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Fri, 10/14/2022 - 16:12
Edited Text
“With the lights out”
A different point of view of the standards of my generation
(90’s Pop/Rock into contemporary Jazz arrangements)
by
Luis
Regidor
Paín
Introduc5on
• Classically
trained
guitarist
(Córdoba
Conservatory,
University
of
Extremadura,
Robert
Schumann
Hochschule
für
Musik
Düsseldorf)
• Singer
in
many
different
styles
(classical,
rock,
jazz,
pop,
funk,
etc.)
• Personal
Influences:
my
family,
teachers,
friends.
Final
of
Montreux
Jazz
Voice
Compe55on
2011
• Dreamers
Ball
(Brian
May,
Queen)
arrangement/performance.
•
(Min:
5:15)
Berklee
Projects
• This
projects
made
me
learn
in
many
different
aspects:
• Musical
ideas
• Arrangement
• Studio
Sessions
• Reccording
• Pre-‐produc5on,
produc5on
and
post-‐
produc5on.
Recording
with…
•
•
•
•
Film
music
students
MTI
students
CP
students
Undergrade
students
Lithium
(Can
Ugur)
Examples
of
Berklee
Projects
• “Siegfried
hat
keine
Angst”
• John
Zorn’s
Electric
Massada
improvisa5on
concept.
• Wagner’s
“Sigfried”
mo5v.
• 4
Chords
beginning
and
ending.
• 10
Musicians:
Voice,
Piano,
Bass,
E-‐Guitar,
Sax,
Turntable,
Electronic,
Tabla,
Darbuka,
Drums.
Volando
Voy
• Produc5on,
Arrangement,
performance.
• Composed
by
Kiko
Veneno,
sung
by
Camarón
de
la
Isla.
• Musicians:
Voice,
Sax,
Clarinet,
Keys,
E-‐Bass,
Tabla,
Cajón,
Bongos,
E-‐Guitar,
Flamenco
Guitar.
• Videoclip:
My
composi5ons
• “A
year
of
love”
• Keys,
Bass,
E-‐guitar,
Guitar,
Drums,
Vocals.
• “Why
is
it
so
hard”
• “Tus
ojos”
A
new
Project
•
•
•
•
Berklee
Collabora5on
with
José
Carra
Jazz
and
Rock
90’s,
Grunge,
Rock,
Pop
Luis
and
José
at
Jimmy
Glass
-‐
28th
of
November,
2013,
concert
at
Jimmy
Glass
(Valencia).
Jus5fica5on
• Standards
of
our
genera5on
• Many
instrumental
examples
but
not
enough
or
significant
vocal
ones:
“The
Bad
Plus”,
“Jazz
Against
the
Machine”,
“Jamie
Cullum”,
“Robert
Glasper”,
“Brad
Mehldau”,
“KC
Roberts
and
the
Live
Revolu5on”.
• Kurt
Cobain
20th
death
anniversary.
90’s
Grunge,
Pop,
Rock
• Analysis:
Grunge,
Bri5sh
Bands,
others.
• 80’s,90’s
• Seamle,
Sub
Pop:
Soundgarden,
Mudhoney,
Nirvana
• Alice
in
chains,
Pearl
Jam
• Style
characteris5cs.
• Conclusions.
Our
arrangements:
•
•
•
•
•
“Smell
like
teen
spirit”
–
Nirvana
“Black
Hole
Sun”
-‐
Soundgarden
“Tonight
Tonight”
–
Smashing
Pumpkins
“High
and
Dry”
–
Radiohead
“Exit
Music”
–
Radiohead
Arrangement
in
process…
•
•
•
•
Pearl
Jam
Alice
in
Chains
Queens
of
the
stone
age
Jeff
Buckley
On
the
studio…
Musicians:
Voice:
Luis
Regidor
Paín
Piano:
José
Carra
Upright
Bass:
Max
Ridley
Drums:
Mikael
Chauvet
Jorgensen,
Michael
Olivera
Engineering:
Will
Clarck,
Ryan
Renteria
Mixing:
Ryan
Renteria
Mastering:
Alayna
Aine
Hughes
José
Carra
(Spain)
Max
Ridley
(USA)
Michael
Olivera
(Cuba)
Mikael
Chauvet
Jorgensen
Me
Smell
like
teen
Spirit
• “I
was
trying
to
write
the
ul5mate
pop
song.
I
was
basically
trying
to
rip
off
the
Pixies.
