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These materials appear to be similar to those of Schillinger System of Musical Composition Book V (Special Theory of Harmony). Topics include: harmony (diatonic system); symmetric zero cycle (Co); irregular doublings; sixth chords, passing chords, G 6/4, continuity; G6 in symmetric harmony; G 6/4 in symmetric harmony. The handwriting in this series appears to be Lawrence Berk's.

These materials appear to be similar to those of Schillinger System of Musical Composition Books VI (The Correlation of Harmony) and VIII (Instrumental Forms). Topics include: pedal point in symmetric system; melodic figuration; melodization of harmony (diatonic); instrumental forms of harmony; symmetric melodization; chromatic melodization; harmonization of melody (D-M) (D-H). The handwriting in this series appears to be Lawrence Berk's.

This appears to be an introductory course in arranging written by Lawrence Berk and possibly James McInerney and/or Lyle Dowling.

These materials appear to be similar to those of Schillinger System of Musical Composition Book V (Special Theory of Harmony). Topic include: seventh chords, exchange of common tones, diatonic zero cycle; resolution, preparation, application, symmetric system; hybrid 5 part harmony, symmetric system, S(9) resolution & preparation; forms of transformation, symmetric, forms of S(9); general system, S(11) diatonic harmony & symmetric system, chromatic system; modulation technique; the scale of key signatures; chromatic harmony. The handwriting in this series appears to be Lawrence Berk's.

These materials appear to be similar to those of Schillinger System of Musical Composition Book V (Special Theory of Harmony). Topics include: harmony (diatonic system); symmetric system progressions and structures; symmetric zero cycle; irregular doublings, 6th chords, doublings in S(6); G6 in symmetric harmony; G 6/4 in symmetric harmony; chromatic system. The handwriting in this series appears to be both Joseph Schillinger and Lawrence Berk's.

These materials appear to be similar to those of Schillinger System of Musical Composition Book I (Theory of Rhythm). Topics include: variations (2 elements, 3 elements, 4 elements); permutations of the higher orders; simultaneity and continuity (homogeneous); series of factorial and fractional continuity, square of a binomial; square of a trinomial; generalization of the square; cube of a binomial, cube of a trinomial; generalization of all powers, rhythm of variable velocities. The handwriting in this series appears to be Lawrence Berk's.