SC H I L LI n 6ER CE n lER ·"•oo IUCLIO .AVINUI BGRT MENRY • Dir•ctot of &oeland • CLIVILAND a, ONIO MllftOlt%U. HACN. KNILlltl!Olt IYlftM FebruaTy 1st, 19".,,5 �rs. Frances Schillinger 340 East 57th Street New York 22, N. Y. Dear Wre. �hillibger: &nclosed check in tbe amount of �.58 is bei� sent you in aocordance with our 9.!lreetnent of Jul 1. 9th, 1950. Thie represents two percent of $8829. 00, the gross income of the lchillil!&er Center for the period beginning January 1st, 1954 and ending Deceiaber 31st, 1954. I beg you to forgive me for not acknowledging the r�oeipt of The Xoney So�1 11hich you so thoughtfully sent me several montba ago. Botb Mrs. Henry and I bave really enjoyed reading it and I bave been recommending it to my students as well as to my friends. Wr. Shaw's writing is we.rm, direct, fluent and concise, and we were pe.rticufarly impressed. During the past year I have been concerting icy efforts to include a more intimate knowledge of mathematics, psyoholo� and physics so that I may be better able to present Joseph Schillinger's theories to the public. Inasmuch es I have dec.idad to devote my life to being ao apostle of the Schillinger System, it has been, most heart-waraing to diaoover men such as Natban Rasbevslfy, Norbe!'t Wiener, Adelbert Aines, Jr., and Anatol Rapoport, ,mose theories and experiments during the past decade have contribllted imme&aurably to substantiating Schillinger'e hypotheses. There is a question in my mind which, perhaps, you l!!BY be able to resolve for me. Because, at present, r find myself fin!l,llcially unable to expand the Schillinger Center, I have been giving serious thought to the peesibility of introduoing a course to the Cleveland Institute of Musio or the Western Reserve University, not as a substitute, but rather as a means of creating a wider field of interest in the subject. If sucb a move were expedient, I lfOUld 11rite to Mr. Shaw for infor­ mation regarding the finflllcial arraneements made with the Julliard Conservatory so that I would have some basis on which I could establish fees in Cllnneotion with suob a venture. My plans for the remainder of this year include the oompletion of requirements for a degree of Bachelor of eoienc� this swnmer, a course ip the Mathemati-0al lleasurement of Human Behavior next fall, wor\dng out an Outline tor the Theory of Qeeign which I wish to introduce to the public next fall and, perhaps, intro­ duce a course in the Schillinger System of Musical Colllt)osition at the Cleveland Institute of Music in September. Although this represents quite an ambitious program, I sincerely hope to be .. -2able to meet the deadlines with an adequat� background to assure the suooess the Schillin�er System deserves in spite of the dogmatio reeistanoe to it which I have enoount�red thus far. Please &dYise me when another Schillinger Genter has been or will be insti­ tuted. Sincerely, BER'!' HENRY P.S. Best regards from Mrs. Renry I j I j I I j -- ?-IRS. JOSEPH SCHILLINGER • 340 EAST 57 STREET • NEW YORK 22, N. Y. FebruarY' 15, 1956. Mr. Bert Henry, Director Schillinger Center of Cleveland 4900 Eucl id kvenue Cleveland 3, Ohio Dear Mr. Henry: Your check has not yet arrived, and I wonder if it could have gone astray. Would you please let me know? Arnold Shaw has spoken several times to the Olevelan:i disc jockey, Bill Randle, about the Sch:illi.nger System -- and you. If you care to fol low this up by giving Mr. Randle more information about your work at the Schillinger Center of Cleveland, perhaps it wil l prove helpful. I shoul d be interest�d to know what hap:Pens. My best wishe•s to you. Since�ely yours, Mrs. Joseph Sc'h1.111nger. • • • • Mr•. J'rADCee Schillln&el' 349 Ee.•' 57th s,reet lev Tork 22, Nev Tork Dear Mr•• Soh1111ncei-: Bnoloeed plea,e find check 111 the uo,mt of $Jl8.9() wioh repreee11,• two percet ot the $2445.00 groe1 income tl'OII the Sch1111J14eJ' Oe11ter ot OleTeland tor the ye!IJ' endin,; Dect111ber 31, 1956 11.1 pa our acr•e- ment. Due to the decreaae 111 genel't-1 1ntere1t in meic, I find the income dim1nlah1ng, Al a re1ult I have been forced to change 1111' proteaaion to tbat of a mathanatioian which hold• a more promlaing future. It 11 unfortunate, llut I intend to dlacontinue Schillinger Oentff 1n the near future. I can a111ure 7ou that I am ,,nhaPP7 about lt but I can •e• nor find ezq alternative, Sinoel'elT, l)El!f HENRY • • Be::-t Henry 364-0 West 122nd Street Cleveland, Ohio '-'4111 October 22, 1976 To whom it mey concern: I have known 11.i·. Thoma.s Le.tiv:zia. i:o:r over five ;;eara. A'bout three of these ye$;rs he ha� been a pupil of mine studying the Schillinger system of l❖1e ical Composition. X have found him to be reliable, industrious, alert, and quick that be was one of m;; best students and a pleaaure to teach. Re has demonst::-ated a flair for being creat1�e &.nd for orig­ inality in rhythm, form, and continuity, with a good bals.nce of eeriousness and humor. I sincarely beli13ve that !