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Wesley Trevor A’Harrah
Reflective Report for What Tune Does the Bluebird Sing?
Berklee College of Music, Valencia Campus
26 June, 2015
Reflective Report: What Tune Does the Bluebird Sing?
2
1. SUMMARY OF PROJECT
What Tune Does the Bluebird Sing is a work of original research. In this study, I
collected and examined Twitter usage and Next Big Sound data that covered 3000
professional musicians, representing hundreds of major music acts. The purpose of this
study was to identify how music acts of varying genres utilize Twitter in distinct ways, and
to differing effects. Finding trends in usage by specific genres, I came to several
conclusions based on subjects from audience demographics and segments, technological
fluency and workplace culture.
2. PROCESS
Conversations with several Music Business Seminar speakers—particularly Scott
Cohen, Tony Woodcock and Pete Dyson—led me to question the degree of action that
online social media demands of musicians in today’s attention economy. In an age where
infinite information sources compete to consume the limited time of individuals, musicians
of different genres behave in distinct ways across online social media. Based on these
practices, certain musicians and their associated acts consistently maintain competitive
advantages in attracting the eyes and ears of web users. Through a combination of
personal study and participation in several courses, notably Branding, Advertising and
Sponsorship, Online Social Media Management and Music, Media and Society, I became
aware of strategies for engaging with specific market segments and population
demographics on different platforms, devices and media. The geographic center of the UK
was chosen with the purpose of focusing the study on groups popular within the UK for
Reflective Report: What Tune Does the Bluebird Sing?
3
purposes of the UK positions that population among the best studied national Twitter
populations the world.
I selected music acts based on several factors, varying by genre. In the case of
classical acts, each examined act has been any combination of the following: featured
within any Billboard Charts within the last two months; been existence for an excess of fifty
years; or is classified by Next Big Sound metrics as having an Established social stage. For
acts of all other genres, which span all Billboard Chart-specified genres, each music act
has either been featured on any Billboard Chart within the last two months or has been
classified by Next Big Sound metrics as having an Epic social stage. Data on every
identifiable, current member of every act from each of the following Billboard Charts, as
populated of June 6, 2015 was collected for this study:
Twitter Emerging Artists; Catalog Albums; Digital Albums; Digital Music;
Heatseekers; Independent Albums; Latin Albums; On-Demand Songs; Next Big
Sound; Top 100 Songs; Social 50; Streaming Songs; Tastemaker Albums; Top 100
Artists; Top 200 Albums; Twitter Songs; U.K. Music/ Top U.K. Albums; U.K. Music/
Top U.K. Songs; YouTube Music; and every genre-specific albums chart (notably
including Adult Pop Music & Songs and Classical).
Below is the process I took for each music act and music act member.
§
Identify the presence or absence of a music act/member’s publiclyvisible Twitter account.
Reflective Report: What Tune Does the Bluebird Sing?
§
4
Record the number of tweets, number of accounts followed by,
number of accounts following and number of tweets favorited by
each account.
§
Observe the presence or absence of any account activity to declare
the account active or inactive.
§
Examine the content of the last six months’ tweets for if the examined
account Tweeted about personal, professional or both kinds of
activities, in order to better understand the intended audience of each
account.
§
Examine the presence or absence of mentions, hashtags and replies
for the examined account within the last six months, in order to
establish the fluency of use with which the account user utilizes
Twitter.
I created and populated a cloud-based database with this data for each act and its
members. The populated data fields for this first database are the following:
Name; Twitter handle; number of tweets; number of followers; number of following;
number of favorites; verified (Y/N); active/inactive; tweets contain content of a
personal, professional or combined nature (E,R,B); outgoing, original account
tweets contain hashtags, direct mentions, both or neither (#,@,B,N); # of unique
hashtags outgoing (most recent fifty tweets only, based on software constraints);
account age; number of tweets per day.
Reflective Report: What Tune Does the Bluebird Sing?
5
To this Twitter data, the following fields were also added and populated for each account:
Type of act (group, soloist—G/S), descriptor of account (act main, member—A/M),
genre (multiple codes).
Finally, I added Next Big Sound metrics to the data sets for each musical act’s main
account row.
Based on the field, various null responses were coded and assigned to inactive and
nonexistent accounts.
Through regression analysis, I isolated a number of variables that I deemed fit to exclude
from my main set of findings—such as number of tweets favorited by an artist.