I
have
to
admit
it.
When
I
heard
the
Pixies
for
the
first
5me,
I
connected
with
that
band
so
heavily
that
I
should
have
been
in
that
band—
or
at
least
a
Pixies
cover
band.
We
used
their
sense
of
dynamics,
being
soq
and
quiet
and
then
loud
and
hard.”
–
Kurt
Cobain.
“Smell
like
teen
Spirit”
•
•
•
•
•
Original
Nevermind
1991
Fa5,
Sib5,
Lab5,
Reb5
Smell
like
teen
spirit
Guitar
Riff
Smell
like
teen
spirit
“Smell
like
teen
Spirit”
• Our
arrangement
• 7/4
• Demo
(Piano
and
Voice)
Smell like teen spirit
Voice
4
&4
Em
!
1
&
&
2
6
10
E m7
!
D 7/F #
4
7
8
C
!
D 7/F #
!
11
!
!
12
G maj
!
13
14
15
16
A m7
G 7/B
C
D7
!
17
!
!
18
19
©
.. 44
!
G maj/B
!
D7
!
3
3
4
!
A m7
9
!
C maj
E m7
!
5
!
G maj
D maj
!
G maj
4
4
!
C maj
& 44
&
3
4
A m7
Nirvana
Luis Regidor, José Carra
!
20
..
Black
Hole
Sun
• Original
Song
composed
by
Soundgarden
in
1994.
(“Superunknown”
Album).
“Tonight
Tonight”
• Composed
by
Billy
Corgan
(Smashing
Pumpkins)
• “Mellon
Collie
and
the
Infinite
Sadness”
Album,
1996
• Original
version:
• Voice
and
Piano:
SCORE
A
Voice
Piano
4
&4
F
#
4
&4
4
& ..
∑
∑
∑
∑
∑
∑
∑
∑
∑
?4
B
Pno.
Tonight, Tonight
INTRO (SOLO PIAMO)
∑
1
B
& ..
∑
2
# # #7
∑
∑
∑
? ..
∑
∑
9
10
B
C
œ
& .. Ó
Pno.
∑
Time
? ..
Pno.
&
?
..
..
∑
∑
∑
∑
∑
∑
6
∑
∑
..
∑
∑
..
12
∑
7
B
8
C
∑
..
∑
#
#
∑
∑
..
..
..
∑
13
C
(x2)
∑
∑
B
∑
it is
ne - ver time
∑
at all
∑
14
#
16
#
∑
ving a piece
∑
of
∑
youth.
∑
20
21
©
-
ver live
∑
18
#
1.
D min
∑
ne - ver e
17
#
li -
you can
∑
j
œ
œ œ œ œ œ #œ œ œ ˙
.
œ œ œ
with - out
19
∑
œ œ œ œ #œ œ œ œ œ Œ Œ
#œ œ œ œ #œ œ
œ œ
C
∑
∑
C
11
15
∑
#
∑
5
∑
∑
B
& œ Ó
F
∑
∑
4
..
∑
PIANO+BASS+DRUMS)
& ..
(x3)
D min
∑
3
F /A C
#
Smashing Pumkins
Luis Regidor, JosÈ Carra, Michael Olivera, Max Ridley
F
2.
∑
.. Ó .
∑
..
∑
22
..
œ œ
∑
∑
Be - lieve
23
“High
and
Dry”
• Radiohead,
“The
Bends”
Album,
1995.
• Orginal
Version:
• Voice
and
Piano:
SCORE
q = 110
4
A
Tenor
#
zeevik
High and Dry - Radiohead
F min7
V4
œ # œ œ œ œ œ œœ œ œ œ
1. Two jumps in a week I bet
Piano
A maj
4
&4
?4
4
you think
œ œ. œ œ œ œŒ œ
Radiohead
Luis Regidor, Jose Carra, Michael Olivera
1, 2, 3.
E maj
thats pre- tty cle- ver don't
A/E E maj
œœ œ œ Ó
∑
..
..
you boy
∑
∑
∑
∑
1
2
3
4
∑
∑
∑
∑
..
B
4.
E maj
T
Pno.
V Œ#œ œ œ œ
&
Don't leave me
∑
?
#
Pno.
V
&
?
