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Title

BCA-011: Berklee Oral History Project

Scope and Content Note

Established in 1998, the Berklee Oral History Project (BOHP) seeks to chronicle Berklee’s rich history from those who have lived, shaped, and defined it. In capturing the diverse experiences and perceptions of Berklee faculty, staff, and alumni, Berklee Archives seeks to document Berklee’s pedagogical contributions to music education, as well as the events and issues that have impacted the direction and identity of the institution. This collection comprises video interviews from over 100 individuals closely associated with Berklee College of Music and the Boston Conservatory, including faculty, staff, presidents, and alumni. Some early interviews also feature individuals unaffiliated with Berklee who were active in the Boston jazz community.

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Creator: Berklee
Producer (pro): Berklee Archives
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        Tom Plsek, chair of the brass department at Berklee College of Music and trombonist, discusses the international prevalence of brass across genres; the origins of the sackbut and evolution of playing techniques, and the culture among trombone players. He shares about the longrunning annual Boston Sackbut Week organized by Berklee faculty members and the formation of the International Trombone Association. He recalls his introduction to trombone in grade school, his path toward a career in music education, his arrival at Berklee in 1972, and his transition to chairing the trombone and later brass departments. Plsek comments on student enrollment in the Berklee brass department, highlights fellow faculty members, and describes how trombone pedagogy has evolved during his time at the College. He also shares about memorable performances, collaborators, mentors, and influential trombonists.

        Tom Plsek, 2007 December 14
        Chair, Brass Department, Berklee College of Music
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