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Fri, 10/14/2022 - 16:41
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Debut Album
by Jerzy Maczynski
My education background
Classical piano
Warsaw, Poland
Classical Saxophone
Warsaw, Poland
Jazz saxophone
Wroclaw, Poland
Contemporary Composition
Odense, Denmark
Contemporary Performance
Valencia, Spain
My music career
,,Whatever” - P.E. Quartet
Music Festivals
Jerry&ThePelicanSystem
20-21
Jerzy Mączyński
of alternative pop – but improvisation just would not let up. Jerry’s music has largely been
influenced by Wiktoria Jakubowska, who inspired him with her ingenious grooves.
Eight pieces by Mączyński eventually made their way to the album. It opens with “Big
Kraśka” – which was also Jerzy’s first composition ever. The word ‘big’ refers here to
the forceful groove that is also the source of the powerful sound characterizing the entire album. Kraśka is a girl’s name – the composer’s muse, one might say. Jurek is inspired not only by people, but also by art. While composing music he frequently trans-
Jerry & The Pelican System
forms images in his head into sounds. The second number, “GoodnessGOOFY,” with its
overflowing ‘good nature’, is contrasted with the restless “Chaos” and “PeeaceOFF.”
The tripartite “Chaos” refers to a review of Jerzy’s first CD recorded with P.E. Quartet,
which described that collective’s music as ‘controlled chaos’. Already on Mączyński’s
solo album, this tune echoed African rhythms, but it also features atonal elements and
ends with powerful rock-like sound. The ballad “Cosmic Violet (Asian Kiss)” is the
most song-like of all the pieces on this album. Placed halfway through the playlist, it
provides a moment’s rest before another strong accent – the three-part “PeeaceOFF.”
on this page
left to right:
Jerzy Mączyński,
Marcel Baliński,
Marcin Elszkowski,
Franciszek
Pospieszalski,
Wiktowia Jakubowska
(photo: A. Bodnaruś)
Jerry&ThePelicanSystem
PELICAN SYSTEM
My music composition system: multicolored, verbal
content, freedom in interpretation.
My idea for the band members: great improvisers, open
minded people, interesting people.
Jerry&ThePelicanSystem in Warsaw
Me and Piotr Kabaj
Top polish musicians !
Winobranie by Zbigniew Namysłowski
Winobranie
He never wrote any notes for this album
The most important composition is ,, Kiedy szmalu nie
ma to jest Laz”
Based on polish folk music
Combining parts with groov and ad libitum
Structure of the form of the first composition from
,,Winobranie”
1.O:00 - 3:20 - Main melody of the composition on the groove
2.3:20 - 4:00 - Free space SHORT
3.4:00 - 5:20 - Horns solo on the groove
4.5:20 - 7:50 - Free space for improvsation. LONG
5.7:50 - 9:00 - Saxophone solo on the groove
6. 9:00 -10:00 - Last melody on the groove
My Compositions
Jerzy Mączyński
Jerzy Mączyński
Jerry
& The Pelican
System
1
Big Kraśka
6:54
2
GoodnessGOOFY
4:38
3
Chaos I
7:32
4
Chaos II
2:40
5
Chaos III
3:23
6
Cosmic Violet (Asian Kiss)
5:34
7
PeeaceOFF I
4:43
8
PeeaceOFF II
3:55
9
PeeaceOFF II;
3:15
10
Prince
6:51
11
Zoża hej
6:40
12
Zoża cześć
4:42
13
Naya Rang (feat. Apoorva Krishna)
10:31
kompozycje / composed by:
Jerzy Mączyński
NAYA RANG
- 3 parts composition
- Based on raga ,,Sarasangi”
- Composed during studies in Berklee College of Music
Raga sarasangi - Harmonic
major scale
FIRST PART
NAYA RANG
1.Strong main melody
A
Intro PLAY 3 TIMES
4
&4
Piano
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8
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3.A few performance marks
JERZY MĄCZYŃSKI
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32
Pno.
1.Dialogue between two improvisers
2. Four different plans
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ON CUE HORNS
61
Pno.
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4
PIANO OSTINATO OVER SOLO
52
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w
37
43
3.Title for the inspiration
œ œ 43 #œœ ™™ ##œœœ ™™™
# œ ™ #œ ™
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4
BOW SOLO ,,SHOUTING IN A SPACE"
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SAXOPHONE STARTS GROOVE THAN
SOLO
THIRD PART
1.Two Solos-Two moods
3
NOISE IN TRIO
C
AFTER EVRYBODY PLAY GROOVE ONE TIME
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64
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2.Emotional Contrast
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3. Final last melody
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SOLO TANPURA
73
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Conclusion
First album - First evidence
My music can be called
PolishJazz because…
1.Website
2. Stage Presence
3.Experience
by Jerzy Maczynski
My education background
Classical piano
Warsaw, Poland
Classical Saxophone
Warsaw, Poland
Jazz saxophone
Wroclaw, Poland
Contemporary Composition
Odense, Denmark
Contemporary Performance
Valencia, Spain
My music career
,,Whatever” - P.E. Quartet
Music Festivals
Jerry&ThePelicanSystem
20-21
Jerzy Mączyński
of alternative pop – but improvisation just would not let up. Jerry’s music has largely been
influenced by Wiktoria Jakubowska, who inspired him with her ingenious grooves.