High
∑
w
∑
10
A maj
Œ#œ œ œ œ
Don't leave me
∑
∑
Œ
# œ E maj
œ œ # œ œ ˙A/EE maj
#œ
Œ#œ œ œ œ
dry
don't
∑
∑
∑
8
œ #œ œ œ
leave me
∑
∑
7
œ
don't leave me
∑
∑
6
A maj
∑
7
∑
5
F min7
T
#
# œ Fwmin
dry
9
E maj
w
A/E E maj
∑
∑
11
12
©
∑
∑
∑
13
high
High and Dry - Radiohead
A1 F #min7
2
T
A maj
A/E E maj
œ
œ œ #œ. œ œ œ Œ
œ œ œ #œ œ œ Ó
V .. # œ œ œ œ œ œ œ œ œ
∑
..
& ..
..
Drying up in con- ver
Pno.
1, 2, 3.
E maj
? ..
sa - tions you
will be the one
who can- not talk
∑
∑
∑
∑
14
15
16
17
∑
∑
∑
∑
..
B1
4.
E maj
T
Pno.
V Œ #œ
œ œ œ
?
∑
∑
Don't leave me
&
Pno.
V
#
#
w
&
High
?
∑
23
∑
19
Œ
œ
don't
# œE maj
œ œ # œ œ ˙ A/E E maj # œ
Œ # œ œœœ
Œ # œ œœœ
A maj
∑
A maj
∑
w
F min7
18
F min7
T
#œ
∑
∑
20
21
Don'tleaveme dry
∑
œ #œ œ œ
∑
leave me
∑
24
dry
∑
don'tleaveme high
∑
E maj
w
A/E E maj
∑
∑
25
∑
22
∑
∑
∑
26
High and Dry - Radiohead
Solos
#
C
T
Pno.
F min7
V ..
& ..
? ..
Pno.
∑
1, 2, 3.
E maj
∑
∑
A/E E maj
∑
..
..
∑
∑
∑
∑
27
28
29
30
∑
∑
#
4.
T
A maj
F min7
∑
A maj
..
∑
E maj
3
A/E E maj
œ œ œ # œ œ œ œ œ œ œ œ œ œ œ œ . œ œ œ œŒ œ œ
œ œ
V Ó. ‰
œ œ œÓ Ó Œ‰
∑
∑
∑
∑
∑
31
32
33
34
35
7. it's the bestthingthatyou e - verhad the best thingthatyou e-ver e - ver had
&
?
∑
∑
∑
it's the
∑
∑
#
A maj
E maj
A/EE maj
œ #œ œ œ œ œ
œ
œ
œ . œ œ œ œ Œ œ œ œ œ œ Ó Œ # œ œ œ œ# œ
œœ œœ
V
F min7
T
Pno.
&
?
∑
bestthingthat you e - ver had the best
∑
36
∑
∑
37
38
thing that you e- ver e - ver had
∑
∑
∑
Don'tleave me
∑
39
High
High and Dry - Radiohead
B2
4
T
Pno.
V
w
A maj/C
∑
&
?
Pno.
T
Pno.
V
w
?
&
?
Œ #œ
#
∑
∑
48
œ œ œ
∑
Don't leave me
Œ #œ
Œ #œ
#œ
dry
b
E min7
œ œ #œ œ ˙
∑
œ œ œ
∑
Don't leave me
D maj
Œ #œ
œ œ œ
∑
Don't leave me
∑
46
∑
49
∑
∑
50
High
47
∑
dry
#œ
∑
œ œ œ
∑
High
43
# œ E maj
œ œ # œ œ ˙ A/E E maj
Œ #œ
œ œ œ
Don't leave me
#œ
∑
42
45
A maj
#
F min
∑
∑
44
w
∑
dry
41
∑
F min7
∑
∑
A maj/E
∑
#
# œ C minœ /Eœ # œ œ ˙
œ œ œ
Don't leave me
40
&
V
Œ #œ
∑
F min
T
# D/F #
∑
Don't leave me
51
#œ
High
High and Dry - Radiohead
T
Pno.
V
&
?
#
wF min
A maj
7
∑
∑
52
Œ
#œ
Don't
œ
∑
leave
∑
53
œ
me
œ
#œ
dry
˙.
E maj
A/E
∑
∑
54
Œ
5
“Exit
Music
(for
a
film)”
• Composed
by
Radiohead
for
the
credits
of
the
film“Romeo+Juliet”
by
Baz
Luhrmann.
• It
doesn’t
appear
on
the
soundtrack
but
in
the
album
“OK
Computer”,
1997.