3. RESULTS
Perhaps most noteworthy of my findings is the sheer absence of classical musicians (not
classical music acts, mind you) on Twitter. Out of my cleaned sample size of 505 classical
musicians, 89.5% were either absent from or inactive on Twitter. With this huge void of
conversation, it is understandable that classical music has a difficult time thriving in digital
spaces. Classical findings were in stark contrast to mainstream pop music acts, such as
Maroon 5.
Reflective Report: What Tune Does the Bluebird Sing?
6
4. NEXT STEPS
I aim to further my culminating experience through two processes. First, I aim to
expand and refine the dataset. In its current state, though very robust and appropriately
representative of musicians from multiple genres, much data is unwieldy. Hashtag analysis,
though incredibly interesting and potentially beneficial, is what I anticipate adding into my
next study. From there, I would like to track direct mentions and a few other metrics. Much
of this requires a cloud computing platform far more powerful than those I currently have
access to, though.
After cleaning the dataset slight further, I intend to rewrite a version of this paper
into a more digestible form that may offer more immediate insights. I would seek to publish
this work in an online news source such as Wired.
5. CONTRIBUTION TO DISCIPLINE AND PROFESSION
To date, this work represents the only recorded study—academic or otherwise—
conducted of such a large number of musician Twitter accounts. This study helps affirm
one very blatant truth; the classical music portion of the music industry is failing to remain
relevant in digital spaces. Whether or not its target audience lies in these spaces, classical
projects are often funded by governments, viewed as nonprofits and are said to increase
some greater meta appreciation for music and the arts. While the heritage factor (those
who grow up around classical appreciate classical) is going to remain significant to the
future of this genre, major players in this field are doing very little in order to maintain their
cultural import and position. I fear that widespread failure of classical musicians to adopt
Reflective Report: What Tune Does the Bluebird Sing?
7
digital media strategies will lead to the destruction of an historically privileged artistic
space.
6. IMPACT ON STUDENT
I originally intended to conduct a study on the overall economic effects of policy on the
U.K. music industry. After months of research and writing, I came to realize that such an
endeavor would require hundreds of pages of writing, thousands of hours of work and
tens of thousands of dollars to complete within such a timeframe. This project was one of
my many pivots of this school year. As with my other pivots, such as the lecture that drove
me toward big data analytics, I found this study to be incredibly beneficial. I have, on my
own, conducted professional level research while constructing a database, cleaning my
data and evaluating my overall research strategy in order to make the best message come
to the top.
7. OTHER
All I wish I had changed about this project was the start date. I could have mapped
thousands more artists with a few more months, and I could have cleaned my data to a
level at which I would be comfortable to publish the paper today. More time to tell a better
story of my results would also have been beneficial. Instead, I feel like much of my paper is
simply a report of findings. With further analysis to come, I have no doubt that this project
will to be something much more meaningful and valuable.
Reflective Report: What Tune Does the Bluebird Sing?
8
8. BIBLIOGRAPHY
Billboard. “Adult Contemporary Music Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/adult-contemporary
Billboard. “Adult Pop Music & Songs Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/adult-pop-songs
Billboard. “Alternative Music/Top Alternative Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/alternative-albums
Billboard. “Billboard Twitter Emerging Artists,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/twitter-emerging-artists
Billboard. “Bluegrass Music/Top Bluegrass Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/bluegrass-albums
Billboard. “Blues Music/ Top Blues Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/blues-albums
Billboard. “Catalog Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/catalog-albums
Billboard. “Christian Albums/ Top Praise Music Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/christian-albums
Billboard. “Classical Music/ Top Classical Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/classical-albums
Billboard. “Comedy Albums/ Top Stand Up Comedy Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/comedy-albums
Billboard. “Digital Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/digital-albums
Reflective Report: What Tune Does the Bluebird Sing?
9
Billboard. “Digital Music Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/digital-songs
Billboard. “EDM Music & Dance Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/dance-electronic-albums
Billboard. “Folk Music/ Top Folk Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/folk-albums
Billboard. “Gospel Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/gospel-albums
Billboard. “Hard Rock Music/ Top Hard Rock Albums,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/hard-rock-albums
Billboard. “Heatseekers Albums/ Up and Coming Musicians Chart,” Billboard, week of
June 6, 2015. http://www.billboard.com/charts/heatseekers-albums
Billboard. “Independent Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/independent-albums
Billboard. “Jazz Music/ Top Jazz Albums & Songs Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/jazz-albums
Billboard. “Latin Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/latin-albums
Billboard. “Latin Pop Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/latin-pop-albums
Billboard. “Mexican Music/ Top Mexican Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/regional-mexican-albums
Reflective Report: What Tune Does the Bluebird Sing?
