egillis@manager
Mon, 07/10/2023 - 20:37
Edited Text
April 28

April 29

May 1

May 5

May 6

May 8

Berklee Performance Center Concerts
SPRING ‘86

GUITAR NIGHT X — The Berklee Guitar Department presents its top
ensembles in its annual showcase concert embracing all facets of
guitar from jazz to bluegrass.

HELD OVER — THE JAZZ YOCAL SUMMIT AND THE BOPPERS —
Two of Berklee’s premier vocal groups present an evening of small
group vocal jazz in a variety of styles. Faculty vocalist Bob Stoloff
opens the concert with his five-voice a capella group Vocal Summit
performing jazz and free-jazz by composers ranging from Miles Davis
to John Coltrane. In the second half Cheryl Hodge brings the Boppers
on for music in a variety of styles ranging from Lambert, Hendricks &
Ross to Gene Puerling.

THE BERKLEE SINGERS SHOWCASE — Some of Berklee's finest
vocalists join together for a varied concert of arrangements written
especially for this event in a variety of styles under the direction of
Ensemble Department Chairman Orville Wright and Performance
Studies Department Chairman Rob Rose.

PERCUSSION UNLIMITED — Percussion Department Chairman
Dean Anderson presents Berklee's top performing percussion ensem-
ble performing the latest in contemporary percussion literature
including works by Steve Reich, Henry Cowell, Lou Harrison and
Christopher Rouse. Special guests flutist Randy Bowman and
renowned vibist David Friedman will join these talented percussion-
ists as will faculty members Ed Uribe and Victor Mendoza.

A FAREWELL TO DAVID — The Berklee Reverence Gospel Ensemble
will perform traditional and contemporary gospel music featuring a
group of ten singers led by Dennis Montgomery Il1. David Chandler,
choir director for the past three years, will be conducting for the last
time before he graduates this spring.

TAKING CARE OF BUSINESS 56 — IT’S NOT A CONCERT (IT'S
A FESTIVAL) — The Berklee Jazz-Rock Ensemble, directed by
Ken Zambello with Yo Team Productions, presents its annual extrava-
dganza in a two-part concert. The first half, "We Can Do Broadway,
No Problem, ” features compositions from Broadway musicals of
Rodgers and Hammerstein, Frank Loesser, Stephen Sondheim and
Gershwin’s Porgy and Bess. The second half is a tribute to the female
groups of the 60s and 70s entitled “Babes in Boyland.”

F