• Original
version:
Voice
and
Piano:
Score
Exit Music
Radiohead
Luis Regidor, José Carra
INTRO (PIANO SOLO)
V 44
Tenor
Piano
A
B m/D
!
!
!
? 44
!
!
PIANO + VOICE
V #œ Œ Œ œ œ œ
Pno.
!
?
!
!
B m/F #
Vœ
day
Œ
F # 7sus/C #
Œ
&
!
?
!
7
Pno.
r
œ Œ Œ ‰. #œ #œ œ.
from your sleep
œ œ #œ
we es - cape
œ
E 7/G #
D 7/A
!
7
T
Wake
E m/G
&
3
!
4
&4
B m/D
T
B m/D
Œ
the
dry
-
E m/G
‰ œj œ œ . œ œ œ .
œ
œ œ
ing of
your
!
tears
!
!
!
E m6/B
Œ
œ #œ #œ
we es
!
!
ca
B
œ. œ ˙
-
!
!
©
to
pe.
!
!
!
Exit Music
2
A1 TUTTI
B m/D
V #œ Œ Œ œ œ œ
11
T
11
Pno.
fore
&
˙
Œ
Œ
!
&
? Œ
be - fore
!
œ œ #œ
Œ
œ
all hell
your da - ddy
Œ
!
œ #œ #œ
breaks loo
!
-
keep breathing
Œ
!
œ. œ ˙
!
se.
!
#œ
J w
Bm
œ #œ œ. œ œ
. œ. œ œ œ
" œJ . œ œ œ
n˙
Bm
˙ ..
!
be -
!
E m6/B
#w
œ
us
#˙
œ
E m/G
˙
hears
!
˙.
˙
F # 7sus/C #
œ
V b˙
E m/G
r
j
œ Œ Œ ‰. #œ #œ œ. œ œ ‰ #œ #œ œ. œ œ œ. œ
Am
Breath
E 7/G #
D 7/A
Ó
? #˙.
19
Pno.
B m/F #
V œ
B
T
!
? Ó
15
Pno.
and get dressed
&
15
T
Pack
E m/G
˙
˙
!
Don't
E m/G
#œ
˙.
loose
!
#œ. œ #œ. œ œ
œ #œ ˙.
‰ J
Œ ‰ # œJ
your
23
T
B m/F #
Pno.
!
Vw
23
nerve.
!
&
?Œ
Exit Music
F # 7/A #
œ
b˙
Breath
!
T
V ˙
Pno.
I
can't
!
27
&
? Ó
#œ
˙.
˙
˙
!
keep
œ bœ œ
Œ ‰ J
œ bœ œ Œ
B m/D
F # 7sus
!
T
V #œ Œ Œ œ œ œ
Pno.
Sing
&
!
?
!
32
us a song
thing.
F #7
!
!
#˙.
Œ œ ˙
E m/G
brea
Ó
E 7/G #
D 7/A
!
!
#œ
A
32
!
˙
w
a - lone.
3
œ #œ œ. œ œ
œ
E m/G B m/F #
Bm
27
˙
E m/G
!
˙
#w
˙
F maj/A
#w
E m/G
r
j
œ Œ Œ ‰. #œ #œ œ. œ œ ‰ #œ #œ œ. œ œ œ. œ
!
!
a
song
to keep
!
!
us
warm
!
!
to
Score
Exit Music
Radiohead
Luis Regidor, José Carra
INTRO (PIANO SOLO)
V 44
Tenor
Piano
A
B m/D
!
!
!
? 44
!
!
PIANO + VOICE
V #œ Œ Œ œ œ œ
Pno.
!
?
!
!
B m/F #
Vœ
day
Œ
F # 7sus/C #
Œ
&
!
?
!
7
Pno.
r
œ Œ Œ ‰. #œ #œ œ.
from your sleep
œ œ #œ
we es - cape
œ
E 7/G #
D 7/A
!
7
T
Wake
E m/G
&
3
!
4
&4
B m/D
T
B m/D
Œ
the
dry
-
E m/G
‰ œj œ œ . œ œ œ .
œ
œ œ
ing of
your
!
tears
!
!
!
E m6/B
Œ
œ #œ #œ
we es
!
!
ca
B
œ. œ ˙
-
!
!
©
to
pe.
!
!
!
Commercial
Possibili5es
•
•
•
•
•
•
•
Album
Web
design,
photobook
Touring:
Fes5vals,
Jazzclubs.
Youtube
campaign
Facebook
Twimer
Legal
mamers
(Covers,
Publishing,
Copyrights,etc.)
