Berklee Performance Center Concerts ~, X February || February 12 February 13 February 14 February 19 February 20 February 21 February 25 \\’Fébruary 26 February 27 March 4 March 5 March 6 March 24 March 25 March 26 March 27 Spring 19680 My Reason, Craig Najar, who recently ;dned the Berklee facuity, is one of the area's most promising young song-writer/vocalists, presents an evening of music that bridges the many facets of the American pop style. New Life Orchestra, faculty member Ken Taft joins forces with student pianist/ composer Steve Bauer in presenting an exciting new big band. The Lancaster Brass Quintet in Concert, rapidly emerging as one of the area's finer chamber music groups. the Lancaster Brass Quintet directed by faculty’ member Glenn McDonald presents its first Performance Center concert. The progfam consists of traditional as well as contemporary chamber music. Jon Gorr-Barry Reiter/Jackie Beard-Ron McWhorter, the first in a series of concert “doubleheaders”, this program features two outstanding student groups in an evening of diverse and innovative modern jazz. The Next Cure, student composer Kendall Schmidt is the musical force behind this sextet that defies musical category. Elements of jazz, rock. and fusion emerge in the music of this outstanding new group. The Danny Harrington Quartet, saxophonist Harrington, a recent addition to the Berklee Faculty, offers a concert of small group jazz in the best mainstream tradition. Catharsis, directed by Shel Sondheim, is one of Berklee's most enduring jazz/rock/funk groups. The group’s growing reputation for innovative music promises an exciting evening. letus, faculty member David Mash brings his outstanding group back to the Performance Center. “Modern American music” is the only apt description for this uniqu eptet. 7 Count Dracula Meets Dr. Frankenstein - The Arch Fiends of Be-Bop, students Bradley Young and Kurt Lund bring their respective groups to the Performance Center for a joint concert of small group jazz. Plunder, multifaceted reed player Richard Hermann, a member of the Berklee faculty, makes his first appearance at the Performance Center with an engaging and varied program. The Threepenny Opera, The Berklee Pumpernickel Players present this Brecht/Weill classic. Directed by Larry Brenner, with Michael Gibbs conducting, this promises to be an entertaining night at the theatre Steppin’ Out, composer ’sa%ophonnst Peter Gordon, a member of the Berklee faculty, offers a concert of “fusion music.”” A mixed band of students and faculty will present a program of original music that features the leader on lyricon. String Department Student Concert, Berklee's young and expanding String Department presents their first concert at the Performance Center. Directed by String Department Chairman, Randel Sabier, this concert will be a unique evening for Berklee concert goers. The Norman David Eleventet, ‘aculty member Norman David leads his fine jazz group in a return performance. Witn compositions by the leader, this *little” big band never fails to impress. Side By Each, faculty guitarist Scott Free presents an evening of small group jazz. drawing from the many styles of today’s jazz music and featuring some of Berklee's best. The Electronic Music Department Concert, charman Michael Rendish presents one of the most unique and intriguing concerts of the year. They Can’t Do That To You, an evening of jazz oriented funk music will introduce you the talents of Steve Olenick. A recent addition to the Berklee faculty, keyboardist Olenick has written all of the music and lyrics for this program.