-.is wor.::s and efforts are deae1·ving of broader exposure and that, given a wider audience, he should be !IUCCessful. Any additional inform ation I will provide �adly. Just wriie to me at tile above address or phone me at 94,1-8985. :Bert Henry �U!'.'HORIZED INSTRUCTOR SCHILLI11GER SYSTEM OF MUSICAL COMPOSITION' • • • • • • • • • • • • • - • • Jul;y 23. 1964 Stan Kenton 1010 S. Robertson �lvd, Los Angeles �. Calif. Dear Stan: It hall been two ;years sinc e I had the pleasure of chsttil\€; with you at Chippevo Lake Park and it has been three ;yenrs since I 've bad occasion to talk to :Barbara Page. Because I am an 8PJ;)l1ed m athematician at ll.A.S.A. hare in Cleveland, aJ.on;,; with plfi¥in& club dates and toachin« tho SchillillGer System of J011ition of one of riq' st udents. I believe it has mOl'it and I feel that it might fit into your scheme since it is a well conceived and well corustrw:ted work of ai,t which waa in11pired by "Look Homeward Angel" by !homas Wolfe, I wou ld appreciat& ;your eiramination of it and perhaps hearing it o ut. You will notice that the mellophoniuma are not included but their add1:tion ,o the score would not be a problem should ;you feel that fOU ..-ou ld care to include it 1n :,w:r librar.,. '?he student , Roger Kir�, w.'1.o vrote it ie no,-. in hia final year a t Ohio Kent State University. � aoo re W89 wri tten for the instrumenta­ ti on availe.'ble on the campUB along with other scores 1>7 him which he waa using to interest the faculty in institutill& a. Modern Musio Work­ shop, Since the emphn:iis of the music department is on band mueio the maJority of the :tseult)" was not inta:re9t(ld and the attempt fa iled. I do hope that you. ..-111 corroborate ,q feeling tl),at thls 19 ;year old youngster hae the talent and ehoul.d be given a chance to be heard, Let me know vhat you think of it. Sincerely, mm BER'l' Authorized Teacher of the SchilliJl8er System of Musical Composition c a ,-.IA g • - • • . l . . 1 i • • .. . , ..._. * * * bert henry studios * * * last· Side: 1uc1.a Av°""" Cl.evoland, 'Ohio 44108 ,m PHONE: 9 ,1 1 -8985 lfest Sf,u: 38'0. fes't 122"4 Street Clev•la..41 Ohio '4clll • ' ' • • • • • • -5 D1'RullUO!IOlfS In\ro4no\1ont, u a J'Ule0 a. t well at \rultiliou (oomerciall.T kllow a t mod\ile• liont} t\Jld.e 1101\ �t 'beoau.1e ot '11811' lllli\ed knovledt;e ot '118 dffelopaen\ ot anaioal oompOMD\t aad Ille 111e\hod.1 vith whlch '11e1e o�t• ill\ecra.\e \llatel..-e1 ill a 1111aioal oon\illll.1'1', Sa.\11taoto17 ill\ro4uo\1on1, UU1ti\ion1, and codat can 'be dni..,. e4 onl.7 vith en aou\e avarce11 ot \he ooaponea\1 ui1\ing in \he aonc lo 'M orc:hen-. led. Al!nos\ ffffl''t �anall of the S,®J.llJ.n4v 87t\em 1neral i"Chns ,iut vi \h alch ou or IIOl'e tor \he ill�\ion. U¥ 'be al\erecl.0 1,e, • ot ot -.Uioa.l CQll(p011\1on the COIIPOJl•I• mq 'be avacs\e4 and �ed Tll•e en ai,o • nnaber ot •lllo4• rhT\lm "111'1.a\lcm, otter• 'b7 which \Mae 00111ponen\1 perma.'8.tlon, goo11e\rio pro.,.ec\lcm, mo4al "111'1- \ion, J11elod10 t1�\1o� e\o,1 it noh 'lmiq,um.e11 1• d.etlreo'ble, !bete 111etbodt otfv a meane 'b;r wich a 0011\l'U\inc 1111U1loal con\lmiib' ma,- be d.m11ed M4 ,,111 J"A\aiu a The Mcbniquet will ft17 vith 8'M)b ,s.on. '7Pe ot OC!IIIPO�, u.d 41$cll \n>e ot 1n\1'04Uo- A W111Ua"7 ot \he \eclmiqt\81 whiob are a,-aila'ble illolud.e• 1, � d.el'elop1116 i n poc,u11oJI. 2, � dffeloplq in Mlod;r ,. llll7'hll d.neloplq ill hanoll,1 4, � 4999lopillg in orchetlnl color, (\one qu&l.1\1e1} .5. R-lo41u\1on of llu'aoll,1 6. bhanonisa\lon ot •lod;r ba&11nt 7. Geoaevio 'h.l'latlon 8, 'fonaJ Taria.tion 9, :htia\o lO, �e 11. Val'lable d.en1i\7 12. I)Jlumlo .Ueo\1 AD¥ 1011g will contain ■utfiolen\ nv _,erial which can Ulld.erp one or 1110re ot theee d.nelopact1 'but ooca1ionall7 th• arrancer vlll 'be able to htrod.Uce a OOIIIJJOJIIIJl\ of hit o� to enb&Doe the po111'b1Ut.l•• a, .,,.u a• the re9Ul\, '1'b.la happen, aore otlen h (1) r� 4.-reloplq b Pffepeatod. tho ._,. l• able to �opi1e \he abliwf.