Thank
you
to
all
who
made
this
possible!
A different point of view of the standards of my generation
(90’s Pop/Rock into contemporary Jazz arrangements)
by
Luis
Regidor
Paín
Introduc5on
• Classically
trained
guitarist
(Córdoba
Conservatory,
University
of
Extremadura,
Robert
Schumann
Hochschule
für
Musik
Düsseldorf)
• Singer
in
many
different
styles
(classical,
rock,
jazz,
pop,
funk,
etc.)
• Personal
Influences:
my
family,
teachers,
friends.
Final
of
Montreux
Jazz
Voice
Compe55on
2011
• Dreamers
Ball
(Brian
May,
Queen)
arrangement/performance.
•
(Min:
5:15)
Berklee
Projects
• This
projects
made
me
learn
in
many
different
aspects:
• Musical
ideas
• Arrangement
• Studio
Sessions
• Reccording
• Pre-‐produc5on,
produc5on
and
post-‐
produc5on.
Recording
with…
•
•
•
•
Film
music
students
MTI
students
CP
students
Undergrade
students
Lithium
(Can
Ugur)
Examples
of
Berklee
Projects
• “Siegfried
hat
keine
Angst”
• John
Zorn’s
Electric
Massada
improvisa5on
concept.
• Wagner’s
“Sigfried”
mo5v.
• 4
Chords
beginning
and
ending.
• 10
Musicians:
Voice,
Piano,
Bass,
E-‐Guitar,
Sax,
Turntable,
Electronic,
Tabla,
Darbuka,
Drums.
Volando
Voy
• Produc5on,
Arrangement,
performance.
• Composed
by
Kiko
Veneno,
sung
by
Camarón
de
la
Isla.
• Musicians:
Voice,
Sax,
Clarinet,
Keys,
E-‐Bass,
Tabla,
Cajón,
Bongos,
E-‐Guitar,
Flamenco
Guitar.
• Videoclip:
My
composi5ons
• “A
year
of
love”
• Keys,
Bass,
E-‐guitar,
Guitar,
Drums,
Vocals.
• “Why
is
it
so
hard”
• “Tus
ojos”
A
new
Project
•
•
•
•
Berklee
Collabora5on
with
José
Carra
Jazz
and
Rock
90’s,
Grunge,
Rock,
Pop
Luis
and
José
at
Jimmy
Glass
-‐
28th
of
November,
2013,
concert
at
Jimmy
Glass
(Valencia).
Jus5fica5on
• Standards
of
our
genera5on
• Many
instrumental
examples
but
not
enough
or
significant
vocal
ones:
“The
Bad
Plus”,
“Jazz
Against
the
Machine”,
“Jamie
Cullum”,
“Robert
Glasper”,
“Brad
Mehldau”,
“KC
Roberts
and
the
Live
Revolu5on”.
• Kurt
Cobain
20th
death
anniversary.
90’s
Grunge,
Pop,
Rock
• Analysis:
Grunge,
Bri5sh
Bands,
others.
• 80’s,90’s
• Seamle,
Sub
Pop:
Soundgarden,
Mudhoney,
Nirvana
• Alice
in
chains,
Pearl
Jam
• Style
characteris5cs.
• Conclusions.
Our
arrangements:
•
•
•
•
•
“Smell
like
teen
spirit”
–
Nirvana
“Black
Hole
Sun”
-‐
Soundgarden
“Tonight
Tonight”
–
Smashing
Pumpkins
“High
and
Dry”
–
Radiohead
“Exit
Music”
–
Radiohead
Arrangement
in
process…
•
•
•
•
Pearl
Jam
Alice
in
Chains
Queens
of
the
stone
age
Jeff
Buckley
On
the
studio…
Musicians:
Voice:
Luis
Regidor
Paín
Piano:
José
Carra
Upright
Bass:
Max
Ridley
Drums:
Mikael
Chauvet
Jorgensen,
Michael
Olivera
Engineering:
Will
Clarck,
Ryan
Renteria
Mixing:
Ryan
Renteria
Mastering:
Alayna
Aine
Hughes
José
Carra
(Spain)
Max
Ridley
(USA)
Michael
Olivera
(Cuba)
Mikael
Chauvet
Jorgensen
Me
Smell
like
teen
Spirit
• “I
was
trying
to
write
the
ul5mate
pop
song.
I
was
basically
trying
to
rip
off
the
Pixies.