10
Billboard. “Music/ Top 100 Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/hot-100
Billboard. “New Age Music/ Top New Age Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/new-age-albums
Billboard. “Next Big Sound,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/next-big-sound-25
Billboard. “On-Demand Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/on-demand-songs
Billboard. “Pop Music/ Top Pop Songs Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/pop-songs
Billboard. “R&B Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/r-and-b-albums
Billboard. “R&B/Hip-Hop Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/r-b-hip-hop-albums
Billboard. “Rap Music/ Top Rap Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/rap-albums
Billboard. “Reggae Music/ Top Reggae Albums & Songs,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/reggae-albums
Billboard. “Rock Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/rock-albums
Billboard. “Social 50,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/social-50
Reflective Report: What Tune Does the Bluebird Sing?
11
Billboard. “Streaming Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/streaming-songs
Billboard. “Tastemaker Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/tastemaker-albums
Billboard. “Top 100 Artists Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/artist-100
Billboard. “Top 200 Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/billboard-200
Billboard. “Top Album Sales,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/top-album-sales
Billboard. “Tropical Music/ Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/tropical-albums
Billboard. “Twitter Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/twitter-top-tracks
Billboard. “U.K. Music/ Top U.K. Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/united-kingdom-albums
Billboard. “U.K. Music/ Top U.K. Songs Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/united-kingdom-songs
Billboard. “World Music/ Top World Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/world-albums
Billboard. “YouTube Music - Top YouTube Songs & Music Chart,” Billboard, week of
June 6, 2015. http://www.billboard.com/charts/youtube
Crucchiola, J. “Taylor Swift is the Queen of the Internet,” Wired Magazine (San
Reflective Report: What Tune Does the Bluebird Sing?
12
Francisco, USA), June 22, 2015.
Dredge, S. “Twitter passes 300m active users but growth questions remain,” Music Ally
(London, U.K.), April 29, 2015.
Music Ally Blog. “Kelly Clarkson holds Twitter listening party for new album,” Music
Ally (London, U.K.), March 5, 2015.
Music Ally Blog. “Twitter adds Audience Insights,” Music Ally (London, U.K.), May 28,
2015.
Music Ally Blog. ”Twitter’s Project Lightning will curate tweets from events,” Music Ally
(London, U.K.), June 19, 2015.
Music Business Worldwide. “The World’s Biggest Music Stars: Who’s Faking it on
Twitter?” Music Business Worldwide (London, U.K.), January 31, 2015.
Reflective Report: What Tune Does the Bluebird Sing?
13
9. APPENDICES
Based on issues of non-celebrity privacy and proprietary nature of my webscrape, I will
make my dataset available by request, and separate from the submission of my thesis.
Aligned with the matters of privacy are the provision of my musician-based visualizations—
again, filled with potential issues of privacy. I will make data available upon request for
purposes of replicability and observational integrity, though.
Reflective Report for What Tune Does the Bluebird Sing?
Berklee College of Music, Valencia Campus
26 June, 2015
Reflective Report: What Tune Does the Bluebird Sing?
2
1. SUMMARY OF PROJECT
What Tune Does the Bluebird Sing is a work of original research. In this study, I
collected and examined Twitter usage and Next Big Sound data that covered 3000
professional musicians, representing hundreds of major music acts. The purpose of this
study was to identify how music acts of varying genres utilize Twitter in distinct ways, and
to differing effects. Finding trends in usage by specific genres, I came to several
conclusions based on subjects from audience demographics and segments, technological
fluency and workplace culture.
2. PROCESS
Conversations with several Music Business Seminar speakers—particularly Scott
Cohen, Tony Woodcock and Pete Dyson—led me to question the degree of action that
online social media demands of musicians in today’s attention economy. In an age where
infinite information sources compete to consume the limited time of individuals, musicians
of different genres behave in distinct ways across online social media. Based on these
practices, certain musicians and their associated acts consistently maintain competitive
advantages in attracting the eyes and ears of web users. Through a combination of
personal study and participation in several courses, notably Branding, Advertising and
Sponsorship, Online Social Media Management and Music, Media and Society, I became
aware of strategies for engaging with specific market segments and population
demographics on different platforms, devices and media. The geographic center of the UK
was chosen with the purpose of focusing the study on groups popular within the UK for
Reflective Report: What Tune Does the Bluebird Sing?
3
purposes of the UK positions that population among the best studied national Twitter
populations the world.