\7. :Bqolld all tall lnlo thi.1 oat9&017. One or 1111re ot the other oomponm,� oo«d1\ f.Jl 1h11 \JP• ot an illued'IIO\loa but they vt.11 be praamtod la\er Ulld.v thelJ> respoo\lv• haadiJaga. A '7Ploal elWllll• vould be • llllilOJl obbllcato .. an addod OOIIPOllllll\. 'l'here 11 J1Athfng \o Pl'_, \he � dnoloplag 1a perouaaloii .hw aallUl!fDC an o\her tllu t!lo 01tlna\o toni. �ult7 8Ad 1111t1a\1'ri lhoul.d. bo oxvol1od 1n ilfflllltlJIC a aolo la porQUaloa. Sua h a aolo Wf!7 be atireq 1:1111QPl>Orie,4 by arq otha' lnaVU11G\L9r goap of la11U"■i41l\1. U aupp� 11 deabed, 1,,., proo-1a1io11 of hal'lloDT tor a group or \ut\1, ndh auppon lhcml4 oilJlfora to \h• cli1vlbu\iT• po.er ••ob•Squ. (!he progl'eaalon of han!oiq uod for �• auppo:r'li mq tmdwgo \he \eoh­ nlque of J'h1'\hll varia\lou aa praae\-". la Chapter 9, :Book I, !heo17 ot m&,taa, pe,gea 116 to 62 1nelua1To.) A melod¥ la aolo or '0Diaon lDTa\ed aa u latro411.ct1on and Jaadlnc law t.he 10-c•• a PJ'lll8%'7 Nd.a would be cla11sltled u r� dneloplag la •104. M4ese It la oallecl and 1\ -,- 'bG uaea. ad lib or 1a t8111l)O. Latia muaio teatUNa tM.1 iechnique ••17 often and •• cadenzas 1n O&ll be noted. 1a Ormi8•••• on � �C�oca" oi" IIJl1ellS leech lllrcuiba• t.eaipo. "ll�)a..Lou• can b♦ o1\o4 &I an ad Ub oadensa blllllplo in l\1 1atro4uo\ton. 01911.11. Millet a � ot itlJl the ICood• 11Pit1•1 \hie toolm.iqu aa uaod in Alnerlou 4anoe • bend •'1'1•. An l11.tro4utlon ot thl■ t1P• bu ·tlut advaatap ot oreatin4 o. contra■\. to th.a boq of the �eac\ - vitholl\ � ua• ot aD'T other oompo.llllZl.111. It la a 4Nmat1o d..-loe llhioh ii offlea OTerloobcl. a,a aolutlo• tor iDT■nting M 1ntereat1� la\roc!.uotion. • .. • • - 1, A progre111o:a. ot harmo:a.1e1 a111gp.e4 \o a tutti or a homogeneou1 eeot1on auoh a1 a 1axophou eeot1o:a. or a bra■• ■eot1on DQ' be 1ubJeoted to ■ome temporal rlqthm pattern on each ohord v11.h or without accen1.e or re■1.■ a■ 9%p�1ued 1n Chapter 9, Book I, !heol'J' ot llhT'}ul. A oont1ul11 t,- ot th1• t,-pe would repreaen1. (:,) r� dnel0p1ng 1:a. harmotq"r,, In 1m orohe■1.ral tutti, the harllo� vh1oh of cour1e ha• alreadT been pre-1et will uaw,.11,- haTe to be �l1ca1.e4 1n th• adJacent ootaTe to ■at1■t,- the den1i'7 ot 1.he orche1tra. 'fh1■ teobuir!_Ue tall■ UDde:r the heading ot "Collql0■1tloa of In ■tru.­ M:a.1.al S1.rata" and 1 ■ a TeJ'1' 1tr1ot technique, thoJ'OU011' explalud 1n Chapter 6, Boo); TIII, 'rheo17 ot In1U'Wllental J'ont■, pace ■ 100:, ,o 1017 1nolu11Te. 1, Mlll'!I tha1. 1.he ■am• 1nTer1lon ot the chord llllltt appear 1n the adJacent oo\aT•• vtienner •do orchee\J'al da■1\T ued■ \o be 1norea ■ or aore •1111pl7, the top note of \he chord must be the \op note ot 1.he same chol'.d 1n the adJaoent oc1.ave (or double-001.ave 1t open �ZIT 1a to be ueed) at all tille1. It doe ■ not neo■s■ar11,- follow tha1. each ■eot1on mu.at be as■igned to each ootan vit.h the dupl1oa1.1on ot harmoJlT. The ■•c­ t1on1 1hould be tied to each 01.her b,- 4u.,11cat1D.g a1. lea■1. one ot 1.he note ■ 1n bo1.h ■eot1ona before progre■■1ng to the next octave duplication� Danca band• uaing 1axophone■ with bra■■ m,q be l'O.bJeoted to t.he OYerlapping teobn1que. 'l'he a1'1'anger will haTe to lj,e,1de on both the ■onor1t,- de111'ed and th• tlex1b111t7 of Tar1ed 1netruaen1.at1on 'Which \he 8l'l'ADgelllellt 'fill!:T encounter. 10 n-erc,ua, onl.T a few •XIIIQ;>l•• will be glTen. Srrr, tJ' Since the po■11b111t1es are 112Prr Et> Al.TI> S'Al' rePr n: fl>IILl'I> ��'f. Tii?,;,� l!bT'EN SA'/.. , • • • • • r. .. •, • , ' halll)le• l and 2 abov an orollea\ral d1a\ribu\1on unall7 tound 1n ••\ooJc• dBno• band arrangemen\1 and 8J'e uaed beoav.ae thq allow tor tlex1b111\J'. Evlll)le J 11 110re raz,e bu\ equall.7 flexible and a 11\tle aore "bra••r" 1n •ound beoauee of the opea poa1'1on of \he r"4 ..o,1on. When on• ho■ogeneoue 1eo\ion 11 brough\ into q in1tl'Wllen'8l interference pa\tff'IL with an.other h0110geneout aeot1on, a IIIICh gea\er 41Ter11t7 of (J} r� dnelopinc 1n har■oJIT 1, atte.inable. Attention 1, called \o th1, teohn1que in Chapter 71 Ilook I, �017 of �hm, J>&&e• 27 \o :,:, 1nolue1Te. An7 propea,1ona of Jl'arllloniee 1n•ente4 b7 ,-een1 of \he Speoial 'fheory of BarmOJl1' are aYailable tor \h• ee\tinc. l{GVffer, in a dia\onlo-1:me\rio con\1nu1t7, 1f a group of 2 or :, chord• are ueed and another lib group 1, \o follow from an� other point, do not Yoioe the lead to the new group beoan,e \he a•� per1on will lo•• \he \rend or oharaner11\io of \he progre,,ion ■-ae po,itloa a. the f2,1'1\ croup. mu••• \he new group 1, 1 n the '?hi• maan1 th.a\ altholJ40I. \he tranlformtlou will \alee place vl\l!J.JL the g:roap and lib tru.lforma\1on, will take place in each auooeediag group, ao ,,..nuorma\lon, are required from \he 1a,t chord of \he group \o \he. fir,t � of \ha IIUOoeedln& group althoup. Tery 1>ften, ,om• tran,format1oa will result. lt \he twidemea\al 1truoture of \he chord ueed 1,, let u, aq, 4 • J • J then all the ,S\ep1 lhould be 4 + J + :,. 