I
have
to
admit
it.
When
I
heard
the
Pixies
for
the
first
5me,
I
connected
with
that
band
so
heavily
that
I
should
have
been
in
that
band—
or
at
least
a
Pixies
cover
band.
We
used
their
sense
of
dynamics,
being
soq
and
quiet
and
then
loud
and
hard.”
–
Kurt
Cobain.
“Smell
like
teen
Spirit”
•
•
•
•
•
Original
Nevermind
1991
Fa5,
Sib5,
Lab5,
Reb5
Smell
like
teen
spirit
Guitar
Riff
Smell
like
teen
spirit
“Smell
like
teen
Spirit”
• Our
arrangement
• 7/4
• Demo
(Piano
and
Voice)
Smell like teen spirit
Voice
4
&4
Em
!
1
&
&
2
6
10
E m7
!
D 7/F #
4
7
8
C
!
D 7/F #
!
11
!
!
12
G maj
!
13
14
15
16
A m7
G 7/B
C
D7
!
17
!
!
18
19
©
.. 44
!
G maj/B
!
D7
!
3
3
4
!
A m7
9
!
C maj
E m7
!
5
!
G maj
D maj
!
G maj
4
4
!
C maj
& 44
&
3
4
A m7
Nirvana
Luis Regidor, José Carra
!
20
..
Black
Hole
Sun
• Original
Song
composed
by
Soundgarden
in
1994.
(“Superunknown”
Album).
“Tonight
Tonight”
• Composed
by
Billy
Corgan
(Smashing
Pumpkins)
• “Mellon
Collie
and
the
Infinite
Sadness”
Album,
1996
• Original
version:
• Voice
and
Piano:
SCORE
A
Voice
Piano
4
&4
F
#
4
&4
4
& ..
∑
∑
∑
∑
∑
∑
∑
∑
∑
?4
B
Pno.
Tonight, Tonight
INTRO (SOLO PIAMO)
∑
1
B
& ..
∑
2
# # #7
∑
∑
∑
? ..
∑
∑
9
10
B
C
œ
& .. Ó
Pno.
∑
Time
? ..
Pno.
&
?
..
..
∑
∑
∑
∑
∑
∑
6
∑
∑
..
∑
∑
..
12
∑
7
B
8
C
∑
..
∑
#
#
∑
∑
..
..
..
∑
13
C
(x2)
∑
∑
B
∑
it is
ne - ver time
∑
at all
∑
14
#
16
#
∑
ving a piece
∑
of
∑
youth.
∑
20
21
©
-
ver live
∑
18
#
1.
D min
∑
ne - ver e
17
#
li -
you can
∑
j
œ
œ œ œ œ œ #œ œ œ ˙
.
œ œ œ
with - out
19
∑
œ œ œ œ #œ œ œ œ œ Œ Œ
#œ œ œ œ #œ œ
œ œ
C
∑
∑
C
11
15
∑
#
∑
5
∑
∑
B
& œ Ó
F
∑
∑
4
..
∑
PIANO+BASS+DRUMS)
& ..
(x3)
D min
∑
3
F /A C
#
Smashing Pumkins
Luis Regidor, JosÈ Carra, Michael Olivera, Max Ridley
F
2.
∑
.. Ó .
∑
..
∑
22
..
œ œ
∑
∑
Be - lieve
23
“High
and
Dry”
• Radiohead,
“The
Bends”
Album,
1995.
• Orginal
Version:
• Voice
and
Piano:
SCORE
q = 110
4
A
Tenor
#
zeevik
High and Dry - Radiohead
F min7
V4
œ # œ œ œ œ œ œœ œ œ œ
1. Two jumps in a week I bet
Piano
A maj
4
&4
?4
4
you think
œ œ. œ œ œ œŒ œ
Radiohead
Luis Regidor, Jose Carra, Michael Olivera
1, 2, 3.
E maj
thats pre- tty cle- ver don't
A/E E maj
œœ œ œ Ó
∑
..
..
you boy
∑
∑
∑
∑
1
2
3
4
∑
∑
∑
∑
..
B
4.
E maj
T
Pno.
V Œ#œ œ œ œ
&
Don't leave me
∑
?
#
Pno.
V
&
?