Eight pieces by Mączyński eventually made their way to the album. It opens with “Big
Kraśka” – which was also Jerzy’s first composition ever. The word ‘big’ refers here to
the forceful groove that is also the source of the powerful sound characterizing the entire album. Kraśka is a girl’s name – the composer’s muse, one might say. Jurek is inspired not only by people, but also by art. While composing music he frequently trans-
Jerry & The Pelican System
forms images in his head into sounds. The second number, “GoodnessGOOFY,” with its
overflowing ‘good nature’, is contrasted with the restless “Chaos” and “PeeaceOFF.”
The tripartite “Chaos” refers to a review of Jerzy’s first CD recorded with P.E. Quartet,
which described that collective’s music as ‘controlled chaos’. Already on Mączyński’s
solo album, this tune echoed African rhythms, but it also features atonal elements and
ends with powerful rock-like sound. The ballad “Cosmic Violet (Asian Kiss)” is the
most song-like of all the pieces on this album. Placed halfway through the playlist, it
provides a moment’s rest before another strong accent – the three-part “PeeaceOFF.”
on this page
left to right:
Jerzy Mączyński,
Marcel Baliński,
Marcin Elszkowski,
Franciszek
Pospieszalski,
Wiktowia Jakubowska
(photo: A. Bodnaruś)
Jerry&ThePelicanSystem
PELICAN SYSTEM
My music composition system: multicolored, verbal
content, freedom in interpretation.
My idea for the band members: great improvisers, open
minded people, interesting people.
Jerry&ThePelicanSystem in Warsaw
Me and Piotr Kabaj
Top polish musicians !
Winobranie by Zbigniew Namysłowski
Winobranie
He never wrote any notes for this album
The most important composition is ,, Kiedy szmalu nie
ma to jest Laz”
Based on polish folk music
Combining parts with groov and ad libitum
Structure of the form of the first composition from
,,Winobranie”
1.O:00 - 3:20 - Main melody of the composition on the groove
2.3:20 - 4:00 - Free space SHORT
3.4:00 - 5:20 - Horns solo on the groove
4.5:20 - 7:50 - Free space for improvsation. LONG
5.7:50 - 9:00 - Saxophone solo on the groove
6. 9:00 -10:00 - Last melody on the groove
My Compositions
Jerzy Mączyński
Jerzy Mączyński
Jerry
& The Pelican
System
1
Big Kraśka
6:54
2
GoodnessGOOFY
4:38
3
Chaos I
7:32
4
Chaos II
2:40
5
Chaos III
3:23
6
Cosmic Violet (Asian Kiss)
5:34
7
PeeaceOFF I
4:43
8
PeeaceOFF II
3:55
9
PeeaceOFF II;
3:15
10
Prince
6:51
11
Zoża hej
6:40
12
Zoża cześć
4:42
13
Naya Rang (feat. Apoorva Krishna)
10:31
kompozycje / composed by:
Jerzy Mączyński
NAYA RANG
- 3 parts composition
- Based on raga ,,Sarasangi”
- Composed during studies in Berklee College of Music
Raga sarasangi - Harmonic
major scale
FIRST PART
NAYA RANG
1.Strong main melody
A
Intro PLAY 3 TIMES
4
&4
Piano
{
∑
∑
? 44 Œ ˙™
Pno.
∑
w
8
2.Harmonic tension in bass
w
{
™™ 44 Œ ˙™
#œ ˙ ™
3
4 ∑
™
™™44 #˙˙˙ ™™™
˙
3
4 #˙ ™
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#œ ˙ ™
™
™™ 44 #˙˙˙ ™™™
˙
3
& 4 ##œœœ ™™™ ###œœœœ ™™™™
? 43 #˙ ™
PLAY 3 TIMES
w
Pno.
3
4
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# œ œ œ œ#œ œ œ œ
4 #w
4
Break
{
? <#>w
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&
{
? w
w
Piano tension
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w
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3
4 ˙™
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w
w
w
Saxophone
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w
w
w
13
3.A few performance marks
JERZY MĄCZYŃSKI
w
w
œ #˙ ™
œ œ 43 #˙ ™
4
4
w
3 ™
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4
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4
4
w
w
4# w
3
4
4
2
SECOND PART
32
Pno.
1.Dialogue between two improvisers
2. Four different plans
Pno.
4 ˙™
4
3
& 4 ##œœœ ™™™ ###œœœœ ™™™™
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? 43<#> ˙
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4
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HORNS BACKGROUND PART
w
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w
w
w
∑
w
w
∑
™™ 46
∑
ON CUE HORNS
61
Pno.
4
4
PIANO OSTINATO OVER SOLO
52
Pno.
w
37
43
3.Title for the inspiration
œ œ 43 #œœ ™™ ##œœœ ™™™
# œ ™ #œ ™
˙™
3
4
BOW SOLO ,,SHOUTING IN A SPACE"
? ™™44 ∑
Pno.
œ #˙ ™
6
& 4 # œ œ#œ œ œ#œ œ œ œ œ œ œ œ#œ œ œ#œ œ œ œ œ œ# œ œ
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? 46
∑
∑
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{
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˙™
™™ 46
SAXOPHONE STARTS GROOVE THAN
SOLO
THIRD PART
1.Two Solos-Two moods
3
NOISE IN TRIO
C
AFTER EVRYBODY PLAY GROOVE ONE TIME
™™46 œ™ bœ ™ bœ œ œ œ œ œ
64
Pno.
&
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œ
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2.Emotional Contrast
Pno.
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œ
œ
œ
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Conclusion
First album - First evidence
My music can be called
PolishJazz because…
1.Website
2. Stage Presence
3.Experience
Media of