0., - Alf - � tor \h,e fir,t grou:p \hen �- 07 will be )he 1econd £r"O\IP (4th intenal down fro■� 1• B�) \b& '?�B'l>7 then O.,� - A� will be � th4-d group ()rd 1n\erftl down froa c 7 1• "',) will be \he four\h group (:,rd intenal down fro■ � 1, o.,> In oonneotine the 1&1t chord of ou group to the fire\ chord of the follovlnc group, To1oe-lead1ng wq be dieregarded. ll:xoep\ion 1a allowed. 1n th11 oa,e \o retain the oharaQter o't the ,ound of \he chordal progre1a1on,. !HE DIBEO!IOJr ?OR 'lJll Illr.&11l VALS MAT BE UP OR DOWIJ, BOT D OD DIREC'!IOJI OJILT UlffIL THB 4 + J ♦ :, CTCLJI IS •• ' •• - \ • • -9OOMPLEUD. The uae ot \Ilia ♦eobnSqv.e 1• ao prnalen\, eapeo1all7 ill the so-called •J'IUIJ> �e•, " \ha\ reteNDoea \O "J)eo1t1o ar:rencem•I• would be en\1":Z., rtldundaDI. ('+) llbTtbm dnelopiJI& ill orohe,val oolora (qna].1\le,) 1, ,11111.azo \o r� dnelop1nc tn � but wl\h a broader appl1oa\lon, A \onlo or clo•1nMt. pedal­ AX po1Jl\ dl•lrlbu\e4 al\81'11alel7 lo two or aore het�ogeneoua lll•Vllllea\,, 1.e., an4 \l'WIIJ)e\ 0 aa.x an4 ll'Ollbou, \l'olllbone Md \l'llllp•'• piano and uz.. e\o., would dnelop a r� ot tone oolor1 vhlle ,� p1\oh-un1t would r-1n atat10UJ7. J'or a iPIOot.h etteo\, \he lone oolur ot one lntil'Wllnt 1111q be 111.t'8Jned a• \he nev tone color 11 1nt1'0duoed and the tvo tone colora vould be anper1lllpo1ed on eech ll\hel' betore the f11'ai tone color would drop crv.\. Thia d1ttu.aloa of tou color■ u:, often be 110re de■.ll'eeble \hall a direo\ ohenr froa one tone oolor to the next. The fol'll'llla.e vould bet PUfSJT TB♦U!Tlgll \ • J I ll • 2 + 4 + 2 + 4 + 4 Sax un1a 2' ♦ \1'])\ 41 ♦ AX unia 2' ♦ 11'])1 41 ♦ m•iiile 41 GRADJlALTJIAJ§ftl911 11: vats4t • 11'])\ 2' ♦ 11'])1 lj.\ (Wd) In the gi,adnal \rau1t1on0 the AX ,mtaoa 2' would be \led to the ne:d AX un1aon 2t and ao forth. fte tol'IIUla 1, sulid1Yided lo define the envanoea of the tone oolora onl7. Therefor, the aax imlaoJl would begln vlth � but the ll'IJlll)et would ulce 11• otl'allCe after the tin\ 2' whernpon 1\ would be sustained '.}t lOJICC!.., tor a tot.al ot .SI. O\.hw poaa1b111\le, uclwle the a441t1on ot more ill•ll'Ullen\a b7 anperlllpodlljm, e1\her \hl'Onp a crowl111 diall'ibu\1n poW1' patlern or one ot \he ftl'1al>le nlooli7 aerlea ot govth, wtdoh oould build up a oreacen441 on th, p1.\oh-nnl\, OonYeraely, becinnlnc Y1,th 110N iuuna•t• and l'fferaiJI& thi■ teohnlque "7 cont.tnuall7 dl'opp1Jlc crv.t the \Gae oolor■, a beauls.tul dS.,1.mtll!l4o- vould be hl.ven\ed, • ' ' '' • • • • • r --- • • ,. • V •. • - • + l • ' • • • • • • 10 • Al\houc,i the teclmique of rht,tm dneloping in orcheatral color, wet pre,ented with a pedal-1)01.Jlt coiapo,neat a11 tb.e subJeot, it doet not ob-.,1ate oth«.' 00111Ponent1. ro.,, e�le, ua� -.arioua ho1110gen,011.1 eectio.n1 •�ch a, aaxe■ or open �•t• or open \1'011bone1 or 111U.tf34 bras, ln a progn,1aion of harmoDT 0,nolud1ng the (3) rb;ytla dnelopblg 1Jl. hal'IIIODT t•obn1'l,V,8� the tranaition fro11 one tone color to the nen grea\l.7 enhenoea \he 11r..isiaal contlnui'7 thereb7 pl'OdUOiJl.g a T&"J' ar:reetill4!: intro­ duction. !here are three tun4a■1tntal me\hod.1 -1.oh can be, ua-4 1n �•lnc rhnb■ dnelopt.ng in orcheetral ootor. l. DieVl'bution on tht melodic line foJ'Md b7 the oo�'°1U' of 'he progrettlon ot Ul'IIOJl1e,. !hit, ot oourae,, inolwle1 \he pedal-pomt pt'41h-.1Uli\ cllacu,ed ea:rller. 2. Dlatribu\lon \hJ'ough a preset 1eleo\ion of orohe,tral color, wioh autoaatioalq inclwle their &11lped deati\ie,.• ,. Ditbibutlon � tlle Atnalty teoh:ol'l.lMI ot pha1lc rotation.• • :Before proceeding 'With the d1101a1i011 on tone color dl,trlbution, howffer, lt will be e,;pedtent to detilie \he orahet\ral color• and dff11e ,- 11ean1 by • vhloh they ma, be �re.