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NATURAL ORDER
Audiovisual Installation
Implementing chaos in our cognitive processes

ERIK HASAN GOMEZ GARZA
Student ID: 0764722
Berklee College of Music - Valencia
Music Production, Technology and Innovation

F. Pierce Warnecke, Academic Supervisor
Pablo Mungía, Program Director

July 2017

Contents
Abstract ………………………………………………………………………..

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1.Introduction …………………………………………………………………

1

2. Description…………………………………………………………………..

3

2.1 Video …………………………………………………………..

3

2.2 Audio ……..……………………………………………………..

4

2.3 Interactivity ……..………………………………………………

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2.4 Innovative Aspects ………….…………………………………

5

3. Innovative Aspects …………………………………………………………

5

4. New Skills Acquired ………………………………………………………… 6
5. Unexpected Challenges ………………………………………………….… 8
6. Expected Challenges ………………………………………………………. 8
7. Future Ramifications ………..………………………………………..…… 10
8. Conclusions …………………………………………………..…………… 11
9. Footnotes …………………………………………………..………………. 12
10. Bibliography ………………………………………………..……………. 13

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i. Abstract
Creation of an art installation that focuses on chaotic phenomena as a better
model to understand reality. The main goal of the installation is for the viewer to
assimilate in an artistic way the concepts of reductionism, sensitivity to initial conditions
and strange attractors and how these can be associated with our daily cognitive
processes. In this way, identifying ourselves as chaotic systems.

1. Introduction
One can argue that humans owe their existence to their ability to recognize
patterns and be able to predict dangerous situations or catalyze a desired result. This
frame of mind has been applied through the years to the point that a sequential and
pattern based process is desired in almost every science area of study due to its
predictable characteristic and the ability to get consistent results. After million of years of
evolution and positive reinforcement by identifying patterns1 it is highly counterintuitive
to strive for unpredictable and non linear phenomena.
It is a personal hypothesis of the author that the cosmological phenomena we
understand has been “distilled” by our minds into non chaotic arrangement due to our
tendency to organize information in a linear way. An exploration into chaotic systems
can show us that nature does not have this linear behavior and although it is
deterministic, it is unpredictable.2

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In nature, a chaotic system is a system that presents the characteristics that
could be undesired in our daily lives, such as3 :



i) Extreme sensitivity to initial conditions: Also referred as Butterfly Effects



ii) Unpredictability: Due to the difficulty to know all the initial conditions



iii) Sensitivity to feedback: As the system that reacts to external input in
unpredictable ways



iv) Fractals : Repeating and scale free. Failure to describe using the reductionist
paradigm
However, the internalization of this characteristics in our cognitive processes

can open the door for different ways of thinking. Psychology now accepts a linear
fashion of development when Freud introduced psychoanalysis and its linear
characteristic to our growth4. Whether Freud’s theories might be true or not, it is not
illogical to think that accepting his theory we limit our ability to process information and
truncate our capacity to develop new behaviors because we are focused on past
experiences that set our personalities . It can be said that we are limited to a sequential
order of thoughts, we generate pieces of information and organize them one after the
other in a way that we can better understand them. These pieces of information are
supported by language and take form of an individual personality or series of actions
that fall into the “expected” spectrum of a general behavior.

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it is a personal opinion of the author that understanding the link between
chaos and psychology is crucial to understand its great potential to describe the human
mind. Anxiety comes from an obsessive behavior of trying to fit in our current paradigm
the information that we receive, and by trying to control what is intrinsically out of reach
we develop a kind of illusion of control to make sense o the world around us. In this
paradigm, unexpected outcomes break the illusory control and provoke anxiety5. As
humans, we are complex systems stimulated day by day by an outstanding amount of
input, so trying to distill our behavior in a sequential way can be a feat that will only spur
more mental stress.
The main theme of Natural Order is the proposition that developing an identity
and sticking with is very important in today’s world because it grants us with a
predictable and understandable behavior for us, and the ones around us; thus,
sacrificing an array of emotions and ideas that lie outside our fixed personalities.
Exploring chaos and then extrapolating to different aspects of our lives will allow us to
think in a non linear and non sequential way and make cognitive shifts in an easier and
more efficient way.

2. Description
Natural Order focuses on chaos in relation to our cognitive processes. Using
experimental animation and symbolism, the themes of failed reductionism, sensitivity to
initial conditions and strange attractors are represented in an effort to accept our true
nature as chaotic systems.

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2.1 Video
The video is an experimental animation composition focused on object’s
interaction symbolism. The video is projected in 3 different panels making allusion to our
current reductive paradigm.

The panel setup is exploited by intermittent imagery in

each of them and a full continuous projection at the composition’s pivotal moments.

Figure 1. Installation 3d model. Video
mapped to 3 screen and 3 stands for smaller
screens.