I selected music acts based on several factors, varying by genre. In the case of
classical acts, each examined act has been any combination of the following: featured
within any Billboard Charts within the last two months; been existence for an excess of fifty
years; or is classified by Next Big Sound metrics as having an Established social stage. For
acts of all other genres, which span all Billboard Chart-specified genres, each music act
has either been featured on any Billboard Chart within the last two months or has been
classified by Next Big Sound metrics as having an Epic social stage. Data on every
identifiable, current member of every act from each of the following Billboard Charts, as
populated of June 6, 2015 was collected for this study:
Twitter Emerging Artists; Catalog Albums; Digital Albums; Digital Music;
Heatseekers; Independent Albums; Latin Albums; On-Demand Songs; Next Big
Sound; Top 100 Songs; Social 50; Streaming Songs; Tastemaker Albums; Top 100
Artists; Top 200 Albums; Twitter Songs; U.K. Music/ Top U.K. Albums; U.K. Music/
Top U.K. Songs; YouTube Music; and every genre-specific albums chart (notably
including Adult Pop Music & Songs and Classical).
Below is the process I took for each music act and music act member.
§
Identify the presence or absence of a music act/member’s publiclyvisible Twitter account.
Reflective Report: What Tune Does the Bluebird Sing?
§
4
Record the number of tweets, number of accounts followed by,
number of accounts following and number of tweets favorited by
each account.
§
Observe the presence or absence of any account activity to declare
the account active or inactive.
§
Examine the content of the last six months’ tweets for if the examined
account Tweeted about personal, professional or both kinds of
activities, in order to better understand the intended audience of each
account.
§
Examine the presence or absence of mentions, hashtags and replies
for the examined account within the last six months, in order to
establish the fluency of use with which the account user utilizes
Twitter.
I created and populated a cloud-based database with this data for each act and its
members. The populated data fields for this first database are the following:
Name; Twitter handle; number of tweets; number of followers; number of following;
number of favorites; verified (Y/N); active/inactive; tweets contain content of a
personal, professional or combined nature (E,R,B); outgoing, original account
tweets contain hashtags, direct mentions, both or neither (#,@,B,N); # of unique
hashtags outgoing (most recent fifty tweets only, based on software constraints);
account age; number of tweets per day.
Reflective Report: What Tune Does the Bluebird Sing?
5
To this Twitter data, the following fields were also added and populated for each account:
Type of act (group, soloist—G/S), descriptor of account (act main, member—A/M),
genre (multiple codes).
Finally, I added Next Big Sound metrics to the data sets for each musical act’s main
account row.
Based on the field, various null responses were coded and assigned to inactive and
nonexistent accounts.
Through regression analysis, I isolated a number of variables that I deemed fit to exclude
from my main set of findings—such as number of tweets favorited by an artist.
3. RESULTS
Perhaps most noteworthy of my findings is the sheer absence of classical musicians (not
classical music acts, mind you) on Twitter. Out of my cleaned sample size of 505 classical
musicians, 89.5% were either absent from or inactive on Twitter. With this huge void of
conversation, it is understandable that classical music has a difficult time thriving in digital
spaces. Classical findings were in stark contrast to mainstream pop music acts, such as
Maroon 5.
Reflective Report: What Tune Does the Bluebird Sing?
6
4. NEXT STEPS
I aim to further my culminating experience through two processes. First, I aim to
expand and refine the dataset. In its current state, though very robust and appropriately
representative of musicians from multiple genres, much data is unwieldy. Hashtag analysis,
though incredibly interesting and potentially beneficial, is what I anticipate adding into my
next study. From there, I would like to track direct mentions and a few other metrics. Much
of this requires a cloud computing platform far more powerful than those I currently have
access to, though.
After cleaning the dataset slight further, I intend to rewrite a version of this paper
into a more digestible form that may offer more immediate insights. I would seek to publish
this work in an online news source such as Wired.
5. CONTRIBUTION TO DISCIPLINE AND PROFESSION
To date, this work represents the only recorded study—academic or otherwise—
conducted of such a large number of musician Twitter accounts. This study helps affirm
one very blatant truth; the classical music portion of the music industry is failing to remain
relevant in digital spaces. Whether or not its target audience lies in these spaces, classical
projects are often funded by governments, viewed as nonprofits and are said to increase
some greater meta appreciation for music and the arts. While the heritage factor (those
who grow up around classical appreciate classical) is going to remain significant to the
future of this genre, major players in this field are doing very little in order to maintain their
cultural import and position. I fear that widespread failure of classical musicians to adopt
Reflective Report: What Tune Does the Bluebird Sing?