-.ffd 1n oontln.uiv. Ile one can dCT the d1Tertlt)- of tone qu&ll\1•• available to the orCMetrator, 7et ■oe\ ot tbem are OTerloolted beoatwe of a lack ot a meatl'" uthodolog, Each ooabinatlon ot liet.rwDeata hae lt, own po11lbllltie1 a, well a, Uaitatlon.e, It 11 IDO'lle a rule than en exception \bat the kllowledce ot \he tone qualltle, ot each 1re· ob ot lte recla\era le 1n 1t,el1' of trument in .. than 1010 pae14&91, a1q great ...alue for � other In media to hip oroheabal den1itle1 moat of the tone quali \­ le■ become ob10Ul'ed beceuee ot '\heir integration with IUl'l'OUlldlng hal'llonlc1, OnlT a long tedious •� of the ph.yaioal llD4 p17ohologioal p1'0pert1ee of 111Uioal intitw.­ ment, in all po11ibl9 cOllblnatiom e.11 at1wnl1 alon« vlth their re■ponae oharacter­ l1tlo1 and ft, na3 e.udt.\OZ7 tmeg,11 vould b• ot an:r real a11l1\ance. III. • The reader lhould 'refer to page 1470, Chapter 19, lloolc XI, Vol'lllle II, Dforr ot nPRRz,1\ion. Patt .. The J1eohanlc1 of tht.e \echnique &2'9 pl"e■ented 1n Chapter 1.5, 100Jll'.P0i11tion, ot Dault)-1 bn!fal 'fheot,oJBtm,q,r,:, llook IX, Vol, II. PP• 1226 to 1247 lnol. ' • • • • • ,.. • • • • -uTo deftlop a 1ot.eaoe ot 01"0M1valt.oa llhere1a a,q ou d11lrl4 r11pon1• ooul.4 be '••aed VS.th 10111 oon•1})41114Snc ,,•.,1..,, wouia. reQ.lllN 4.-nlopiunl lUl4 v.a• of ••v tn■ol•• &110o1all4 vlth lh• nolulloa ot pqcbolocloal OOD411Joidnc, mi. nollllt.• ot orobl1watt.n u well a1 ai.t.o di aonlJ' 4epea4m oa the nolulloa of plJOM­ locloal oohdt.U-111ti 1a 10M v.,,.,Oll'!MI ilNcl J4"0lNl!'1• le nob olbar. :a-• lhlt are ff011llionai7, tbe11 �tOI•• ...,., ou17 OOPJplal\le1 vlth a bip clegM ot TOlaltlli\7 wloh, a, a nnll, eln41 1..:amo10&1oal plllJPdnc. olog wtoJI lflml4 �\I a hip dllrN of � 0110•1 u4 \he r.llAmali.salt.on et ._ nlatt.'f'iq, ""...rv• a,q al\bo4'­ \I be a pl'll'1quJt1t.l1, °"'-• ..,twl! IIOq,U!N1 ot.wlNINv.alT both ,fulltloallca and pnteraae. 1M lldioioua ua• ot 11w ldP1lllaar �P'9Ml"s19tl 4!tl er, •ell'Ol.11 vl\h aa Ml� IIVPU•lnc UT laftlllTI pJ'OO!lH. lee,,e otte u,,.. not, the erohe1valol' vt.11 bl �J'ftted. wt.Ill a 11.111\-4 � an4 '7P11 et WVIIIIIIM•• !o SWSSNd'IIUJ \na1lal1 -toe,l t.4■11 t.alo all oroheebal, -. a Hal• of oza1&11\ral oolon oan be 4fflled 'llbte, ffO lhll!p \liq be - ap­ P""'Tt•tt.n. will offor a anll:)4olog tor 4ffllopt.ng a ..--, etteo\t.ft orOM'eval oon,ssm&\7. 0a the vppa 11114 ot 1h 011ohee\h,1 •oal• lhlH an 1h blp,,pl•oh"4 1a,..1.,. MUJl4!I -4.oll 1•ol\1 0.1 p-1al11t leut.oa u4 'llldoll .r, bl CIOIIPU"e4 lo, 1blo1 '- an e&elqo\11 le, 0.. 'l'OW-1 11tmd of w. Al t:l&e ol!la- all4 lew'Pllohel --. .0119"1 et Iha Nale Ula'• ere \!la llllloll are p-,ohololloallt' ot ••» low lenlln. tu latter en --,.rabll .. Iha ·••l HUM ot-W. � latdM4.lat• ftflp, flh'riOMSnc lh• pot.at of ., av,, wn14 oenw8}IOIII& '° 0.. ftwel leaA of ah. !hue llrr•• aoa.n pro­ due " 111:ree 10&1: _,, 81:aoe Iha toel• t.1 to llldoll the •Mlndtu■ ot the 9,.-_, .r tilot,, Oall be applied. lilllted to '11l'•• Vldl■, oal7 \Jira• WOl\14 'be us.a. h'I hort.1011.tal ltnn ot the �aph tu 11flllwl.i 4t•lrlbutt• et the ooloN alo:q t.u 1eoondar, e:a■• � -14 haT9 M be a■•C.cnef • � lteat■ ot the % llbloh m.1\1 ill the f&OMrlal 4.1.e­ Vlbutlon ot the taporal � •• � 11 Iha mJor oow;pcm•t, oa Vie 'balt.1 ot • ' • • • • .. •- • • • • • . • - •• .• • -• ' ,• • • •• • • • .. , ., ., • , . , :r. " • • <. • ' •• .• • • •1 • '• • ' • •• , ,. . ,•. .. ;, ' • • .. ... '" ' •• • ·- • • • ( . ·. < • , • ' r •• � • . • •• ' ' , .. - 12 - J vha hanlolQ' l• \he uJor OOIIPOJlell\, 01' 011. \he 'ba1l1 ot on• ■elodio trapc\ (tor eaoh i) vhell rep.-l\loa ot aelodlo tra&,aen\1 l• \he MJor ooa;,ona\� To \r81l1la\e \bl1 relUltbc graph lit.to \he Ol'OM1val 1oore, one llll\ruaa\ 11 aaelp-4 u Noh ot the 'lllll\1 o! \bl1 qaall'7 aoale a.t\er 4ue oon11dtrali,on baa been glTen lo \heir rela\l-n IIOWl41, tor 1xampie1 Vba \he llll'"-1• aftilable are olaJ1nel, U'Wllpll 8ll4 MXI '11 1 1 ah t I lffl 1 1 hip olariaa\ VWl;p� lax ora VMJl \he lll...mmomta &T&ll&ble 111'1 '11 11 '1'allpe\ ah 11 � Ol'I 00 It IU W I I \ru■pe\ ah 1 1 low olarille\ 00 I I 18Z vupe\, VOllbolU an4 MZI W It UubOU (blgb) ah 1 1 VUMP•' (low) ff I I � repreaen\ ■-- ot \he poalblUUe1 vhi(!b ■IQ' be ue4. While 4ffl•lll& \he oon\lmd.v ot orohe1\ral oolora1 the range ot \he ■elocllo lllle ot \he ongtnal ae\\lnc ■u\ 'bf' \aken 1a\o aoooaa\, bll\ ..,, ot \he ob'fiOQa lla1\&Uona oaa be OTeroae \bro114111 \he oc\oe rea4JU1taa\ ot pol'\1011.a of \he orlgjnal 11\\lnc wb1o!I would a, a reaul\ ot \bia \eohn1 qne, '1Pan,toz,a aoae 1eoon4,,,, 111"1' an, lll\o blaal'J' aeooadNT In (.5) r_.14141.sa\1.on ot an•. banoP,y �• are \o be fQ1Ul4. ar unl1.-S\e4 mm1>er ot poa,lbf.U\lea tor Qf'lglnal 1a\n4uo\1ona. B:ve \he fun!SeMll\al o�\ alou can probce lM1Q' Tari&tlou ■erelJ' \7 ru!SJ9.1\1Dc \he ooa\oar o! \he pro...