Thesis	
  for	
  Master	
  Degree	
  in	
  
	
  
Music	
  Technology	
  Innovation	
  
	
  
Theme:	
  
	
  
¨Music	
  From	
  the	
  Stars¨	
  
	
  
Author:	
  	
  
	
  

Victor	
  Hugo	
  Caicedo	
  Reinoso	
  
	
  
Tutor:	
  
	
  
Stephen	
  Webber	
  
	
  
Valencia-­‐Spain	
  
2013-­‐2014	
  

•

Introduction

Music From the Stars is a project that was born out of the curiosity of
finding out what the universe sounds like. This is a new musical concept
that combines astronomy with music. The main focus is to hear and see
how different parts of the universe sound and to develop it as a musical
composition.
For a long time, I have had some questions in my head like: What
does the universe sound like? Is there any sound out there? What is our
relationship with the universe? And how can we transform information
from stars into music?
Mankind, from the ancient Incas to Pythagoras has tried to answer some of
these questions and trough history people around the world have studied
the relationship between music and the universe. Great theories and
developments has been made in this intense human journey like: Music of
the Spheres, this theory says that the whole universe is a gigantic
composition made by the vibration of the different planets; each planet
vibes in a different frequency depending of arithmetic proportions of their
orbits around the earth. Another good example is the ancient Cosmo vision
of the Andean tribes that used music as a tribute to the great colossal; based
in these useful studies I had a good reference to develop this idea in
different ways.
The interest and eagerness to find answers to these questions led me
to ask myself: What if I drew staffs in the night sky and made the stars into
the musical notes? This was the beginning of this project that has taken me
into an interesting trip of deep investigation about the universe, its sounds
and how it related to my inner self.

•

Description of the Culminating Experience Project (the WORK)

In order to materialize this project we worked in three important
stages: investigation, development and performance.
The first stage of this process, the investigation, allowed me to
research for information about the universe and its relationship with music,
focused on three main aspects. First, I studied the relation between one star
and another and the distances and intervals between them. This is the part
of the project that helped me to get deeper into the theoretical concepts
needed to develop this idea. Next, I looked out for the possibilities to make
this project feasible. The investigation of different theories provided useful
information to support the idea, which helped me to develop the project in
a more solid way. Music of the Spheres and String Theory are useful
examples of these valuable resources.
In the next phase of the investigation, a star map was chosen, and it
became the base of this thirty-minute composition. In this part of the
project I got involved with astronomy. Google Maps, in sky view, was a
necessary tool to search around the universe. Then, I wrote random
pentagrams in the chosen sky map called Caldwell catalogue. Based on the
positions of the stars, distances and intensity, I found out different patterns
of melodies and rhythms.
The stars are the notes in the score, since they are already in the
place they should be, thanks to the forces of the universe. This is the part of
the composition process that I am using to develop the music. At the end
of this stage of the project, I needed to determine the different sounds that
I wanted to use to perform the electronic composition. Due to their
positions, it is expected that the stars are not on the perfect standard tone
pitch; therefore, I assigned this variables to tonal occidental notation. I also
used samples of satellite noises captured by utilizing stellar seismology
techniques, a scientific methodology in which Scientifics obtain real sounds
of stars that are used to reveal information about the inner of the celestial
bodies that are not visible with telescopes. These sounds are easily obtained
and free to the public, in the web. My last source of music will come from
live performance of five instruments: keytar, malletkat, guitar, tabla and
computer. The music is composed using Ableton Live & Protools.

The development, the second stage of this project, is focused on the
musical composition, a video and a pdf. file explaining the project.
At this point, I am working on the video that will be projected in the
introduction of the show. For this video I am going to work with a friend,
who is an animator, figuring out the best way to represent graphically the
outcomes of this project. The visual part is being produced in Adobe
Premier Pro, After Effects and other visual software. This 4 minute long
introductory video explains the theory of the Project in a didactical way.
We have night pictures of the stars with the pentagrams on it and the
audience will be able to visualize the reproduction of what is being listened
to.
Finally, I am working on a catalog that explains the process of the
composition of the project. This will be a .pdf file that easily explains this
piece of work to the public. After the performance we plan to release a
digital album and provide download URL´s for free downloading.
The culmination of this project will be the night of the performance.
The final show will be performed in the Hemispheric of Valencia – Spain,
on the 21st of June, at 10:00 pm. To promote the event, it is necessary to
use all possible means such as: social networks, posters, flyers and the
media. I have created a very strong, persuasive and unified graphic design
to publicize the project. The show itself represents all the knowledge and
work put into this project and the experience acquired through this
endeavor. The climax of this assignment will be provided by music, video,
colors, stars and emotions evoked by the presentation.
First, we will start with an introductory chat, secondly, the
explanatory video will be presented and finally the live performance will
take place. The visuals of the musical performance are going to be projected
on the 360ª dome using Uniview software, which is a 3D star map that is
going to take us on a cosmic trip. People who attend this performance will
have the unusual experience of hearing how the stars in the night sky
sound.

