chose the lo11Sst, ha.d
the damage repa,ired and paid the bill.
Enolose a drawing of the roa.d ooiidition at the• time of the mishap, the
two estimates, the bi�l for repairs and the reoeipt for payment of
$44.78 on a Sohio Credit Card.
Ple.e.se let me know if you need more informat,ion.
Sincerely,
BERT lmt'RY
Mr.e. Jerome Gl"OcU
10300 Lal(e Shore Boulevard, eleveland 8, Ohio
J., l?ij°
I
.
Al �Q �
•• � :ti ..
Aut � � 6tt.
Jwr
I
�-1..4.� �:,'u,c-.,
•
•
•
•
-
-
·"•oo
IUCLIO .AVINUI
BGRT
MENRY
•
Dir•ctot
of &oeland
•
CLIVILAND
a,
ONIO
MllftOlt%U. HACN.
KNILlltl!Olt IYlftM
FebruaTy 1st, 19".,,5
�rs. Frances Schillinger
340 East 57th Street
New York 22, N. Y.
Dear Wre. �hillibger:
&nclosed check in tbe amount of �.58 is bei� sent you in aocordance with
our 9.!lreetnent of Jul 1. 9th, 1950. Thie represents two percent of $8829. 00, the
gross income of the lchillil!&er Center for the period beginning January 1st, 1954
and ending Deceiaber 31st, 1954.
I beg you to forgive me for not acknowledging the r�oeipt of The Xoney So�1 11hich
you so thoughtfully sent me several montba ago. Botb Mrs. Henry and I bave really
enjoyed reading it and I bave been recommending it to my students as well as to
my friends. Wr. Shaw's writing is we.rm, direct, fluent and concise, and we were
pe.rticufarly impressed.
During the past year I have been concerting icy efforts to include a more intimate
knowledge of mathematics, psyoholo� and physics so that I may be better able to
present Joseph Schillinger's theories to the public. Inasmuch es I have dec.idad
to devote my life to being ao apostle of the Schillinger System, it has been, most
heart-waraing to diaoover men such as Natban Rasbevslfy, Norbe!'t Wiener, Adelbert
Aines, Jr., and Anatol Rapoport, ,mose theories and experiments during the past
decade have contribllted imme&aurably to substantiating Schillinger'e hypotheses.
There is a question in my mind which, perhaps, you l!!BY be able to resolve for me.
Because, at present, r find myself fin!l,llcially unable to expand the Schillinger
Center, I have been giving serious thought to the peesibility of introduoing a
course to the Cleveland Institute of Musio or the Western Reserve University, not
as a substitute, but rather as a means of creating a wider field of interest in
the subject. If sucb a move were expedient, I lfOUld 11rite to Mr. Shaw for infor
mation regarding the finflllcial arraneements made with the Julliard Conservatory
so that I would have some basis on which I could establish fees in Cllnneotion
with suob a venture.
My plans for the remainder of this year include the oompletion of requirements
for a degree of Bachelor of eoienc� this swnmer, a course ip the Mathemati-0al
lleasurement of Human Behavior next fall, wor\dng out an Outline tor the Theory
of Qeeign which I wish to introduce to the public next fall and, perhaps, intro
duce a course in the Schillinger System of Musical Colllt)osition at the Cleveland
Institute of Music in September.
Although this represents quite an ambitious program, I sincerely hope to be
..
-2able to meet the deadlines with an adequat� background to assure the suooess
the Schillin�er System deserves in spite of the dogmatio reeistanoe to it
which I have enoount�red thus far.
Please &dYise me when another Schillinger Genter has been or will be insti
tuted.
Sincerely,
BER'!' HENRY
P.S. Best regards from Mrs. Renry
I
j
I
j
I
I
j
--
?-IRS. JOSEPH SCHILLINGER
•
340 EAST 57 STREET
•
NEW YORK 22, N. Y.
FebruarY' 15, 1956.
Mr. Bert Henry, Director
Schillinger Center of Cleveland
4900 Eucl id kvenue
Cleveland 3, Ohio
Dear Mr. Henry:
Your check has not yet arrived, and I wonder if
it could have gone astray. Would you please
let me know?
Arnold Shaw has spoken several times to the
Olevelan:i disc jockey, Bill Randle, about the
Sch:illi.nger System -- and you. If you care to
fol low this up by giving Mr. Randle more
information about your work at the Schillinger
Center of Cleveland, perhaps it wil l prove
helpful. I shoul d be interest�d to know what
hap:Pens.
My best wishe•s to you.
Since�ely yours,
Mrs. Joseph Sc'h1.111nger.
•
•
•
•
Mr•. J'rADCee Schillln&el'
349 Ee.•' 57th s,reet
lev Tork 22, Nev Tork
Dear Mr•• Soh1111ncei-:
Bnoloeed plea,e find check 111 the uo,mt of $Jl8.9() wioh repreee11,•
two percet ot the $2445.00 groe1 income tl'OII the Sch1111J14eJ' Oe11ter
ot OleTeland tor the ye!IJ' endin,; Dect111ber 31, 1956 11.1 pa our
acr•e-
ment.
Due to the decreaae 111 genel't-1 1ntere1t in meic, I find the income
dim1nlah1ng,
Al a re1ult I have been forced to change 1111' proteaaion
to tbat of a mathanatioian which hold• a more promlaing future. It
11 unfortunate, llut I intend to dlacontinue Schillinger Oentff 1n the
near future.
I can a111ure 7ou that I am ,,nhaPP7 about lt but I can
•e• nor find ezq alternative,
Sinoel'elT,
l)El!f HENRY
•
•
Be::-t Henry
364-0 West 122nd Street
Cleveland, Ohio '-'4111
October 22, 1976
To whom it mey concern:
I have known 11.i·. Thoma.s Le.tiv:zia. i:o:r over five ;;eara. A'bout
three of these ye$;rs he ha� been a pupil of mine studying the
Schillinger system of l❖1e ical Composition.
X have found him to be reliable, industrious, alert, and quick
that be was one of m;; best students and a pleaaure to teach.
Re has demonst::-ated a flair for being creat1�e &.nd for orig
inality in rhythm, form, and continuity, with a good bals.nce
of eeriousness and humor.
I sincarely beli13ve that !-.is wor.::s and efforts are deae1·ving
of broader exposure and that, given a wider audience, he should
be !IUCCessful.
Any additional inform ation I will provide �adly. Just wriie
to me at tile above address or phone me at 94,1-8985.
:Bert Henry
�U!'.'HORIZED INSTRUCTOR
SCHILLI11GER SYSTEM OF
MUSICAL COMPOSITION'
•
•
•
•
•
•
•
•
•
•
•
•
•
-
•
•
Jul;y 23. 1964
Stan Kenton
1010 S. Robertson �lvd,
Los Angeles �. Calif.