-1■1.oa ot 11.anionlee \o be uae4 � \he ap:plloa\ion ot • uv •11'1•• ot \ralltoNa\1... la plaoe ot \he o1'ldnal 111'111 o! lnnl!OZ'll&\1-■• � \hie, lb..-. are all.4111.onal reaouroea aftllabl• bT ill� \he \t10lpdqua1 ot \he �l•• oa •ledlsa\1011. o! banloDT an4 vhloh will aboul.4 \hey be u11l'e4. p-1\ aa ffllll gN&\11' 1"••• ot teulon1 tor \he ooa\bluiv Oare aboul4 be �l•edo bowwer, so tW \bit aeoomar, ula a\ \he _.,_ ot \he lllvotuo\loa aatlolpa\n aJl4 11841 1ate the Fi■al7 ttra, ••OOD!Sal'J' ul• �,\he aozac. Br utnc a abor\ \baa\1.o ao\lt ot \he ■cmg, or b7 \akin& • por\lcm Ol' ot the the I • � • • ' •• ' • •• ' •� • ; ' '· •• • • . • • l • ,. • • - - I .. • • - J • •• � , ' j, • r • • , • • .• • ' • • • � • • ., • • • /•' • • ' d • •• • � -' • • , (• • • • , .. ., ..,, >•• ' • .. •• • T ., •• • • • ..,•.r • < f--� I , .. • • ' • • � • •• q • • • . • • ••nc llelnc �,_,. and. u••'Snc. t., a• lhe �,. -\io aout, a new ••1•• of be 1al•• 4mff4 � \he •ooulqu1 of \lie will pre4uco a ,vna ooavu, to tlae aonc theor7 of banoaisalioa of Ml4tq 11..1:t wile ,,m i-eletnJnc 119■e of \lie OJl'Sglnal flaftl'. 'fhl• (6) �-,1oa for \he Mlo4ia fl'e&Mal -, 1lo 4ff1•e4 lieu lbm'oot, Nl4 11 wll.7 11 llol\111" 1f \be •e• �• of �sa\ioa are lll:n4 &I .5.58 1M1U­ apJeSne4 b Cbep\ar• l7 ait4 18, look ,. Tol1r1t 1, P•eo• 552 \ci •ln of Iba Bpeola.1 !heor7 of KenioJi;,. Siaae- all auto aaa lie RbJOde4 lo (7) Go-Vio ftrialla ar (8) Mltel ft1'la,.. \loa, Uao•e laolrll1qu1 llbftl4 u\ 11t.·orll1'lOOkN as MH ahllll\loal•• Bea•· fflil ialffffling iavoclllOtloa• au 'be la'ftB.\94 •la,pq 'b7 rttrlJlll'inc lhe o•lctn•l \hOM ot � MDC to ou of \he t.bl'e• -ne!atnc ,ao■1Via u •••l mer•lou . JCo•I of ,� po••llllll\l•• N•1ns ,rt &Tal)&b\o 9N F•••le4 ()-\rio 1a \he fl.'"°'7 of Veria\lou of �la 'b7 Pl"aJOOUoa, look 111, Volw I, of \he SabillSnpr l«n•• Jar a Mcll\a\ln OJ' Rb\lo 1aVG4DcUo� lhe (9) tap.lo •eclml(llW m:, 'bo UV-� et.too\lTe. llooau■e of 1,. � 4118 lo barMaio nrifeo\loi,,, 1, ,_,, lo -1,e •••••t.on• usoolaJ14 wllb \hi OOllOeJ>I• ot \he o\htll'i&l.. Tu tap.lo, perllap• due lo. 11• pr-nal.ai,e ln olu•loel u,-...,._, uu1q oUi'l'U1 Yi� 11 u ail' of tm Jt\,y• oear\o97 u4 re,.,.,. !be f'aplo 1• pelile allll4 nMle &114 l•, � tor, ldwll7 1111184 lo O'f'fl'OOJle \he 1aw.r,1a preec\ prior lo \he lle&f:nn111& l)f u:, 11Ulaal aoalbml\7. hcaM clffol-,nw� �• a l)l'OP'••in of � la aa e.m•••� open po•i­ Ue " Ulal 11 oa. aooc■•s21o a �l,o4lo ftcanl� pleoe4 oa Oil.e ,_.,,on of � . . bana;r vi� nerJ,,q,ping Illa e4Ju• taotlou_. !he ula41o figunJlon can 'be o:ir:lnclo4 ha a:,q � ot \114, "81C1 11 oea\4 'lie \lie u.-110 •llf of \he IOn,; la Ille er1.&f•eJ toza Ol' .... pealv1o or Iona\ Tarlalioa of \he 111,u. A IIOl'e clelalle4 eq,loeUa of �'° hNl.011••' le 4l-■e4 al 1-clh 1a Obap•"IZ'I 2:, IUld. �. lfflc V, Tolw I, � tia. Sob1lllJl&a' 1-'•• • • • July 24, 1964 Mr. John :Bice, �r Educational Department Ce.rl li'i11chor, Inc. Cooper Square Rew York City Dear 1-lr. Bice: ThankR tor your reply of Jul7 10th. Regaring tho 1>seu.don:yma of the tw Clevel&..d et.u.denta about whose teats I inquired: l now h ave thie 1Dfc:nstion and it ia as follows: Roger Kiraly: 'i'ook the te11t during awnrner of 1961 and used the psewlcny•: Jim lk.rber. Allen Schindler: Took the test durine the BUIIIIDer of 1962 and used tho pseudo�: J. s. lie.oh. I hope thie will asaist in locating the :i,apers. J.la;y t m ention that I have two teachiQg addreaees: ll.m 415, WHK Bldg. 4900 Eucl ill. Avenu.& Cleveland, Ohio !;4113 and J6l,O West 122 Street Cleveland, Ohio 44111 the tirat beil,,; on the east aide end the second on the west side o f Cleveland. Please keep me poeted on the Sch1111ngeT Institute so that I rtJJJ:/f p ass an;r relevant infoniation on to my students. :BE1'l'P JOlNRY Authorized Teacher of the Schilling ex- Syatem of Muaic al Compos ! tion • • • • • • Schillinger Institute Carl r1acher. Inc. Nei, York City Dear Sil"s: I v1eh to inf·orm you that I am still actively teael:rl'ng the Schillinger System of !Qieie Composition and producing some fine studen ts. one of which bas won a year• a scholarship to study in .Amsterdamm, Two of IIU' former students have requested, received taken, and submitted your examination by mail hero 1n Cleveland but have not e.1 yet been advised of the r-eaults. They are as follows: Roger Kiraly, who took the examination during the aw.er of 1961, and who is about to graduate from !rent State University. Allan Schindler, who took the eXlll!lination during the wmmer of 1962, and 1• now attending OberliJ:I College enrolled in the Ionors Course. I wish you would advise me of their status for it is ctU.ite embarrassing for me. Plea.so advise me oleo on details which I should paaa on to mt students, since, es their teaoher, I should be able to do, and since in the future I expect to have 1110re students completing the course and wishing to take the examination for anthori�ation to teach. Sincer'ely, llll!! B!ffl!.'r Authorized. Teacher of Schillinger System of. lru.sie COJllPOsition • _ 114f ,t·e,rJ '••.ti- c1.e:,,e1 ..,_, ·••.r•.