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These materials appear to be similar to those of Schillinger System of Musical Composition Books IV (Theory of Melody) and II (Theory of Pitch-Scales). The handwriting in this series appears to be Lawrence Berk's.

These materials appear to be similar to those of Schillinger System of Musical Composition Book VII (Theory of Counterpoint). Topics include: counterpoint, density & tension, resolution of dissonances; correlation of melodies (counterpoint); imitation (canon); fugue; modulations in two-part counterpoint; two-part counterpoint fugue & couplings; continuity of couplings. The handwriting in this series appears to be Lawrence Berk's, with the exception of notes on the continuity of coupling.

These materials appear to be similar to those of Schillinger System of Musical Composition Books II (Theory of Pitch-Scales), I (Theory of Rhythm), and III (Variations of Music by Means of Geometrical Projection). Topics include: pitch scales, table of resultants with and without fractioning; theory of melody; time ratios of the secondary axes; pitch-ratios of the secondary axes; modal transposition, modulations; the second group of scales; composition of continuity; symmetric systems of musical pitch, the third group; symmetric systems of musical pitch, the fourth group; geometrical inversions. composition of harmonic continuity thru geometrical inversions, geometrical expansions. The handwriting in this series appears to be Joseph Schillinger's.

These materials appear to be similar to those of Schillinger System of Musical Composition Book IX (General Theory of Harmony). Topics include: general theory of harmony; three-part harmony; four-part harmony. The handwriting in this series appears to be Lawrence Berk's.

These materials appear to be similar to those of Schillinger System of Musical Composition Books I (Theory of Rhythm), VI (The Correlation of Harmony and Melody), VII (Theory of Counterpoint), IX (General Theory of Harmony), and VIII (Instrumental Forms). The handwriting in this series appears to be Joseph Schillinger's.

These materials appear to be related to SSOMC Book VI (The Correlation of Harmony and Melody) in full.

These materials appear to be related to Part II of SSOMC Book V (Special Theory of Harmony), particularly Chapter 9 (Seventh Chords).

These materials appear to be related to SSOMC Book VII (Theory of Counterpoint). Topics include: two-part melodization & harmonization; harmonic and contrapuntal ostinato.

These materials appear to be related to SSOMC Book V (Special Theory of Harmony), Part I, Chapter 1 (Diatonic) and Chapter 6 (Passing 6/4).

These materials appear to be related to SSOMC Book IV (Theory of Melody), Chapter 4 (Climax & Resistance).

These materials appear to be related to Part One of SSOMC Book XII (Theory of Orchestration).