Dear Stan:
It hall been two ;years sinc e I had the pleasure of chsttil\€; with
you at Chippevo Lake Park and it has been three ;yenrs since I 've
bad occasion to talk to :Barbara Page. Because I am an 8PJ;)l1ed
m athematician at ll.A.S.A. hare in Cleveland, aJ.on;,; with plfi¥in&
club dates and toachin« tho SchillillGer System of J tion to quite a few stu dents, I find l·ittle opportunity to do the
things l'd like to do .
The purpose of thie letter 111 to aiivi11e you th at I liavo sent to ;you
u nder ao11orat9 cover a score on a co:e1>011ition of one of riq' st udents.
I believe it has mOl'it and I feel that it might fit into your scheme
since it is a well conceived and well corustrw:ted work of ai,t which
waa in11pired by "Look Homeward Angel" by !homas Wolfe,
I wou ld appreciat& ;your eiramination of it and perhaps hearing it
o ut. You will notice that the mellophoniuma are not included but
their add1:tion ,o the score would not be a problem should ;you feel
that fOU ..-ou ld care to include it 1n :,w:r librar.,.
'?he student , Roger Kir�, w.'1.o vrote it ie no,-. in hia final year a t
Ohio Kent State University. � aoo re W89 wri tten for the instrumenta
ti on availe.'ble on the campUB along with other scores 1>7 him which he
waa using to interest the faculty in institutill& a. Modern Musio Work
shop, Since the emphn:iis of the music department is on band mueio
the maJority of the :tseult)" was not inta:re9t(ld and the attempt fa iled.
I do hope that you. ..-111 corroborate ,q feeling tl),at thls 19 ;year old
youngster hae the talent and ehoul.d be given a chance to be heard,
Let me know vhat you think of it.
Sincerely,
mm
BER'l'
Authorized Teacher of the
SchilliJl8er System of
Musical Composition
c a
,-.IA g
•
-
•
•
.
l
. .
1
i
•
•
..
.
, ..._.
* * * bert henry studios * * *
last· Side:
1uc1.a Av°"""
Cl.evoland, 'Ohio 44108
,m
PHONE: 9 ,1 1 -8985
lfest Sf,u:
38'0. fes't 122"4 Street
Clev•la..41 Ohio '4clll
•
'
'
•
•
•
•
•
•
-5 D1'RullUO!IOlfS
In\ro4no\1ont, u a J'Ule0 a. t well at \rultiliou (oomerciall.T kllow a t mod\ile•
liont} t\Jld.e
1101\
�t 'beoau.1e
ot
'11811' lllli\ed knovledt;e ot '118 dffelopaen\ ot
anaioal oompOMD\t aad Ille 111e\hod.1 vith whlch '11e1e o�t• ill\ecra.\e \llatel..-e1 ill
a 1111aioal oon\illll.1'1',
Sa.\11taoto17 ill\ro4uo\1on1, UU1ti\ion1, and codat can 'be dni..,.
e4 onl.7 vith en aou\e avarce11 ot \he ooaponea\1 ui1\ing in \he aonc lo 'M orc:hen-.
led. Al!nos\ ffffl''t �anall of the S,®J.llJ.n4v 87t\em
1neral i"Chns ,iut vi \h alch ou or IIOl'e
tor \he ill�\ion.
U¥ 'be al\erecl.0 1,e, •
ot
ot -.Uioa.l CQll(p011\1on
the COIIPOJl•I• mq 'be avacs\e4 and �ed
Tll•e en ai,o • nnaber ot •lllo4•
rhT\lm "111'1.a\lcm,
otter•
'b7 which \Mae 00111ponen\1
perma.'8.tlon, goo11e\rio pro.,.ec\lcm, mo4al "111'1-
\ion, J11elod10 t1�\1o� e\o,1 it noh 'lmiq,um.e11 1• d.etlreo'ble, !bete 111etbodt otfv
a meane 'b;r wich a 0011\l'U\inc 1111U1loal con\lmiib' ma,- be d.m11ed M4 ,,111 J"A\aiu a
The Mcbniquet will ft17 vith 8'M)b
,s.on.
'7Pe
ot OC!IIIPO�, u.d 41$cll \n>e ot 1n\1'04Uo-
A W111Ua"7 ot \he \eclmiqt\81 whiob are a,-aila'ble illolud.e•
1, � d.el'elop1116 i n poc,u11oJI.
2, � dffeloplq in Mlod;r
,. llll7'hll d.neloplq ill hanoll,1
4, � 4999lopillg in orchetlnl color, (\one qu&l.1\1e1}
.5. R-lo41u\1on of llu'aoll,1
6. bhanonisa\lon ot •lod;r ba&11nt
7. Geoaevio 'h.l'latlon
8, 'fonaJ Taria.tion
9, :htia\o
lO, �e
11. Val'lable d.en1i\7
12. I)Jlumlo .Ueo\1
AD¥ 1011g will contain ■utfiolen\ nv _,erial which can Ulld.erp one or 1110re
ot
theee d.nelopact1 'but ooca1ionall7 th• arrancer vlll 'be able to htrod.Uce a OOIIIJJOJIIIJl\
of hit o� to enb&Doe the po111'b1Ut.l•• a,
.,,.u
a• the re9Ul\,
'1'b.la happen, aore otlen
h (1) r� 4.-reloplq b Pff could 'be tubJeo\ed lo a 'beguine clazloe arranpaent urel7 throup t he ad4111on ot \he
\7Pioal 'becuh• rhT\he in the perc,utlon.
the tone
'b7 �lq alou fwr
or
•141:h'
!bit 'beguine T'� oen, '1le:l'efor, 1ntro4noe
but before the 1ong �\ueJl:, 'begSn,.
It
..
•
•
•
would 'lie ol&a11t1od
1;hrou&bou\
1;he
M
an oa\S..lo (ob1\hla\e) 1in.o• j,\ pv111\1 1a repea\inc 1\ael.t
affall&IIIIQ\. An wlild\e4 m1111ber of T&rla.\lou ot \he begu.iJLe r�
are a-nilabl• \hrota40l \ho tAchnSqu1 pre■tlll\od 1a \he !hooq ot �. �to, natu,
ra117, ea.oh 'YB1'1&\1on vf.11 h&n it, ow dJ,a\bc\ ahu'aater which VOll14 lo•• itael.t
lt ·••ffal Taria\lon,wn.14 ·be Ulled 1a con\1ault7. Al lo-c &I a � pa\\en ot
20 at\aokl or le11 f.1 i>epeatod. tho ._,. l• able to �opi1e \he abliwf.\7. :Bqolld
all tall lnlo thi.1 oat9&017. One or 1111re ot the other oomponm,� oo«d1\ f.Jl
1h11 \JP• ot an illued'IIO\loa but they vt.11 be praamtod la\er Ulld.v thelJ> respoo\lv•
haadiJaga. A '7Ploal elWllll• vould be • llllilOJl obbllcato .. an addod OOIIPOllllll\.