••· oi.-io 4,4111 •••r.7 Jll-4 July 28, 1965, jir. Dean Pappas ·ld110&tion� Department Oarl fisoher . . , 'lno. � Cooper Square: Ne• York City 10008 · Dear Mr. Pappas: ·Thank you !or your letter o! June 18 n,,garfilhg my' two students who bave ru1r1i1ed reqlliremen,ts tor. �tporizat�on to teaoh tbe Sobillihger System o! liu;sibal Comeoaftion·. I bave ob� tb.eir ourriint addre8888 and found them tp be as i'ollon: y . 8!� Kiral �• ,Arlington St·. -, Apt. C rooster, Ohio .f4691 Allen Sobihdler 410 Belvoir Rd.· Cleveland, Obip ''\ 44121 In addition, I woµld lik� to request anotper oopy o! the Sohillihger � ('.or. myself. Jbe looal pr�nter who need il, to have eome cuts made tor me, misla,i d tbe out�. tbe mats as well as tbe seal and I' bave np't, ):>een able to recover tb.em. Ire !eels tbat bis cleaning oNiw IDll!Jt have aooilienta:lly di� eed it in the rubbisb heap. I appreoiat�. your �andling of the above matter. BKRT HINRY 1 • • .• • December 29th, 1964 D1reotor of Admiaa1ona Berklee School of Music 284 Newbury St, Boston, iiaae. Dear Sir: l have known Roger Kiraly since 1958 at which time he had 00111Plotod hie tenth year 1n hitp echool and beea,n to •tudy the Schillinger System of l(uaical Coinposition under my tutorehip. Since then he � w..triculated at tent State Universit;y, he.a sat1afc.ctorily oo�loted tho oo\\rse of stua.y with �e, end has fultillod the rcquir81llcnts for un authoriiation to teach the Sohillill8er Systei� ee requJred by the Schill1nger Inetitute Carl liaober, Nev York City, I have fountl him to be DA apt atudont, capablo of :111cl f­ disc1pl1ne, with a war,n an d pleaeant porsonalit;y, with above aver�e lll8ntality and a rapid learner. It has given me �eat pleaaure •to watcl\ his mueicnll;y creative artistic talents f!f'OW and flourish at an a.coelerated pace. Ila potential a11 a top-flight COlll.POScr and orchestrator becw:ie a,P.parent to me d.µ.ring the past tbree years o f his ':.'l'it­ tng, which included a aoriee of COJl!P<)eitiona ba,acd on the 11terary vorlc: 11Look l!fomeward, .MBel '1 b3 !l'bomas Wol;f a. l!e has also revealed great aerusitivity ond originality alo?4; with stylistic consistency 1n the many stylos ot w1t1nB, ranging from th.o baroque to the oonteuporary. I feol that hie ost�bliehed habit of continuously striv­ ing for perfection will bo an uaeet to his iA¢hicving ::,:n::, goe.l in the future, and hie future teachers should find binl Just aa a rewardin� exJ)OTience {l.B I have found 1t to be, Sincerely, BDT !Et!RY Authorized Teacher of the Schillinger System of Kuaical Col!IJ)os1tion CARL FISCHER, L1.c. 56-62 Cooper Squ.ire, New York, N. Y. 10003 Pttbli.rhef r • Music • Dealers ond Reprerenlotlvei I1npor1eJ r for flltMORE MUSIC HOUSE • EASTMAN SCHOOL Of MUSIC ENSEM8lE MUSIC PUSS • PATERSON'S PV8LICATIONS, LTD, It. O. ROW MUSIC CO., I NC. • SIGNATURE MUSIC PRE'SS June 18, 1965 Mr. Bert Henry 3640 West 122 Street Cleveland, Ohio Dear Mr. Henry: Dr. Merle Montgom ery has been in touch with us concerning your two students, Roger Kiraly and Allen Schindler. We understand that they have fulfilled all requirements to receive temporary authorization as a teacher of the Schillinger System of l\ilusical Composition. Upon receipt of their addresses f1·01n you, we ,vill send them the Schillinger Seal. Thank you for your patience in this 1natter. of further assistance, please let us know. If ,ve may be Cordially yours, CARL FISCrIER, Inc. JJ� P� Dean Pappas, Manager Education Department DP/hm "DiJ1ing11ished Se,..vice in Afusic Since JR7:2'' Tckphone: SPrlM7,0900 Gibl e: Car6t(iltf �ew York CARL FISCHER, Inc. Music 56-62 Cooper Square, New York 3, N. Y. P1tblishers • OealdrJ • /11vporters 011d· hpr♦Hnl()tivu lor • EASTMAN SCHOOL OF MUSIC FI UMORE MUSI C HOV.56 ENSEM8lE MUSjC PRESS '!' PATERSON.'