Title

BCA-011: Berklee Oral History Project

Scope and Content Note

Established in 1998, the Berklee Oral History Project (BOHP) seeks to chronicle Berklee’s rich history from those who have lived, shaped, and defined it. In capturing the diverse experiences and perceptions of Berklee faculty, staff, and alumni, Berklee Archives seeks to document Berklee’s pedagogical contributions to music education, as well as the events and issues that have impacted the direction and identity of the institution. This collection comprises video interviews from over 100 individuals closely associated with Berklee College of Music and the Boston Conservatory, including faculty, staff, presidents, and alumni. Some early interviews also feature individuals unaffiliated with Berklee who were active in the Boston jazz community.

Linked Agent
Creator: Berklee
Producer (pro): Berklee Archives
This will search titles, summaries, and transcripts

Bass player and professor in Berklee College of Music’s Ensemble department Lello Molinari compares his experiences studying at Berklee and the New England Conservatory and the impact of his instructors’ teaching philosophies. He describes growing up in Naples, Italy, becoming a self-taught bass player as a teenager, and his early performance and recording experiences in Milan. He discusses studying under Berklee professors Hal Crook and Tony Lada and NEC professor Ran Blake; musical influences, including the Fringe and Thelonious Monk; and past and current music projects, including 3Play+, The Unit, Either/Orchestra, and the Dave Holland Ensemble. He describes his approach to ensemble playing and shares about playing with Bob Moses, Bobby Ward. Molinari also comments on the Boston jazz scene, particularly the city’s limitations that deincentivize today’s audiences to attend performances.

Lello Molinari, 2001 June 13
Professor, Ensemble Department, Berklee College of Music
Displaying results 0 - 0 of 0
Results per page
10
25
50