Berklee Gollegs off (wsAe

Recital Hall 1W, 1140 Boylston Street, Boston
Wednesday, December 2, 1981, 7:00 pm

“PARTNERS IN CRIME"

under the direction of
PAUL MADORE & CARL MENARD

Balancing On 'a Knife-Edge....ccovvveeerrriccnnnnnns .Scomp. & arr. P. Madore
Intropy. ... oo .- o N s i e . comp. & arr. C. Menard
Three Movements:

et MOVeMERE . .. d. s o v a i iaie i e C. Menard

Ond Mevement .o & i . e e e P. Madore/C. Menard

Srd Movement. . o i i o i ah s icsees s i e P. Madore

INTERMISSION
B

Two-Part Canon For PercussSiOl.....ceececececcccncns .comp. & arr. P. Madore
Improvisation for Percussion............... comp. & arr. P. Madore/C. Menard
The Grand Finalel - .. o0 it s e e st e, Traditional

arr. P. Madore

PERSONNEL

Percussion, PAUL MADORE, East Hartford, Connecticut
Piano/Percussion, CARL MENARD, Biddeford, Maine
Percussion, ERIC GROSS, Windsor Locks, Comnecticut
Percussion, RICHARD ADAMS, Hoffman Estates, Illinotis
Mallets/Percussion, GABE LUCHETTA, Casper, Wyoming
Percussion, ROBERT MARK, Zurich, Switzerland
Percussion, BARRY HITE, Amherst, New York
Conductor, TODD NEAL, Rochester, New York