2.2 Audio
Created using software synthesizers,

analog synthesizers and composed

specifically for the video, the music enhances the rapid changes and contrast of the
images. Subtle harmonies, sequences , noise and glitches are used to generate focal
changes and keep the viewer at the verge of sensorial saturation.
The main tools for the audio creation are field recordings and analog
subtractive synthesis using the Dave Smiths Instrument Prophet 08’. Native
Instruments’ Kontakt was also used extensively to create sound effects.

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Figure 2.Bill Viola, Martyrs (Earth, Air, Fire,
Water), 2014. Photograph: Peter Mallet

2.3 Interactivity
3 small screens at the viewer’s reach that are touch sensitive. When the user
touches the screen in the far left, the screen at the far right plays a video as a
representation of chaotic phenomena. Screen number two is inside a box that when is
closed flashes red, green and blue colors intermittently, and when the box is opened the
screen displays a noise pattern. These screens are controlled with Arduino through a
MacBook Pro. A total of two computers and one Arduino is being used for the
implementation of this screens.

3. Innovative Aspects
Art installations have been considered to emerge in 1957’s with Allan
Kuprow’s environments.6 The concept is quite broad in a way that it encompasses many
artistic trends, but it can be said that the main characteristic of an installation is its use
of the space of exhibition. Natural Order is influenced in the installations of artists such
as, Bill

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Viola, Ryoki Ikeda and movie directors like Darren Aronosfky and Stanley
Kubrick. Innovation in Natural Order comes from the mix of these different influences
and its intrinsic creative characteristic. Chaos has been an active element in art for
years, in the works of artists like Jackson Pollock7, Francis Bacon8, Michael Kinder 9
and in the creation of Fractal Art.
Focusing on the the characteristics of chaos theory artists have been able
make peace with it and use it to their advantage. Natural Order focuses on chaos as the
main study, proposing a new mental paradigm of non linear thinking. Difficult to
conceive even for the author, it is of great importance to deliver the message standing
at the current paradigm with an effort to change it.
As a personal matter for the author, creating an installation was a novelty for
him and during the length of the year he was able to participate in 4 art installations
including Natural Order. With a project like this he was able to find the level of depth and
focus he was looking in other

past artistic endeavors. For him, focusing on this art

genre means a deeper knowledge in sound design, science, video creation and
philosophical aspects of art and the field of study.

4. New Skills Acquired
The medium of an art installation was chosen precisely for the wide array of
skills needed for its fulfillment. The level of depth that can be acquired is the subject of

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study is; in most cases, higher than creating content for mass distribution. The tools
and skills related used for the completion of Natural Order were:

SKILS(TOOLS)

IMPLEMENTATION

Analog synthesizers

Sound creation

DAW (logic pro x, ableton live
and pro tools)

Audio processing, recording and editing.
Sample and midi implementation

Premiere Pro

Video editing, creation and processing

After Effects

Video color grading and processing .
Video mapping

Vue E-on Software

3d Video creation

Blender

3D sculpting and video creation

Max MSP

Programming for particle system generation and video control and
automatization

Unity

Used to create a virtual gallery to show the installations that were
created during the year

Arduino

Interactivity and control of the 3 small screens

Sketchup

Creating 3d graphics and sketches that describe the installation
dimensions and aesthetics for delivery to the venue.

Photoshop

Image creation for video implementation and the installation
promotion.

InDesign

Written reports and proposals

Table 1. Tools and way of implementation

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5. Unexpected challenges
Due to the fast development of different skills that could potentially be applied
to the installation, one of the biggest challenges was keeping an interest in the subject
while keeping a congruent aesthetic. Because this project was elaborated in a period of
8 months approximately the rate of skill evolution surpassed that of creation. This is an
excellent thing as an artist, however, it can attempt against the artwork when the artist
wants to try different aesthetics in the same piece. This was unexpected and dealt with
by generating parallel projects to tame the urge of putting the new skills to the test.

6. Expected challenges
Creating something novel out of an unknown artistic genre was an expected
challenge. Challenging the first ideas with

Berklee’s professor F. Pierce Warnecke

helped sculpt an idea that was current but with a strong reference point in art. To have a
better understanding of the actual state of the art, several opportunities offered by
Berkelee College of Music - Valencia we taken, this opportunities allowed the author to
work on more audiovisual installations
6.1 Interference Patterns

Figure 3. Screenshot of “Mirror”, one of the
videos shown at the installation

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This installation was presented in Galleria Gnration in Braga, Portugal. It was
a team artwork where Brentons Stokes, Yu Lu, Matt McIntyre and Hasan Gomez
created a study on Moire Patterns. Lead by F. Pierce Warnecke, this installation was
shown for two months and consisted on an achromatic set of videos accompanied by
experimental ambience and glitch music.

6.2 Proem

Figure 4. Still of the video section of
“Proem”

Elaborated by Hasan Gomez, Proem was featured in En Vivo! Fast Forward
and also shown in Galleria Gnration as the winner of a competition held in Berkelee
College of Music sponsored by the gallery.