'l'here 11 J1Athfng \o Pl'_, \he � dnoloplag 1a perouaaloii .hw aallUl!fDC
an o\her tllu t!lo 01tlna\o toni. �ult7 8Ad 1111t1a\1'ri lhoul.d. bo oxvol1od 1n
ilfflllltlJIC a aolo la porQUaloa. Sua h a aolo Wf!7 be atireq 1:1111QPl>Orie,4 by arq otha'
lnaVU11G\L9r goap of la11U"■i41l\1.
U aupp� 11 deabed, 1,,., proo-1a1io11 of
hal'lloDT tor a group or \ut\1, ndh auppon lhcml4 oilJlfora to \h• cli1vlbu\iT• po.er
••ob•Squ.
(!he progl'eaalon of han!oiq uod for �• auppo:r'li mq tmdwgo \he \eoh
nlque of J'h1'\hll varia\lou aa praae\-". la Chapter 9, :Book I, !heo17 ot
m&,taa,
pe,gea
116 to 62 1nelua1To.)
A melod¥ la aolo or '0Diaon lDTa\ed aa u latro411.ct1on and Jaadlnc law t.he
10-c••
a
PJ'lll8%'7 Nd.a would be cla11sltled u r� dneloplag la •104.
M4ese
It la oallecl
and 1\ -,- 'bG uaea. ad lib or 1a t8111l)O. Latia muaio teatUNa tM.1 iechnique
••17 often and
•• cadenzas 1n
O&ll
be noted. 1a Ormi8•••• on � �C�oca" oi" IIJl1ellS leech lllrcuiba•
t.eaipo.
"ll�)a..Lou• can b♦ o1\o4 &I an ad Ub oadensa blllllplo in l\1
1atro4uo\ton. 01911.11. Millet a � ot itlJl the ICood• 11Pit1•1 \hie toolm.iqu
aa uaod in Alnerlou 4anoe
• bend •'1'1•. An l11.tro4utlon ot thl■ t1P• bu ·tlut advaatap
ot oreatin4 o. contra■\. to th.a boq of the �eac\ - vitholl\ � ua• ot aD'T
other oompo.llllZl.111. It la a 4Nmat1o d..-loe llhioh ii offlea OTerloobcl. a,a aolutlo•
tor iDT■nting M 1ntereat1� la\roc!.uotion.
•
..
•
•
- 1,
A progre111o:a. ot harmo:a.1e1 a111gp.e4 \o a tutti or a homogeneou1 eeot1on auoh
a1 a 1axophou eeot1o:a. or a bra■• ■eot1on
DQ'
be 1ubJeoted to ■ome temporal rlqthm
pattern on each ohord v11.h or without accen1.e or re■1.■ a■ 9%p�1ued 1n Chapter 9,
Book I, !heol'J' ot llhT'}ul.
A oont1ul11 t,- ot th1• t,-pe would repreaen1. (:,) r�
dnel0p1ng 1:a. harmotq"r,,
In 1m orohe■1.ral tutti, the harllo� vh1oh of cour1e ha• alreadT been pre-1et
will uaw,.11,- haTe to be �l1ca1.e4 1n th• adJacent ootaTe to ■at1■t,- the den1i'7
ot 1.he orche1tra.
'fh1■ teobuir!_Ue tall■ UDde:r the heading ot "Collql0■1tloa of In ■tru.
M:a.1.al S1.rata" and 1 ■ a TeJ'1' 1tr1ot technique, thoJ'OU011' explalud 1n Chapter 6,
Boo); TIII, 'rheo17 ot In1U'Wllental J'ont■, pace ■ 100:, ,o 1017 1nolu11Te.
1,
Mlll'!I
tha1. 1.he ■am• 1nTer1lon ot the chord llllltt appear 1n the adJacent oo\aT•• vtienner
•do
orchee\J'al da■1\T ued■ \o be 1norea ■
or aore •1111pl7, the top note of \he chord
must be the \op note ot 1.he same chol'.d 1n the adJaoent oc1.ave (or double-001.ave 1t
open �ZIT 1a to be ueed) at all tille1.
It doe ■ not neo■s■ar11,- follow tha1. each
■eot1on mu.at be as■igned to each ootan vit.h the dupl1oa1.1on ot harmoJlT.
The ■•c
t1on1 1hould be tied to each 01.her b,- 4u.,11cat1D.g a1. lea■1. one ot 1.he note ■ 1n
bo1.h ■eot1ona before progre■■1ng to the next octave duplication�
Danca band• uaing
1axophone■ with bra■■ m,q be l'O.bJeoted to t.he OYerlapping teobn1que.
'l'he a1'1'anger
will haTe to lj,e,1de on both the ■onor1t,- de111'ed and th• tlex1b111t7 of Tar1ed
1netruaen1.at1on 'Which \he 8l'l'ADgelllellt 'fill!:T encounter.
10 n-erc,ua, onl.T a few •XIIIQ;>l•• will be glTen.
Srrr, tJ'
Since the po■11b111t1es are
112Prr
Et> Al.TI> S'Al'
rePr n:
fl>IILl'I> ��'f.
Tii?,;,�
l!bT'EN SA'/..
,
•
• •
•
•
r.
..
•,
•
,
'
halll)le• l and 2 abov an orollea\ral d1a\ribu\1on unall7 tound 1n ••\ooJc•
dBno• band arrangemen\1 and 8J'e uaed beoav.ae thq allow tor tlex1b111\J'. Evlll)le J
11 110re raz,e bu\ equall.7 flexible and a 11\tle aore "bra••r" 1n •ound beoauee of the
opea poa1'1on of \he r"4 ..o,1on.
When on• ho■ogeneoue 1eo\ion 11 brough\ into
q
in1tl'Wllen'8l interference
pa\tff'IL with an.other h0110geneout aeot1on, a IIIICh gea\er 41Ter11t7 of (J} r�
dnelopinc 1n har■oJIT 1, atte.inable. Attention 1, called \o th1, teohn1que in
Chapter
71 Ilook I, �017 of �hm, J>&&e• 27 \o :,:, 1nolue1Te.
An7 propea,1ona of Jl'arllloniee 1n•ente4 b7 ,-een1 of \he Speoial 'fheory of
BarmOJl1' are aYailable tor \h• ee\tinc.
l{GVffer,
in a dia\onlo-1:me\rio con\1nu1t7,
1f a group of 2 or :, chord• are ueed and another lib group 1, \o follow from an�
other point, do not Yoioe the lead to the new group beoan,e \he a•� per1on will
lo•• \he \rend or oharaner11\io of \he progre,,ion
■-ae po,itloa a. the f2,1'1\ croup.
mu••• \he new group
1, 1 n the
'?hi• maan1 th.a\ altholJ40I. \he tranlformtlou
will \alee place vl\l!J.JL the g:roap and lib tru.lforma\1on, will take place in each
auooeediag group, ao ,,..nuorma\lon, are required from \he 1a,t chord of \he group
\o \he. fir,t � of \ha IIUOoeedln& group althoup. Tery 1>ften, ,om• tran,format1oa
will result.
lt \he twidemea\al 1truoture of \he chord ueed 1,, let u, aq, 4 • J • J
then all the ,S\ep1 lhould be 4 + J + :,.