•

Innovative Aspects of the WORK

First of all, I think that one of the most innovative aspects of the
project is that, even though in history we find studies of different types of
relationship between stars and music, this is the first time that it is
presented in the way this project proposes. Drawing random staffs in sky
maps may seem a simple idea; but, I found from the research done that
nobody has done this yet.
Secondly, the use of new technologies to develop the composition
was a powerful tool that embraces innovation. Using Ableton Live to
develop an experimental composition rather than using a dance track is a
novelty that I found interesting. Furthermore, it helps the project to
solidify its design. Using stellar seismology sounds in a musical way
constitutes another innovative aspect of this project. Mixing these sounds
with human interaction gives to this work a fresh breath of air that converts
this piece into a one of a kind composition.
Finally, the way that the concert is going to be presented is a big
innovative part of the project. The project tries to create a whole
environment to illustrate the concept by using a screen that has 900m2 and
360* to display visuals and sound. The viewer can reach a profound and
vibrant experience of listening and watching different sounds and images of
the universe, while being taken on an interstellar trip guided by the music
and visuals.

•

New Skills Acquired

In this amazing journey that I have been on I feel I have developed many
skills. The most important ones I think are:
Production: In terms of musical production I have learned a lot about
which is the best way to put up sounds and composing them into an
engaging track. Also, I have acquired a useful knowledge of events
production, exemplified in the steps I had to take in order to ensure the
performance. For instance, I had to propose the project to the Director of
the City of Science and Arts. I had to polish my speech to give my best in
the presentation and convince them that this is a project that is worth
presenting on their premises, and I have had to do all the follow up to
ensure the success of the presentation.
Organization: This has been an important skill that I have developed. First
of all, choosing and organizing the sounds that could match the stars to
make the musical composition was a real commitment. Also, in terms of
the event itself it has been a big challenge to think how the project is going
to work and create the most adequate parameters for its implementation.
Organizing rehearsals with the musicians and talking with the crew that is
going to help me with the technical details of the show has been another
important aspect of my learning.
Creative composing techniques: composing taking into account the
positions of the stars was a new thing for me, and getting the technique to
develop this method was a mind boggler until I found the best way to do it.
I developed this method of composing and arranging and I found it very
useful.
Hybrid ensemble methods: In this project the human part as well as the
digital part is essential. Combining them is a great skill that I have learned.
Putting musicians together with electronic music is a basic step in this
project and I am very satisfied with the result.
Transmit emotion through music: In this area the main goal is to transport
the audience on a deep journey in which they can experiment different
kinds of sensations. Raising emotion with music is important for me and I
believe people will actually feel something when they listen to it

•

Challenges, both anticipated and unexpected

The first challenge that I knew I was going to have was the method of
composing itself. I had first to think about what night sky picture I was
going to use. I researched and figured out that it was better to do it with a
star map that is more accurate to the real star position.
Then, I had to decide what was the best starting point for the composition.
This was a difficult decision because the position of the stars does not align
with the lines or the spaces in the staffs. Therefore, I had to quantify the
stars so that they would be in a tonal way of music. This is best for creating
a better human response to the composition.
Finding a venue was a big deal in the development of this task. I wanted to
make the final show in the Hemisferic, so I asked for the help from the
people around me, and the main contacts in Berklee to make this happen.
Finally with all the help that Berklee gave me, I was able to reach my goal:
to have my performance there. This was a big achievement for this project.
Promoting the event is one of the biggest challenges in any show; I had to
use different approaches with different people to engage their interest in
the concept and in the show. I have promoted the event in the social media
and it has had a good results. Facebook and Twiter were useful tools.
People from the Hemisferic have also helped me to promote the event
trough their own media.
Organizing my own time between schoolwork, final exams and the project
has also been a big challenge. I have learned a lot about taking care of
everything to be able to complete all the assignments and continue
developing the project. It was hard but not impossible.

•

Future Ramifications and/or plans for the WORK

For the future I have several plans for the project, I want to continue
composing different songs with this technique.
Adding new sounds and developing new ways to be more accurate with the
interpretation of the microtonalism of the music in future productions that
I create.
Also, I want to sell this project to different Imax theaters and planetariums
around the world. It would be great to organize a tour showing this way of
composition to other people around the globe.
For the future I want to develop an app that could play the Music From the
Stars on any intelligent device, something that would start playing at the
exact moment that you choose an image from the sky.

•

Conclusion

In conclusion, this project tries to combine new tendencies found in the
arts and science fields, in a way that has not been done before. It is my
aspiration that it could be a significant contribution in the understanding of
how the universe is a continuous melody, almost imperceptible to the
human ear. Once the stars and the music they produce become reachable to
the public, I hope that the energy and enlightening generated will help
humankind find alternative ways to penetrate their inner selves.

•

Footnotes

Sagan, Carl (1980) Cosmos. USA.
Random House, New York.
Unknown (1955) The Urantia Book.
Urantia Foundation.
Unknown (2011) Sacred-Texts: The Pythagorean Theory of Music and
Colour.
Evinity Publishing INC. http://www.sacred-texts.com/eso/sta/sta19.htm
Kurtz, Don (2012) Songs of the Stars: The Ral Music of the Spheres.
TVO. https://www.youtube.com/watch?v=rX7wlprvlFc