This installation is a 3 tier study that

proposes scientific research as an introspection tool . It is arranged as a video mapped
in a triptych and a photo gallery.

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6.3 Perspectivas Sonoras
Sound installation presented at the Science Museum at City of Arts and
Sciences. Studies the dissonance between sonic and visual perception created by a
visually apparent array of equidimensional metal objects. For the viewer the only thing
that can give a real clue about the objects dimension an position is the sound stimulus.
This is a team installation as part of the Art Installation class lead by F. Pierce
Warnecke and formed by Guy Schneider, Luis Diaz, Andres Mira, Esteban Gomez,
Daniel Kleffmann and Erik Hasan Gomez.

Figure 5. Cover photograph of the proposal for
Perspectivas Sonoras and promotional flier.

7. Future Ramifications
The tools acquired (shown in table 1) throughout the development of Natural
Order offer an enormous depth and potential for complex video creation. A sense of
artistic promotion and professionalism when delivering an artwork have been also
added to the amalgam of acquired skills. All of this will catalyze a better understanding

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of what is expected of a modern day artist and will also generate opportunities to share
Natural Order and different pieces in different venues. Natural Order is a breakthrough
on the life of the author’s artistic life.

8. Conclusions
Natural Order entertains an interesting idea about our current cognitive
process paradigm. For the author a sequential thinking behavior is more present every
day and even though it is highly reliable it is not exciting or interesting. Our brain
behavior as a chaotic system opens up the possibility for novel behaviors that bring
different perspectives understanding any field of study.
In a broader sense, the author has found a niche where he can develop his
ideas in a profound level and will continue doing so in this artistic genre. With the
completion of Natural Order and the other works previously talked about, his artistic
voice is reaching its maturity through the application of the vast array skills acquired
during this year.

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End Notes
1. Mark P. Mattson, "Superior pattern processing is the essence of the evolved human brain," Frontiers in
Neuroscience 8 (2014): , doi:10.3389/fnins.2014.00265.

2. StanfordUniversity. YouTube. February 01, 2011. Accessed June 01, 2017. https://www.youtube.com/watch?
v=_njf8jwEGRo&t=2966s.

3."What is Chaos Theory?" Fractal Foundation, , accessed July 09, 2017, http://fractalfoundation.org/resources/whatis-chaos-theory/.

4. S. Ayers, "The Application of Chaos Theory to Psychology," Theory & Psychology 7, no. 3 (1997): , doi:
10.1177/0959354397073005.

5.

Bruce F. Chorpita and David H. Barlow, "The development of anxiety: The role of control in the early

environment.," Psychological Bulletin 124, no. 1 (1998): , doi:10.1037//0033-2909.124.1.3.

6.Tate, "Installation art – Art Term," Tate, , accessed July 09, 2017, http://www.tate.org.uk/art/art-terms/i/installationart.

7. "Martyrs," Bill Viola, , accessed July 09, 2017, http://billviolaatstpauls.com/martyrs/.

8. Richard P. Taylor, "Order in Pollock's Chaos," Scientific American, , accessed July 09, 2017, https://
www.scientificamerican.com/article/order-in-pollocks-chaos/.

9. "Francis Bacon: The Man Behind The World's Most Expensive Work Of Art," Visual News, April 07, 2014, ,
accessed July 09, 2017, http://www.visualnews.com/2014/04/08/francis-bacon-man-behind-worlds-expensive-workart/.

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Bibliography

Mattson, Mark P. "Superior pattern processing is the essence of the evolved human brain." Frontiers in
Neuroscience 8 (2014). doi:10.3389/fnins.2014.00265.

StanfordUniversity. YouTube. February 01, 2011. Accessed June 01, 2017.
https://www.youtube.com/watch?v=_njf8jwEGRo&t=2966s

.

"What is Chaos Theory?" Fractal Foundation. Accessed June 01, 2017. http://fractalfoundation.org/
resources/what-is-chaos-theory/.

Ayers, S. "The Application of Chaos Theory to Psychology." Theory & Psychology 7, no. 3 (1997): 373-98.

d o i :

10.1177/0959354397073005.

Chorpita, Bruce F., and David H. Barlow. "The development of anxiety: The role of control in the early
environment." Psychological Bulletin 124, no. 1 (1998): 3-21.doi:10.1037//0033-2909.124.1.3.

Tate. "Installation art – Art Term." Tate. Accessed June 01, 2017. http://www.tate.org.uk/art/art-terms/i/installation-art.

"Martyrs." Bill Viola. Accessed June 02, 2017. http://billviolaatstpauls.com/martyrs/.

Taylor, Richard P. "Order in Pollock's Chaos." Scientific American. Accessed July 09, 2017.
https://www.scientificamerican.com/article/order-in-pollocks-chaos/ .

”Francis Bacon: The Man Behind The World's Most Expensive Work Of Art." Visual News. April 07, 2014. Accessed
June 01, 2017. http://www.visualnews.com/2014/04/08/francis-bacon-man-behind-worlds-expensivework-art/.

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