0., - Alf - �
tor \h,e fir,t grou:p
\hen �- 07 will be )he 1econd £r"O\IP (4th intenal down fro■� 1• B�)
\b&
'?�B'l>7
then
O.,� - A�
will be � th4-d group ()rd 1n\erftl down froa c 7 1• "',)
will be \he four\h group (:,rd intenal down fro■ �
1,
o.,>
In oonneotine the 1&1t chord of ou group to the fire\ chord of the follovlnc
group, To1oe-lead1ng wq be dieregarded. ll:xoep\ion 1a allowed. 1n th11 oa,e \o retain
the oharaQter o't the ,ound of \he chordal progre1a1on,. !HE DIBEO!IOJr ?OR 'lJll Illr.&11l
VALS MAT BE UP OR DOWIJ, BOT D OD DIREC'!IOJI OJILT UlffIL THB 4 +
J ♦ :, CTCLJI IS
••
'
••
-
\
•
•
-9OOMPLEUD. The uae ot \Ilia ♦eobnSqv.e 1• ao prnalen\, eapeo1all7 ill the so-called
•J'IUIJ> �e•, " \ha\ reteNDoea \O "J)eo1t1o ar:rencem•I• would be en\1":Z., rtldundaDI.
('+) llbTtbm dnelopiJI& ill orohe,val oolora (qna].1\le,) 1, ,11111.azo \o r�
dnelop1nc tn � but wl\h a broader appl1oa\lon, A \onlo or clo•1nMt. pedal
AX
po1Jl\ dl•lrlbu\e4 al\81'11alel7 lo two or aore het�ogeneoua lll•Vllllea\,, 1.e.,
an4 \l'WIIJ)e\ 0 aa.x an4 ll'Ollbou, \l'olllbone Md \l'llllp•'• piano and
uz.. e\o., would
dnelop a r� ot tone oolor1 vhlle ,� p1\oh-un1t would r-1n atat10UJ7. J'or
a iPIOot.h etteo\, \he lone oolur ot one lntil'Wllnt 1111q be 111.t'8Jned a• \he nev tone
color 11 1nt1'0duoed and the tvo tone colora vould be anper1lllpo1ed on eech ll\hel'
betore the f11'ai tone color would drop crv.\. Thia d1ttu.aloa of tou color■ u:,
often be 110re de■.ll'eeble \hall a direo\ ohenr froa one tone oolor to the next.
The fol'll'llla.e vould bet
PUfSJT TB♦U!Tlgll \ • J I ll • 2 + 4 + 2 + 4 + 4
Sax un1a 2' ♦ \1'])\ 41 ♦ AX unia 2' ♦ 11'])1 41
♦
m•iiile 41
GRADJlALTJIAJ§ftl911
11: vats4t
• 11'])\ 2' ♦ 11'])1 lj.\
(Wd)
In the gi,adnal \rau1t1on0 the AX ,mtaoa 2' would be \led to the ne:d
AX
un1aon 2t and ao forth. fte tol'IIUla 1, sulid1Yided lo define the envanoea of the
tone oolora onl7. Therefor, the aax imlaoJl would begln vlth � but the ll'IJlll)et
would ulce 11• otl'allCe after the tin\ 2' whernpon 1\ would be sustained '.}t lOJICC!..,
tor a tot.al ot .SI.
O\.hw poaa1b111\le, uclwle the a441t1on ot more ill•ll'Ullen\a b7 anperlllpodlljm,
e1\her \hl'Onp a crowl111 diall'ibu\1n poW1' patlern or one ot \he ftl'1al>le nlooli7
aerlea ot govth, wtdoh oould build up a oreacen441 on th, p1.\oh-nnl\, OonYeraely,
becinnlnc Y1,th
110N
iuuna•t• and l'fferaiJI& thi■ teohnlque
"7 cont.tnuall7 dl'opp1Jlc
crv.t the \Gae oolor■, a beauls.tul dS.,1.mtll!l4o- vould be hl.ven\ed,
•
' '
''
•
•
•
•
•
r
---
•
•
,.
•
V
•.
•
-
•
+
l
•
'
•
•
•
•
•
• 10 •
Al\houc,i the teclmique of rht,tm dneloping in orcheatral color, wet pre,ented
with a pedal-1)01.Jlt coiapo,neat a11 tb.e subJeot, it doet not ob-.,1ate oth«.' 00111Ponent1.
ro.,, e�le, ua� -.arioua ho1110gen,011.1 eectio.n1 •�ch a, aaxe■ or open �•t• or
open \1'011bone1 or 111U.tf34 bras, ln a progn,1aion of harmoDT 0,nolud1ng the (3) rb;ytla
dnelopblg 1Jl. hal'IIIODT t•obn1'l,V,8� the tranaition fro11 one tone color to the nen
grea\l.7 enhenoea \he 11r..isiaal contlnui'7 thereb7 pl'OdUOiJl.g a T&"J' ar:reetill4!: intro
duction.
!here are three
tun4a■1tntal
me\hod.1 -1.oh can be, ua-4 1n
�•lnc rhnb■
dnelopt.ng in orcheetral ootor.
l. DieVl'bution on tht melodic line foJ'Md b7 the oo�'°1U' of 'he
progrettlon ot Ul'IIOJl1e,. !hit, ot oourae,, inolwle1 \he
pedal-pomt pt'41h-.1Uli\ cllacu,ed ea:rller.
2. Dlatribu\lon \hJ'ough a preset 1eleo\ion of orohe,tral color,
wioh autoaatioalq inclwle their &11lped deati\ie,.•
,. Ditbibutlon � tlle Atnalty teoh:ol'l.lMI ot pha1lc rotation.• •
:Before proceeding 'With the d1101a1i011 on tone color dl,trlbution, howffer,
lt will be e,;pedtent to detilie \he orahet\ral color• and dff11e ,- 11ean1 by
•
vhloh they ma, be �re.-.ffd 1n oontln.uiv.
Ile one can dCT the d1Tertlt)- of tone qu&ll\1•• available to the orCMetrator,
7et ■oe\ ot tbem are OTerloolted beoatwe of a lack ot a meatl'" uthodolog, Each
ooabinatlon ot liet.rwDeata hae lt, own po11lbllltie1 a, well a, Uaitatlon.e,
It 11
IDO'lle a rule than en exception \bat the kllowledce ot \he tone qualltle, ot each 1re·
ob ot lte recla\era le 1n 1t,el1' of
trument in ..
than 1010 pae14&91,
a1q
great ...alue for � other
In media to hip oroheabal den1itle1 moat of the tone quali \
le■ become ob10Ul'ed beceuee ot '\heir integration with IUl'l'OUlldlng hal'llonlc1, OnlT
a long tedious •� of the ph.yaioal llD4 p17ohologioal p1'0pert1ee of 111Uioal intitw.
ment, in all po11ibl9 cOllblnatiom
e.11
at1wnl1 alon« vlth their re■ponae oharacter
l1tlo1 and ft, na3 e.udt.\OZ7 tmeg,11 vould b• ot an:r real a11l1\ance.