$ PUSUCATIONS, llO. soc,m FOR lHf PU8l1CATION Of AMERICAN MUSIC, INC, July 10, 1964 Mr. Bert Henry )640 West 122nd Street Cleveland 11, Ohio Dea r Mr. Henryt Thank you for your letter of recent date. Our files do not disclose information on Roger Kiraly or Allen Schindle r . As you kno� examinations a r e f i l e d under pseudonyms and our re cords do not r e veal any pseudonyms for either of these men. If you by any chance know their pseudonyms, under which they submitted their examinations, l e t me know immediately and I sha ll follow through . In the meantime I have contacted Mr. Rudolph Schram who corrected examinations during the specified years and he vill let me know his tindings within the next few days. l sha l l at a future date give you more information in reference to the Schillinger Institute . Best wishes, CARL FISCHER, Inc. �� Bice , Mana g e r ducation Department JB/nw "Disti>tgufrhed Servi:r�g.Oftl.llf co mt t be.Te kn.CIVIi Ml-, Allan lchindla- for about ■eTen yeara. DUriJlg the firat three of th••• 7UF■ I haTe had ""kl,7 contact with hia a, a private pupil in auelcal 0011poaitio11. Re vae Poeetiingl,7 atudiout and 1nQ.u.1e1t1Te , extremel7 pa-1everi11& and 1Dduatrlou, •• well •• highq creat1Ye and adaptiTe, with well aboTe &Y erace ratinc in ald.11 nnd per!o?'Nlllce. Altho'tlgb he al�• was a&V•••iTe 111 h1a work, he tend■ to be conaenatiTe 1ociall7, Bia eldll in ooawiication baa been about aYerage, but hu ehovn ir:;proYenent durme tl:e ;past few t■N'a ,ihich I .b-ave noticed 1n O'O.J' oooaseional r,eotl11g1. B:111 np11wro.i:ce bat a,l\la,ye been neat e.nd hie work' OM.l)J'lf and. 111t1teut1c. 'l'o the beet of icy kuo..,19(),ge he rui.1 no ui:tde11rable habi ta Md hi• 1ntee;r1t7 • 11 above roproQOh . Bert Be1U7 Director Bert Renr7 Studio■ 49()0 lfuolid Avenue Ohio Cleveland, 4410J n n SCH I l LI GER CE l"E R 4900 I U C L I D A Y I N U I • of etewdand IN flhot t 1 •2645 • CLIVILAND a, OHIO AU1110alllD TtACNII ICNILI.IN.11 l'flt- BERT H E l'I R Y Director O:RIGiliL llll'l' 'fO BURUO, 01 PU.CJ:Mlft Xent State University Xent, Ohio ldVIIZ'd JlliP•l 1,729 Cu-pctw •••• 118,ple lleipte, Ohio I h&Te bad weltl.7 oont,iot w1\h Mr. ldvard. .Japel aa a priyate pv.p1l 1n -•ical colll)Oo1t1on �or a period of about olx :,earo. • During thil uaoolation, Ilhave found h1a to be etlldioua and inquioi t1Ye, indv.atriouo and pnaeYerlnc, • well •• oreati•• and �t1Ye, w!:'11 an aboYe &Terqe ra�1.Jlc 1n perf11o1 ■noe • .Uthougb hi• akill in ooaunioat1on 1• about &Ter-ce, I have noticed ■ome degeo of acoeleratlon in iRlprOT•ent durinc the lut 7ee:r. Hi• appearance 1• �t 11114. hi• work bu been orderl.7 and 07ete11Atic. 'fo the 'beet ot rr Jmovledp, he ha• no tlll.deeirable habit, and h i• 1ntegr1t:, 11 above reproach. Bert Hen17 Bert He1117 Studio• 49()0 hclld Ave., Olevole.nd, OBio 4410) -�J.�"7'1,:U.-<-(,/ D11'ector • tmJOO �asbington, D.C. De� Sire: Septe•r 3, 1966 Polioy Number: �-51-08 On Sunday August 21, 1966 at a)lout 2: 00 P.II. , I was dri'ving 11est on. Brookpark Road O. S. 17, ju.1;1t af� a iWf turn out of West 1501,h Street. Traftio was mediWll in both directions two lanes going west S!J,d t\fO la.n.es going east. There was a d!stance of a't)out 15 oar lengths bet118.en my oar and the Qe,r ahead. A muffler dropped out fro� one of tbe forward oar� and fell to the road in front of me about 250 fee)<• ahead, straddling the two west bound lanes. Travelling at about 35 miles an hour, I had only a few seoonds in imich to decide: 1) to attemp,t a stop, llhiob would more likely have endea. in a rear e\'ld collision by the oar about. ten feet behind me, 2) to straddle the tffO ie.nes, which would 11»st 1i�ely' have ended in side-swiping the oar overtaking me on tbe ri�ht,or 8) to crowd the oenter--line in a wa.y to avoid both a hea.d-on collision and the muffler. I ma.de th& ·thit>d choice, but the muffler rolled over enough further so that my right front wheel caught the ed,ge of th.a sho rt protrud­ ing tail-pipe apd flipped the muffler up against the side of my oar damaging the, rocker-p,anel-molding •behinp the front wheel-well and ibfli·. ting about a three inoh crease in the right front door about 15, inches back of the lea.ding edge of the door e.nd about 12 inches below the window opening. I called Ralph Hll&S and Aseoo-i,at-es here and they advised me that they felt it was a legal olailn, but s.ince the damage 110uld be· less than $100.00, we should have i\ repaired and forward the bill to you in Wasshintton, o.c. Acting on this, I had two estilllllotes made and chose the lo11Sst, ha.d the damage repa,ired and paid the bill. Enolose