High
∑
w
∑
10
A maj
Œ#œ œ œ œ
Don't leave me
∑
∑
Œ
# œ E maj
œ œ # œ œ ˙A/EE maj
#œ
Œ#œ œ œ œ
dry
don't
∑
∑
∑
8
œ #œ œ œ
leave me
∑
∑
7
œ
don't leave me
∑
∑
6
A maj
∑
7
∑
5
F min7
T
#
# œ Fwmin
dry
9
E maj
w
A/E E maj
∑
∑
11
12
©
∑
∑
∑
13
high
High and Dry - Radiohead
A1 F #min7
2
T
A maj
A/E E maj
œ
œ œ #œ. œ œ œ Œ
œ œ œ #œ œ œ Ó
V .. # œ œ œ œ œ œ œ œ œ
∑
..
& ..
..
Drying up in con- ver
Pno.
1, 2, 3.
E maj
? ..
sa - tions you
will be the one
who can- not talk
∑
∑
∑
∑
14
15
16
17
∑
∑
∑
∑
..
B1
4.
E maj
T
Pno.
V Œ #œ
œ œ œ
?
∑
∑
Don't leave me
&
Pno.
V
#
#
w
&
High
?
∑
23
∑
19
Œ
œ
don't
# œE maj
œ œ # œ œ ˙ A/E E maj # œ
Œ # œ œœœ
Œ # œ œœœ
A maj
∑
A maj
∑
w
F min7
18
F min7
T
#œ
∑
∑
20
21
Don'tleaveme dry
∑
œ #œ œ œ
∑
leave me
∑
24
dry
∑
don'tleaveme high
∑
E maj
w
A/E E maj
∑
∑
25
∑
22
∑
∑
∑
26
High and Dry - Radiohead
Solos
#
C
T
Pno.
F min7
V ..
& ..
? ..
Pno.
∑
1, 2, 3.
E maj
∑
∑
A/E E maj
∑
..
..
∑
∑
∑
∑
27
28
29
30
∑
∑
#
4.
T
A maj
F min7
∑
A maj
..
∑
E maj
3
A/E E maj
œ œ œ # œ œ œ œ œ œ œ œ œ œ œ œ . œ œ œ œŒ œ œ
œ œ
V Ó. ‰
œ œ œÓ Ó Œ‰
∑
∑
∑
∑
∑
31
32
33
34
35
7. it's the bestthingthatyou e - verhad the best thingthatyou e-ver e - ver had
&
?
∑
∑
∑
it's the
∑
∑
#
A maj
E maj
A/EE maj
œ #œ œ œ œ œ
œ
œ
œ . œ œ œ œ Œ œ œ œ œ œ Ó Œ # œ œ œ œ# œ
œœ œœ
V
F min7
T
Pno.
&
?
∑
bestthingthat you e - ver had the best
∑
36
∑
∑
37
38
thing that you e- ver e - ver had
∑
∑
∑
Don'tleave me
∑
39
High
High and Dry - Radiohead
B2
4
T
Pno.
V
w
A maj/C
∑
&
?
Pno.
T
Pno.
V
w
?
&
?
Œ #œ
#
∑
∑
48
œ œ œ
∑
Don't leave me
Œ #œ
Œ #œ
#œ
dry
b
E min7
œ œ #œ œ ˙
∑
œ œ œ
∑
Don't leave me
D maj
Œ #œ
œ œ œ
∑
Don't leave me
∑
46
∑
49
∑
∑
50
High
47
∑
dry
#œ
∑
œ œ œ
∑
High
43
# œ E maj
œ œ # œ œ ˙ A/E E maj
Œ #œ
œ œ œ
Don't leave me
#œ
∑
42
45
A maj
#
F min
∑
∑
44
w
∑
dry
41
∑
F min7
∑
∑
A maj/E
∑
#
# œ C minœ /Eœ # œ œ ˙
œ œ œ
Don't leave me
40
&
V
Œ #œ
∑
F min
T
# D/F #
∑
Don't leave me
51
#œ
High
High and Dry - Radiohead
T
Pno.
V
&
?
#
wF min
A maj
7
∑
∑
52
Œ
#œ
Don't
œ
∑
leave
∑
53
œ
me
œ
#œ
dry
˙.
E maj
A/E
∑
∑
54
Œ
5
“Exit
Music
(for
a
film)”
• Composed
by
Radiohead
for
the
credits
of
the
film“Romeo+Juliet”
by
Baz
Luhrmann.
• It
doesn’t
appear
on
the
soundtrack
but
in
the
album
“OK
Computer”,
1997.