III.
• The reader lhould 'refer to page 1470, Chapter 19,
lloolc XI, Vol'lllle II,
Dforr ot nPRRz,1\ion. Patt
.. The J1eohanlc1 of tht.e \echnique &2'9 pl"e■ented 1n Chapter 1.5, 100Jll'.P0i11tion, ot
Dault)-1 bn!fal 'fheot,oJBtm,q,r,:, llook IX, Vol, II. PP• 1226 to 1247 lnol.
'
•
•
•
•
•
,..
•
•
•
•
-uTo deftlop a 1ot.eaoe ot 01"0M1valt.oa llhere1a a,q ou d11lrl4 r11pon1• ooul.4 be
'••aed VS.th
10111
oon•1})41114Snc ,,•.,1..,, wouia. reQ.lllN 4.-nlopiunl lUl4 v.a• of
••v
tn■ol•• &110o1all4 vlth lh• nolulloa ot pqcbolocloal OOD411Joidnc, mi. nollllt.•
ot orobl1watt.n u well a1 ai.t.o
di
aonlJ' 4epea4m oa the nolulloa of plJOM
locloal oohdt.U-111ti 1a 10M v.,,.,Oll'!MI ilNcl J4"0lNl!'1• le nob olbar.
:a-•
lhlt are ff011llionai7, tbe11 �tOI•• ...,., ou17 OOPJplal\le1 vlth a bip clegM ot
TOlaltlli\7 wloh, a, a nnll, eln41 1..:amo10&1oal plllJPdnc.
olog wtoJI lflml4 �\I a hip dllrN of � 0110•1
u4 \he r.llAmali.salt.on
et ._ nlatt.'f'iq,
""...rv•
a,q al\bo4'
\I be a pl'll'1quJt1t.l1,
°"'-• ..,twl! IIOq,U!N1 ot.wlNINv.alT both
,fulltloallca and pnteraae. 1M lldioioua ua• ot 11w ldP1lllaar �P'9Ml"s19tl 4!tl
er, •ell'Ol.11 vl\h aa Ml� IIVPU•lnc UT laftlllTI pJ'OO!lH.
lee,,e otte u,,.. not, the erohe1valol' vt.11 bl �J'ftted. wt.Ill a 11.111\-4 �
an4 '7P11
et WVIIIIIIM•• !o SWSSNd'IIUJ \na1lal1 -toe,l t.4■11 t.alo all oroheebal,
-. a Hal• of oza1&11\ral oolon oan be 4fflled 'llbte,
ffO
lhll!p \liq be - ap
P""'Tt•tt.n. will offor a anll:)4olog tor 4ffllopt.ng a ..--, etteo\t.ft orOM'eval
oon,ssm&\7.
0a the vppa 11114 ot 1h 011ohee\h,1 •oal• lhlH an 1h blp,,pl•oh"4 1a,..1.,.
MUJl4!I -4.oll 1•ol\1 0.1 p-1al11t leut.oa u4 'llldoll .r, bl CIOIIPU"e4 lo, 1blo1 '- an
e&elqo\11 le, 0.. 'l'OW-1 11tmd of w. Al t:l&e ol!la- all4
lew'Pllohel --.
.0119"1
et Iha Nale Ula'• ere \!la
llllloll are p-,ohololloallt' ot ••» low lenlln. tu latter
en --,.rabll .. Iha ·••l HUM ot-W. � latdM4.lat• ftflp, flh'riOMSnc lh•
pot.at of ., av,, wn14 oenw8}IOIII& '° 0.. ftwel leaA of ah. !hue llrr•• aoa.n pro
due " 111:ree
10&1: _,,
81:aoe Iha toel•
t.1
to llldoll the •Mlndtu■ ot the 9,.-_, .r tilot,, Oall be applied.
lilllted to '11l'•• Vldl■, oal7 \Jira•
WOl\14 'be us.a. h'I
hort.1011.tal
ltnn ot the �aph
tu 11flllwl.i 4t•lrlbutt• et the ooloN alo:q t.u 1eoondar, e:a■•
� -14 haT9 M be a■•C.cnef • � lteat■ ot the % llbloh m.1\1 ill the f&OMrlal 4.1.e
Vlbutlon ot the taporal � •• � 11 Iha mJor oow;pcm•t, oa Vie 'balt.1 ot
•
'
•
• •
•
.. •-
•
•
•
•
•
.
•
-
••
.•
•
-•
'
,•
•
•
••
•
•
•
.. ,
.,
.,
•
,
.
,
:r.
"
•
•
<.
•
'
••
.•
•
•
•1
•
'•
•
'
•
••
,
,.
. ,•.
..
;,
'
•
•
..
...
'"
'
••
•
·-
•
•
•
(
.
·.
<
•
,
•
'
r
••
�
•
.
•
••
'
'
,
..
- 12 -
J vha hanlolQ' l•
\he uJor OOIIPOJlell\, 01' 011. \he 'ba1l1 ot on• ■elodio trapc\ (tor
eaoh i) vhell rep.-l\loa ot aelodlo tra&,aen\1 l• \he MJor ooa;,ona\�
To \r81l1la\e \bl1 relUltbc graph lit.to \he Ol'OM1val 1oore, one llll\ruaa\
11 aaelp-4
u Noh ot
the 'lllll\1 o! \bl1 qaall'7 aoale a.t\er 4ue oon11dtrali,on baa
been glTen lo \heir rela\l-n IIOWl41, tor 1xampie1
Vba \he llll'"-1• aftilable are olaJ1nel, U'Wllpll 8ll4 MXI
'11 1 1
ah t I
lffl 1 1
hip olariaa\
VWl;p�
lax
ora
VMJl \he lll...mmomta &T&ll&ble 111'1
'11 11 '1'allpe\
ah 11 �
Ol'I
00 It IU
W I I \ru■pe\
ah 1 1 low olarille\
00 I I 18Z
vupe\,
VOllbolU an4 MZI
W It UubOU (blgb)
ah 1 1 VUMP•' (low)
ff I I �
repreaen\ ■-- ot \he poalblUUe1 vhi(!b ■IQ' be ue4.