7
digital media strategies will lead to the destruction of an historically privileged artistic
space.
6. IMPACT ON STUDENT
I originally intended to conduct a study on the overall economic effects of policy on the
U.K. music industry. After months of research and writing, I came to realize that such an
endeavor would require hundreds of pages of writing, thousands of hours of work and
tens of thousands of dollars to complete within such a timeframe. This project was one of
my many pivots of this school year. As with my other pivots, such as the lecture that drove
me toward big data analytics, I found this study to be incredibly beneficial. I have, on my
own, conducted professional level research while constructing a database, cleaning my
data and evaluating my overall research strategy in order to make the best message come
to the top.
7. OTHER
All I wish I had changed about this project was the start date. I could have mapped
thousands more artists with a few more months, and I could have cleaned my data to a
level at which I would be comfortable to publish the paper today. More time to tell a better
story of my results would also have been beneficial. Instead, I feel like much of my paper is
simply a report of findings. With further analysis to come, I have no doubt that this project
will to be something much more meaningful and valuable.
Reflective Report: What Tune Does the Bluebird Sing?
8
8. BIBLIOGRAPHY
Billboard. “Adult Contemporary Music Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/adult-contemporary
Billboard. “Adult Pop Music & Songs Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/adult-pop-songs
Billboard. “Alternative Music/Top Alternative Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/alternative-albums
Billboard. “Billboard Twitter Emerging Artists,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/twitter-emerging-artists
Billboard. “Bluegrass Music/Top Bluegrass Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/bluegrass-albums
Billboard. “Blues Music/ Top Blues Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/blues-albums
Billboard. “Catalog Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/catalog-albums
Billboard. “Christian Albums/ Top Praise Music Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/christian-albums
Billboard. “Classical Music/ Top Classical Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/classical-albums
Billboard. “Comedy Albums/ Top Stand Up Comedy Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/comedy-albums
Billboard. “Digital Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/digital-albums
Reflective Report: What Tune Does the Bluebird Sing?
9
Billboard. “Digital Music Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/digital-songs
Billboard. “EDM Music & Dance Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/dance-electronic-albums
Billboard. “Folk Music/ Top Folk Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/folk-albums
Billboard. “Gospel Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/gospel-albums
Billboard. “Hard Rock Music/ Top Hard Rock Albums,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/hard-rock-albums
Billboard. “Heatseekers Albums/ Up and Coming Musicians Chart,” Billboard, week of
June 6, 2015. http://www.billboard.com/charts/heatseekers-albums
Billboard. “Independent Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/independent-albums
Billboard. “Jazz Music/ Top Jazz Albums & Songs Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/jazz-albums
Billboard. “Latin Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/latin-albums
Billboard. “Latin Pop Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/latin-pop-albums
Billboard. “Mexican Music/ Top Mexican Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/regional-mexican-albums
Reflective Report: What Tune Does the Bluebird Sing?
10
Billboard. “Music/ Top 100 Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/hot-100
Billboard. “New Age Music/ Top New Age Albums Chart,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/new-age-albums
Billboard. “Next Big Sound,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/next-big-sound-25
Billboard. “On-Demand Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/on-demand-songs
Billboard. “Pop Music/ Top Pop Songs Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/pop-songs
Billboard. “R&B Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/r-and-b-albums
Billboard. “R&B/Hip-Hop Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/r-b-hip-hop-albums
Billboard. “Rap Music/ Top Rap Albums Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/rap-albums
Billboard. “Reggae Music/ Top Reggae Albums & Songs,” Billboard, week of June 6,
2015. http://www.billboard.com/charts/reggae-albums
Billboard. “Rock Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/rock-albums
Billboard. “Social 50,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/social-50
Reflective Report: What Tune Does the Bluebird Sing?
11
Billboard. “Streaming Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/streaming-songs
Billboard. “Tastemaker Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/tastemaker-albums
Billboard. “Top 100 Artists Chart,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/artist-100
Billboard. “Top 200 Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/billboard-200
Billboard. “Top Album Sales,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/top-album-sales
Billboard. “Tropical Music/ Albums,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/tropical-albums
Billboard. “Twitter Songs,” Billboard, week of June 6, 2015.
http://www.billboard.com/charts/twitter-top-tracks
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9. APPENDICES
Based on issues of non-celebrity privacy and proprietary nature of my webscrape, I will
make my dataset available by request, and separate from the submission of my thesis.
Aligned with the matters of privacy are the provision of my musician-based visualizations—
again, filled with potential issues of privacy. I will make data available upon request for
purposes of replicability and observational integrity, though.
Media of