• Original
version:
Voice
and
Piano:
Score
Exit Music
Radiohead
Luis Regidor, José Carra
INTRO (PIANO SOLO)
V 44
Tenor
Piano
A
B m/D
!
!
!
? 44
!
!
PIANO + VOICE
V #œ Œ Œ œ œ œ
Pno.
!
?
!
!
B m/F #
Vœ
day
Œ
F # 7sus/C #
Œ
&
!
?
!
7
Pno.
r
œ Œ Œ ‰. #œ #œ œ.
from your sleep
œ œ #œ
we es - cape
œ
E 7/G #
D 7/A
!
7
T
Wake
E m/G
&
3
!
4
&4
B m/D
T
B m/D
Œ
the
dry
-
E m/G
‰ œj œ œ . œ œ œ .
œ
œ œ
ing of
your
!
tears
!
!
!
E m6/B
Œ
œ #œ #œ
we es
!
!
ca
B
œ. œ ˙
-
!
!
©
to
pe.
!
!
!
Exit Music
2
A1 TUTTI
B m/D
V #œ Œ Œ œ œ œ
11
T
11
Pno.
fore
&
˙
Œ
Œ
!
&
? Œ
be - fore
!
œ œ #œ
Œ
œ
all hell
your da - ddy
Œ
!
œ #œ #œ
breaks loo
!
-
keep breathing
Œ
!
œ. œ ˙
!
se.
!
#œ
J w
Bm
œ #œ œ. œ œ
. œ. œ œ œ
" œJ . œ œ œ
n˙
Bm
˙ ..
!
be -
!
E m6/B
#w
œ
us
#˙
œ
E m/G
˙
hears
!
˙.
˙
F # 7sus/C #
œ
V b˙
E m/G
r
j
œ Œ Œ ‰. #œ #œ œ. œ œ ‰ #œ #œ œ. œ œ œ. œ
Am
Breath
E 7/G #
D 7/A
Ó
? #˙.
19
Pno.
B m/F #
V œ
B
T
!
? Ó
15
Pno.
and get dressed
&
15
T
Pack
E m/G
˙
˙
!
Don't
E m/G
#œ
˙.
loose
!
#œ. œ #œ. œ œ
œ #œ ˙.
‰ J
Œ ‰ # œJ
your
23
T
B m/F #
Pno.
!
Vw
23
nerve.
!
&
?Œ
Exit Music
F # 7/A #
œ
b˙
Breath
!
T
V ˙
Pno.
I
can't
!
27
&
? Ó
#œ
˙.
˙
˙
!
keep
œ bœ œ
Œ ‰ J
œ bœ œ Œ
B m/D
F # 7sus
!
T
V #œ Œ Œ œ œ œ
Pno.
Sing
&
!
?
!
32
us a song
thing.
F #7
!
!
#˙.
Œ œ ˙
E m/G
brea
Ó
E 7/G #
D 7/A
!
!
#œ
A
32
!
˙
w
a - lone.
3
œ #œ œ. œ œ
œ
E m/G B m/F #
Bm
27
˙
E m/G
!
˙
#w
˙
F maj/A
#w
E m/G
r
j
œ Œ Œ ‰. #œ #œ œ. œ œ ‰ #œ #œ œ. œ œ œ. œ
!
!
a
song
to keep
!
!
us
warm
!
!
to
Score
Exit Music
Radiohead
Luis Regidor, José Carra
INTRO (PIANO SOLO)
V 44
Tenor
Piano
A
B m/D
!
!
!
? 44
!
!
PIANO + VOICE
V #œ Œ Œ œ œ œ
Pno.
!
?
!
!
B m/F #
Vœ
day
Œ
F # 7sus/C #
Œ
&
!
?
!
7
Pno.
r
œ Œ Œ ‰. #œ #œ œ.
from your sleep
œ œ #œ
we es - cape
œ
E 7/G #
D 7/A
!
7
T
Wake
E m/G
&
3
!
4
&4
B m/D
T
B m/D
Œ
the
dry
-
E m/G
‰ œj œ œ . œ œ œ .
œ
œ œ
ing of
your
!
tears
!
!
!
E m6/B
Œ
œ #œ #œ
we es
!
!
ca
B
œ. œ ˙
-
!
!
©
to
pe.
!
!
!
Commercial
Possibili5es
•
•
•
•
•
•
•
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design,
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Touring:
Fes5vals,
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campaign
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mamers
(Covers,
Publishing,
Copyrights,etc.)
Thank
you
to
all
who
made
this
possible!
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