While 4ffl•lll& \he oon\lmd.v ot orohe1\ral oolora1 the range ot \he ■elocllo
lllle ot \he ongtnal ae\\lnc ■u\ 'bf' \aken 1a\o aoooaa\, bll\ ..,, ot \he ob'fiOQa
lla1\&Uona oaa be OTeroae \bro114111 \he oc\oe rea4JU1taa\ ot pol'\1011.a of \he
orlgjnal 11\\lnc wb1o!I would a, a reaul\ ot \bia \eohn1 qne, '1Pan,toz,a aoae 1eoon4,,,,
111"1' an, lll\o blaal'J' aeooadNT
In (.5) r_.14141.sa\1.on ot
an•.
banoP,y �•
are \o be fQ1Ul4. ar unl1.-S\e4 mm1>er ot
poa,lbf.U\lea tor Qf'lglnal 1a\n4uo\1ona. B:ve \he fun!SeMll\al o�\ alou can
probce
lM1Q'
Tari&tlou ■erelJ'
\7 ru!SJ9.1\1Dc
\he ooa\oar o! \he pro...-1■1.oa ot
11.anionlee \o be uae4 � \he ap:plloa\ion ot • uv •11'1•• ot \ralltoNa\1... la
plaoe ot \he o1'ldnal
111'111
o! lnnl!OZ'll&\1-■• � \hie, lb..-. are all.4111.onal
reaouroea aftllabl• bT ill� \he \t10lpdqua1 ot \he �l•• oa •ledlsa\1011.
o!
banloDT an4 vhloh will
aboul.4 \hey be u11l'e4.
p-1\
aa ffllll
gN&\11' 1"••• ot teulon1 tor \he ooa\bluiv
Oare aboul4 be �l•edo bowwer, so
tW
\bit aeoomar,
ula a\ \he _.,_ ot \he lllvotuo\loa aatlolpa\n aJl4 11841 1ate the Fi■al7
ttra,
••OOD!Sal'J' ul•
�,\he aozac.
Br utnc a abor\ \baa\1.o ao\lt ot \he ■cmg, or b7 \akin& • por\lcm
Ol'
ot
the
the
I
•
�
•
•
'
••
'
•
••
' •�
• ;
'
'·
••
•
•
.
•
•
l
•
,.
•
•
-
-
I
..
•
•
-
J
• ••
�
,
'
j,
•
r
•
•
,
•
•
.•
•
'
•
•
•
�
•
•
.,
•
•
• /•' •
•
'
d
•
•• •
�
-'
•
•
,
(•
•
•
•
, ..
., ..,, >•• '
•
..
•• •
T
.,
••
•
•
•
..,•.r
• <
f--� I
,
..
•
•
'
•
•
�
•
•• q
•
•
•
.
•
•
••nc llelnc �,_,. and. u••'Snc. t., a• lhe �,. -\io aout, a new ••1•• of
be 1al•• 4mff4 � \he •ooulqu1 of \lie
will pre4uco a
,vna ooavu, to tlae aonc
theor7 of banoaisalioa of Ml4tq
11..1:t wile
,,m i-eletnJnc
119■e of \lie
OJl'Sglnal flaftl'. 'fhl• (6) �-,1oa for \he Mlo4ia fl'e&Mal -, 1lo 4ff1•e4
lieu lbm'oot, Nl4 11 wll.7 11 llol\111" 1f \be •e• �• of �sa\ioa are
lll:n4
&I
.5.58 1M1U
apJeSne4 b Cbep\ar• l7 ait4 18, look ,. Tol1r1t 1, P•eo• 552 \ci
•ln of Iba Bpeola.1
!heor7 of KenioJi;,.
Siaae- all auto aaa lie RbJOde4 lo (7) Go-Vio ftrialla ar (8) Mltel ft1'la,..
\loa, Uao•e laolrll1qu1 llbftl4 u\ 11t.·orll1'lOOkN as MH ahllll\loal•• Bea•·
fflil
ialffffling iavoclllOtloa• au 'be la'ftB.\94 •la,pq 'b7 rttrlJlll'inc lhe o•lctn•l \hOM
ot � MDC to ou of \he t.bl'e• -ne!atnc ,ao■1Via u •••l mer•lou . JCo•I of
,� po••llllll\l••
N•1ns ,rt
&Tal)&b\o 9N F•••le4
()-\rio
1a \he fl.'"°'7 of Veria\lou of �la 'b7
Pl"aJOOUoa, look 111, Volw I, of \he SabillSnpr l«n••
Jar a Mcll\a\ln
OJ'
Rb\lo 1aVG4DcUo� lhe (9) tap.lo •eclml(llW m:, 'bo
UV-� et.too\lTe. llooau■e of 1,. � 4118 lo barMaio nrifeo\loi,,, 1,
,_,, lo -1,e •••••t.on• usoolaJ14 wllb \hi OOllOeJ>I• ot \he o\htll'i&l.. Tu tap.lo,
perllap• due lo. 11• pr-nal.ai,e ln olu•loel u,-...,._, uu1q oUi'l'U1 Yi� 11 u
ail' of tm Jt\,y• oear\o97 u4 re,.,.,. !be f'aplo 1• pelile allll4 nMle &114 l•, �
tor, ldwll7 1111184 lo O'f'fl'OOJle \he 1aw.r,1a preec\ prior lo \he lle&f:nn111&
l)f
u:,
11Ulaal aoalbml\7.
hcaM clffol-,nw� �• a l)l'OP'••in of � la aa e.m•••� open po•i
Ue " Ulal 11 oa. aooc■•s21o a �l,o4lo ftcanl� pleoe4 oa Oil.e ,_.,,on of �
.
.
bana;r vi� nerJ,,q,ping Illa e4Ju• taotlou_. !he ula41o figunJlon can 'be
o:ir:lnclo4 ha a:,q �
ot \114, "81C1 11 oea\4 'lie \lie u.-110 •llf of \he
IOn,;
la
Ille er1.&f•eJ toza Ol' .... pealv1o or Iona\ Tarlalioa of \he 111,u. A IIOl'e clelalle4
eq,loeUa of �'° hNl.011••' le 4l-■e4 al 1-clh 1a Obap•"IZ'I 2:, IUld. �.
lfflc V, Tolw I, � tia. Sob1lllJl&a' 1-'••
•
•
•
July 24, 1964
Mr.
John :Bice, �r
Educational Department
Ce.rl li'i11chor, Inc.
Cooper Square
Rew York City
Dear 1-lr. Bice:
ThankR tor your reply of Jul7 10th.
Regaring tho 1>seu.don:yma of the tw Clevel&..d et.u.denta
about whose teats I inquired: l now h ave thie 1Dfc:nstion
and it ia as follows:
Roger Kiraly: 'i'ook the te11t during awnrner of 1961 and
used the psewlcny•: Jim lk.rber.
Allen Schindler: Took the test durine the BUIIIIDer of 1962
and used tho pseudo�: J. s. lie.oh.
I hope thie will asaist in locating the :i,apers.
J.la;y t m ention that I have two teachiQg addreaees:
ll.m 415, WHK Bldg.
4900 Eucl ill. Avenu.&
Cleveland, Ohio !;4113
and
J6l,O West 122 Street
Cleveland, Ohio 44111
the tirat beil,,; on the east aide end the second on the
west side o f Cleveland.
Please keep me poeted on the Sch1111ngeT Institute so
that I rtJJJ:/f p ass an;r relevant infoniation on to my students.
:BE1'l'P JOlNRY
Authorized Teacher of the
Schilling ex- Syatem of
Muaic al Compos ! tion
•
•
•
•
•
•
Schillinger Institute
Carl r1acher. Inc.
