The concept of a jazz flute ensemble is based upon the five-
part reed section of a large jazz ensemble with a rhythm section.
In the 1930s, Chick Webb introduced the flute into the big band.
Saxophone players started doubling on flute and the instrument
started making its way into the solo repertory. One of the first
jazz flute ensembles with five flutes and rhythm section was
formed about twenty years ago at Berklee College of Music. The
jazz flute ensemble is an extension of the “saxophone section”
concept with members of the group doubling on different flutes
rather than different woodwinds.

INTERMISSION
Abby Rabinovitz Klezmer Music
Flute Doina Abby Rabinovitz
Dance of the Devil’s Bride A. Rabinovitz
Odessa Bulgar A. Rabinovitz

Abby Rabinovitz, flutist, teaches world music and
improvisation in the Third Stream Department of the New England
Conservatory. She has performed and recorded with the Klezmer
Conservatory Band and has taught klezmer music in the
nationally-known Yiddish Folk Arts Program (YIVO.) A performer
of many enthic styles, she is also an authority on Indian flute music.
In the last few years, Ms. Rabinovitz’s primary focus has been
composing and recording her own music. Tonight’s program
features her original klezmer compositions, two of which are
featured on her compact disc Flute Stories. Flute Doina was written
in memory of her grandmother, Martha Rabinovitz. Driven from
her home in Russia by the pogroms, she came to America looking
for a new life. Dance of the Devil’s Bride refers to Lilith, temptress
of Jewish folklore. Feared and reviled for centuries as lustful and
evil, her radiance and sensuality shine forth beneath the moon.

Ms. Rabinovitz is accompanied by Evan Harlan, an
Internationally-known composer, pianist and accordion player.
He has performed with jazz and world music ensembles including
Orange then Blue, the Klezmer Conservatory Band, and the
Claudio Ragazzi Quintet. A graduate of New England
Conservatory, Evan is also a member of Brasileirinho.

 

The Greater Boston Flute Association expresses sincere thanks to
the Berklee College of Music for co-sponsoring this event. In
particular, we thank Matt Marvuglio, Berklee Woodwind
Department Chair, for his hard work and generosity of spirit.