Nei, York City
Dear Sil"s:
I v1eh to inf·orm you that I am still actively
teael:rl'ng the Schillinger System of !Qieie Composition
and producing some fine studen ts. one of which bas
won a year• a scholarship to study in .Amsterdamm,
Two of IIU' former students have requested, received
taken, and submitted your examination by mail hero 1n
Cleveland but have not e.1 yet been advised of the r-eaults.
They are as follows:
Roger Kiraly, who took the examination during the
aw.er of 1961, and who is about to graduate from !rent
State University.
Allan Schindler, who took the eXlll!lination during
the wmmer of 1962, and 1• now attending OberliJ:I College
enrolled in the Ionors Course.
I wish you would advise me of their status for it is
ctU.ite embarrassing for me. Plea.so advise me oleo on details
which I should paaa on to mt students, since, es their
teaoher, I should be able to do, and since in the future
I expect to have 1110re students completing the course and
wishing to take the examination for anthori�ation to teach.
Sincer'ely,
llll!! B!ffl!.'r
Authorized. Teacher of
Schillinger System of. lru.sie COJllPOsition
•
_
114f
,t·e,rJ
'••.ti-
c1.e:,,e1 ..,_,
·••.r•.••·
oi.-io 4,4111
•••r.7
Jll-4
July 28, 1965,
jir. Dean Pappas
·ld110&tion� Department
Oarl fisoher
. . , 'lno.
� Cooper Square:
Ne• York City 10008
· Dear Mr.
Pappas:
·Thank you !or your letter o! June 18 n,,garfilhg my'
two students who bave ru1r1i1ed reqlliremen,ts tor.
�tporizat�on to teaoh tbe Sobillihger System o!
liu;sibal Comeoaftion·.
I bave ob� tb.eir ourriint addre8888 and found
them tp be as i'ollon:
y
.
8!� Kiral
�• ,Arlington St·.
-,
Apt. C
rooster, Ohio .f4691
Allen Sobihdler
410 Belvoir Rd.·
Cleveland, Obip
''\
44121
In addition, I woµld lik� to request anotper oopy
o! the Sohillihger � ('.or. myself. Jbe looal pr�nter
who need il, to have eome cuts made tor me, misla,i d tbe
out�. tbe mats as well as tbe seal and I' bave np't, ):>een
able to recover tb.em. Ire !eels tbat bis cleaning oNiw
IDll!Jt have aooilienta:lly di� eed it in the rubbisb heap.
I appreoiat�. your �andling of the above matter.
BKRT HINRY
1
•
•
.•
•
December 29th, 1964
D1reotor of Admiaa1ona
Berklee School of Music
284 Newbury St,
Boston, iiaae.
Dear Sir:
l have known Roger Kiraly since 1958 at which time he
had 00111Plotod hie tenth year 1n hitp echool and beea,n to
•tudy the Schillinger System of l(uaical Coinposition under
my tutorehip.
Since then he � w..triculated at tent State Universit;y,
he.a sat1afc.ctorily oo�loted tho oo\\rse of stua.y with �e, end
has fultillod the rcquir81llcnts for un authoriiation to teach
the Sohillill8er Systei� ee requJred by the Schill1nger Inetitute
Carl liaober, Nev York City,
I have fountl him to be DA apt atudont, capablo of :111cl f
disc1pl1ne, with a war,n an d pleaeant porsonalit;y, with above
aver�e lll8ntality and a rapid learner.
It has given me �eat pleaaure •to watcl\ his mueicnll;y
creative artistic talents f!f'OW and flourish at an a.coelerated
pace. Ila potential a11 a top-flight COlll.POScr and orchestrator
becw:ie a,P.parent to me d.µ.ring the past tbree years o f his ':.'l'it
tng, which included a aoriee of COJl!P<)eitiona ba,acd on the
11terary vorlc: 11Look l!fomeward, .MBel '1 b3 !l'bomas Wol;f a. l!e has
also revealed great aerusitivity ond originality alo?4; with
stylistic consistency 1n the many stylos ot w1t1nB, ranging
from th.o baroque to the oonteuporary.
I feol that hie ost�bliehed habit of continuously striv
ing for perfection will bo an uaeet to his iA¢hicving ::,:n::, goe.l
in the future, and hie future teachers should find binl Just
aa a rewardin� exJ)OTience {l.B I have found 1t to be,
Sincerely,
BDT !Et!RY
Authorized Teacher of the
Schillinger System of
Kuaical Col!IJ)os1tion
CARL FISCHER, L1.c.
56-62 Cooper Squ.ire, New York, N. Y. 10003
Pttbli.rhef
r
•
Music
•
Dealers
ond Reprerenlotlvei
I1npor1eJ
r
for
flltMORE MUSIC HOUSE • EASTMAN SCHOOL Of MUSIC
ENSEM8lE MUSIC PUSS • PATERSON'S PV8LICATIONS, LTD,
It. O. ROW MUSIC CO., I NC. • SIGNATURE MUSIC PRE'SS
June 18, 1965
Mr. Bert Henry
3640 West 122 Street
Cleveland, Ohio
Dear Mr. Henry:
Dr. Merle Montgom ery has been in touch with us concerning
your two students, Roger Kiraly and Allen Schindler.
We understand that they have fulfilled all requirements to
receive temporary authorization as a teacher of the Schillinger
System of l\ilusical Composition. Upon receipt of their addresses
f1·01n you, we ,vill send them the Schillinger Seal.
Thank you for your patience in this 1natter.
of further assistance, please let us know.
If ,ve may be
Cordially yours,
CARL FISCrIER, Inc.
JJ� P�
Dean Pappas, Manager
Education Department
DP/hm
"DiJ1ing11ished Se,..vice in Afusic Since JR7:2''
Tckphone: SPrlM7,0900
Gibl e: Car6t(iltf �ew York
CARL FISCHER, Inc.
Music
56-62 Cooper Square, New York 3, N. Y.
P1tblishers • OealdrJ • /11vporters
011d· hpr♦Hnl()tivu lor
•
EASTMAN SCHOOL OF MUSIC
FI UMORE MUSI C HOV.56
ENSEM8lE MUSjC PRESS
'!' PATERSON.'$ PUSUCATIONS, llO.
soc,m FOR lHf PU8l1CATION Of AMERICAN MUSIC, INC,
July 10, 1964
Mr. Bert Henry
)640 West 122nd Street
Cleveland 11, Ohio
Dea r Mr. Henryt
Thank you for your letter of recent date.
Our files do not disclose information on Roger Kiraly
or Allen Schindle r . As you kno� examinations a r e
f i l e d under pseudonyms and our re cords do not r e veal any pseudonyms for either of these men. If you
by any chance know their pseudonyms, under which they
submitted their examinations, l e t me know immediately
and I sha ll follow through .
In the meantime I have contacted Mr. Rudolph Schram
who corrected examinations during the specified years
and he vill let me know his tindings within the next
few days.
l sha l l at a future date give you more information
in reference to the Schillinger Institute .
Best wishes,
CARL FISCHER, Inc.
��
Bice , Mana g e r
ducation Department
JB/nw
"Disti>tgufrhed Servi
•
•
•
•
•
g,(}-4,1• �.,. "71- 1
�
JJ
-'<-.�
- ---:--.-
+
- --
� -"
i- � . �
ILJ . ���- �
- •�
�l...:,
-:,_a.,_s..,s.d��!:::!t:....-,,,/3,,��-,,-(a.d_�=C- _£6,
__
��efL!J-<,r...e.....l
L �
__P� :
- -
11_ .
-Ao
• - ����- - - - -
-
-
-
-
-
�--
- �-- . J_ � � ---'--'� � �
� � --e �� 1-e�
-�-r �'
- � � rJ.-J _
-
-
-
�
r-- . '
�
,A..:£,&rld,\.,Q,)
�-,_-G..-...�
_ ,<./4- -� Y"Zl.-t
a____,,_,_1..AJ� �
-- - - ----- - ---
--,,:1...,-1,-'<:
�
�-
-
• __ _
/"..,__.,__,._,L�
,.-,/'.
,¥
�-
- - -
--
-
--
-
- - ,------- - - -
----- - --
SC H I l l I n 6 f R CE n T f R
4900 I U C L I D AVINUI
•
INcllcott
of e�udand
1-2645
•
CLIVILAND
a, OHIO
AUTMOe.lUO flACM•
ICMIUIN··· nntM
BERT HENRY
Oi,•ctot
ORIGINAL COPr SD"!' TO
Office of
PLACIMJIN'l' AND ORADUA!:1 COTJNSILINO
Peters Hall
-iJ
in , Ohio 44-074
o;>:r�g.Oftl.llf co mt
t be.Te kn.CIVIi Ml-, Allan lchindla- for about ■eTen yeara. DUriJlg the firat
three of th••• 7UF■ I haTe had ""kl,7 contact with hia a, a private pupil
in auelcal 0011poaitio11.
Re vae Poeetiingl,7 atudiout and 1nQ.u.1e1t1Te , extremel7 pa-1everi11& and
1Dduatrlou, •• well •• highq creat1Ye and adaptiTe, with well aboTe &Y erace
ratinc in ald.11 nnd per!o?'Nlllce.
Altho'tlgb he al�• was a&V•••iTe 111 h1a work, he tend■ to be conaenatiTe
1ociall7, Bia eldll in ooawiication baa been about aYerage, but hu ehovn
ir:;proYenent durme tl:e ;past few t■N'a ,ihich I .b-ave noticed 1n O'O.J' oooaseional
r,eotl11g1.
B:111 np11wro.i:ce bat a,l\la,ye been neat e.nd hie work' OM.l)J'lf and. 111t1teut1c.
'l'o the beet of icy kuo..,19(),ge he rui.1 no ui:tde11rable habi ta Md hi• 1ntee;r1t7
•
11 above roproQOh .
Bert Be1U7
Director
Bert Renr7 Studio■
49()0 lfuolid Avenue
Ohio
Cleveland,
4410J
n
n
SCH I l LI GER CE l"E R
4900 I U C L I D A Y I N U I
•
of etewdand
IN flhot t 1 •2645
•
CLIVILAND
a,
OHIO
AU1110alllD TtACNII
ICNILI.IN.11 l'flt-
BERT H E l'I R Y
Director
O:RIGiliL llll'l' 'fO
BURUO, 01 PU.CJ:Mlft
Xent State University
Xent, Ohio
ldVIIZ'd JlliP•l
1,729 Cu-pctw •••• 118,ple lleipte, Ohio
I h&Te bad weltl.7 oont,iot w1\h Mr. ldvard. .Japel aa a priyate pv.p1l 1n
-•ical colll)Oo1t1on �or a period of about olx :,earo.
•
During thil uaoolation, Ilhave found h1a to be etlldioua and inquioi t1Ye,
indv.atriouo and pnaeYerlnc, • well •• oreati•• and �t1Ye, w!:'11 an aboYe
&Terqe ra�1.Jlc 1n perf11o1 ■noe •
.Uthougb hi• akill in ooaunioat1on 1• about &Ter-ce, I have noticed ■ome
degeo of acoeleratlon in iRlprOT•ent durinc the lut 7ee:r.
Hi• appearance 1• �t 11114. hi• work bu been orderl.7 and 07ete11Atic.
'fo the 'beet ot rr Jmovledp, he ha• no tlll.deeirable habit, and h i• 1ntegr1t:,
11 above reproach.
Bert Hen17
Bert He1117 Studio•
49()0 hclld Ave., Olevole.nd, OBio 4410)
-�J.�"7'1,:U.-<-(,/
D11'ector
•
tmJOO
�asbington, D.C.
De� Sire:
Septe•r 3, 1966
Polioy Number:
�-51-08
On Sunday August 21, 1966 at a)lout 2: 00 P.II. , I was dri'ving
11est on. Brookpark Road O. S. 17, ju.1;1t af� a iWf turn out of
West 1501,h Street. Traftio was mediWll in both directions two
lanes going west S!J,d t\fO la.n.es going east. There was a d!stance
of a't)out 15 oar lengths bet118.en my oar and the Qe,r ahead.
A muffler dropped out fro� one of tbe forward oar� and fell to the
road in front of me about 250 fee)<• ahead, straddling the two west
bound lanes. Travelling at about 35 miles an hour, I had only a few
seoonds in imich to decide:
1) to attemp,t a stop, llhiob would more likely have endea. in
a rear e\'ld collision by the oar about. ten feet behind me,
2) to straddle the tffO ie.nes, which would 11»st 1i�ely' have
ended in side-swiping the oar overtaking me on tbe ri�ht,or
8) to crowd the oenter--line in a wa.y to avoid both a hea.d-on
collision and the muffler.
I ma.de th& ·thit>d choice, but the muffler rolled over enough further
so that my right front wheel caught the ed,ge of th.a sho rt protrud
ing tail-pipe apd flipped the muffler up against the side of my oar
damaging the, rocker-p,anel-molding •behinp the front wheel-well and
ibfli·. ting about a three inoh crease in the right front door about
15, inches back of the lea.ding edge of the door e.nd about 12 inches
below the window opening.
I called Ralph Hll&S and Aseoo-i,at-es here and they advised me that
they felt it was a legal olailn, but s.ince the damage 110uld be· less
than $100.00, we should have i\ repaired and forward the bill to
you in Wasshintton, o.c.
Acting on this, I had two estilllllotes made and chose the lo11Sst, ha.d
the damage repa,ired and paid the bill.
Enolose a drawing of the roa.d ooiidition at the• time of the mishap, the
two estimates, the bi�l for repairs and the reoeipt for payment of
$44.78 on a Sohio Credit Card.
Ple.e.se let me know if you need more informat,ion.
Sincerely,
BERT lmt'RY
Mr.e. Jerome Gl"OcU
10300 Lal(e Shore Boulevard, eleveland 8, Ohio
J., l?ij°
I
.
Al �Q �
•• � :ti ..
Aut � � 6tt.
Jwr
I
�-1..4.� �:,'u,c-.,
•
•
•
•
-
-
